i'm playing dissidia duodecim again
this is one of the best games ever made for me
the story mode for the sequel is such a good concept because it's not just these fragmented single-character narratives the first game had
it's a group of of lightning, laguna, tifa, vaan, yuna and kain all traveling and fighting together
which gets represented in dialogue, the battle mechanics (where they're available to be called as assists), and just the presentation in general
the first dissidia just had these chessboard battle grids for its story mode "menu"
those get repurposed here as dungeon analogues
and the actual structure of the stories is conveyed via a 3d world map that you run through and explore
the partners this group of six consists of are all there, traveling with whoever your pov character is, and you can talk to them for additional musings
and because it is a group of three women and three men it has some of the highest concentration of interaction between women in the series
oh and also the world map? it's ff1's map, to exacting detail
eventually you unlock basically all of the story content of the first dissidia, and all of those stories are adapted to take place through this new presentation too
and whoever the character you're controlling is dictates what the world map bgm is
starting off as lightning, it's the archylte steppe
in effect, this game is both a sequel and a remake of what was already a really solid arena fighter
but it's just done extremely well as a follow-up
the cosmos vs. chaos conflict premise is mixed up too, with some of the players being on sides they weren't in the first game (this is a prequel)
jecht fights for cosmos and tidus fights for chaos; terra and cloud are on chaos's side too; kuja is sort of on the edge and being browbeaten by the more malicious actors into proving his commitment to chaos
golbez only plays the part he feels he deserves because he's an atoner and just wants to invisibly and indirectly support cecil
and there's a kain betrayal
all of that kinda stuff is informed by who these characters are in their source material, which i think is really fun
none of it's arbitrary
and is why i think this series has really good storytelling even though people get stuck on the "they just stand around talking" direction and the kh-style platitudes that the dialogue falls into
which i love anyway, because there's a sort of artificiality about the setting, in that it's this patchwork BATTLEWORLD composed of disparate universes and the way the player sees it is as these arenas to just do battle in
so it reads kind of prop-like like it could fall apart at any moment, with characters exiting stage left and right, and these characters acting theatrically and enormously with their elocution works for me all the way through
it's something that i'm compelled to laugh with rather than at
and god just the tutorials, of which there are dozens and dozens of pages, are some of the most thorough and importantly flavourful of anything i've ever seen
because they're all presented and orated through by actual ff characters--and because it's just textual content, they can range from more famous ones to the really obscure
and it's all conveyed in their particular voices and relations because the text interacts between the presenters
like this weird comedy routine between ultros, relm and typhon trying to figure out how accessories work
or biggs who celebrates that he survived the firings between the first game and the sequel, because there's actual fuckin' continuity between the first game's tutorial writing and the sequel's
stuff like that makes this the not only just a great-playing game for its fundamentals but one of apexes in the art of painstaking self-tribute in the medium
which of course is done by fans--younger staff employed by square enix who got to work on this stuff, even if some of the original people are there
but something like this doesn't come together without a team-wide effort and outpouring of love for what it represents
anyway lightning said "oh i'll show you how lightning strikes" so it's goty 2011