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Johnny Unusual

(He/Him)
Yeah, Season 14 is...yeah. One day Marge is accidentally getting breast implants, the next she's taking steroids. Then a couple of seasons later Bart gets fat.

You're in Bad Cartoon Sitcom Plot territory now, Octo.
The Marge ones are not super great, which the latter being in "Homer Panda" territory (not even joking).

But the one where Bart gets fat has 1) Albert Brooks and 2) is about childhood obesity in a way that feels somewhat rooted in truth (particularly when I returned to my own elementary school and was discouraged to see vending machines in them, particularly since I have a niece with PWS). Theoretically, the two Marge episodes could do that same but no, they did not.
 

Lokii

(He/Him)
Staff member
Moderator
jGJ7XeI.png
 

MetManMas

Me and My Bestie
(He, him)
The Marge ones are not super great, which the latter being in "Homer Panda" territory (not even joking).

But the one where Bart gets fat has 1) Albert Brooks and 2) is about childhood obesity in a way that feels somewhat rooted in truth (particularly when I returned to my own elementary school and was discouraged to see vending machines in them, particularly since I have a niece with PWS). Theoretically, the two Marge episodes could do that same but no, they did not.
You got a pretty good point on the Bart one (I remember the vending machines at my high school), but I don't think we really needed that remake of The Simpsons opening where Bart cartoonishly breaks everything because he's overweight. That's some pretty tasteless fat person humor.
 

Johnny Unusual

(He/Him)
You got a pretty good point on the Bart one (I remember the vending machines at my high school), but I don't think we really needed that remake of The Simpsons opening where Bart cartoonishly breaks everything because he's overweight. That's some pretty tasteless fat person humor.
True.
 

Johnny Unusual

(He/Him)
Treehouse of Horror V

Eh, I don't have a lot to tie this one in with my relation to it in my personal life, so I'm gonna say go read Dracula's horror movie list. It gud.

In this episode, three Halloween... ish stories. First, in a parody of the Shining, the Simpsons are tasked with taking care of a ski lodge but without beer and TV (and some supernatural influence) Homer begins to go mad. Then in a parody of Ray Bradbury's A Sound of Thunder, Homer accidentally creates a time machine and repeatedly disrupts human history. Then in a parody of... general cannibal fiction, The Springfield Elementary School factory becomes cannibal, farming and eating their own students.

The first episode is very funny but it really assumes that you know something of the film via cultural osmosis. It mostly feels like a Cliff Notes of the plot but when you mentally divorce it from the knowledge of what the movie is, the Simpsons make it seem so random. Sure, Homer going nuts from isolation is simple enough but there are also unexplained ghosts and a psychic power. In the book and movie it makes sense, but here it feels like a weird dogpile of stuff. Of course, people tend to know enough about the Shining not to care and its much funnier. But this one does feel like what the Halloween shorts would become, the difference being after a while a lot of the parody feels less like loving homage and more like checking off notes from a list, like the Stranger Things and Russian Doll episodes.

I think people remember the Shinning more but Time and Punishment is actually the real highlight of the episode. Great gags, great visuals and lots of fun references, many of which you aren't expected to know. unlike the last one. I mean, I didn't know the giant Bart and Lisa were a reference to a classic Twilight Zone till years later (BTW, that Twilight Zone's episode had a "don't drink and drive moral" which doesn't make much sense since the consequence is "you will become a plaything of a giant alien child" which... doesn't seem to be a metaphor for anything). But while the Shinning introduces the plot points of the source material but not the context to allow them to fit together, Time and Punishment establishes a rule and lets the game play out: Homer goes back in time, accidentally smooshes something and changes time. The part where Homer basically says "fuck this" and starts wrecking shit is funny and understandable and I can't articulate why I find it so funny, but it is.

Nightmare Cafeteria is easily the grossest the show has been up to this point. Cannibalism in fiction never seems to get under my skin like it does for some people but man that food processor at the end with a dumpster of blood is nasty. But also, its a very funny episode. But also also, there's something about it that feels like a child's nightmare (which is what it is revealed to be). I don't mean there's David Lynch-like weirdness so much as that feeling of helplessness and fear that the people who are in charge of us will turn against us. This one isn't a spoof of any specific movie but outside of the super racist Italian cannibal tribesmen genre of the 80s, most prominent movies about cannibals I can think of are either comedies or at least have a strong comedic streak to them. This is understandable since the metaphor of one person eating another is rife with metaphorical and particularly satirical potential, which is how you get movies like Parents, Delicatessen and Sweeney Todd. I feel like the Halloween episodes would get a bit nastier with their gore and along with the decline in writing, it often wasn't as fun anymore. After all, there is a difference between being cynical or playful and just mean-spirited.

I remembered this being among the strongest of the Halloween episodes and while I still really like it, I think my opinion of it went down a bit this viewing. Nonetheless, very strong stuff.

Jokes I missed before:
I seriously can't find a new one.

Other great jokes:
"Yes, they work hard and they play hard."

"That's odd. The blood usually gets off on the second floor."

This still makes me laugh so much.

"Quiet you!"

"Just remember the advice your father gave you on your wedding day."

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"You might even say we ate Uter and he's in our stomachs right now. Wait, scratch that last one."

Other notes:
Second Halloween special that makes reference to Burns owing Smithers a coke.

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I love this weird-ass looking Homer and his "Hello!"
 

Torzelbaum

????? LV 13 HP 292/ 292
(he, him, his)
So was the running gag of Willie trying to help and always getting an axe to the back for his troubles too mean-spirited or still funny?
"Ach, I'm bad at this."

Another great bit from Time and Punishment:
 

Octopus Prime

Mysterious Contraption
(He/Him)
The music number at the end has been stuck in my head for nearly 30 years. It won’t leave until I die.

I take comfort from this
 

Red Silvers

Pokemon Red w/ 1 Nidoran
At one point in 1999, I tried to write a crossover of Homer's Time Traveling and the game Chrono Trigger. It was to be an unofficial sequel to a friend's story, Final Fantasy Simpson, about Homer ending up in the world of Final Fantasy VII (instead of the ending to the 3d episode where he ends up in our world). The big catch of course being since Homer's present was 1999, there were reasons why Crono and co. wouldn't let him time travel immediately home. This blasphemy was to be titled Homer Trigger. I'm glad I never actually got any leeway into it.
 

Johnny Unusual

(He/Him)
Bart's Girlfriend

I was always a good kid... after a fashion. I never really liked getting into trouble but I often did so much because of my clumsiness and carelessness. I was generally scared of getting into trouble and wasn't interested in causing it. But there are a few times where I would follow other kids into trouble. There was one kid named Patrick who was much more impish that I hung out with for a while but eventually we split. I think my parents didn't much care for him and I think I may have been more interested in hanging out with him because of his NES. But I kind of knew just by hanging out with him felt like being within spitting range of trouble whatever it was. I think it is easy for kids to get into that situation because kids become friends relatively easily and proper judgement is still a work in progress.

In this episode, Bart sees Reverend Lovejoy's daughter Jessica and instantly falls in love. Attempts to impress her fail but he only captures her attention after he misbehaves. When she reveals she's a troublemaker too, they begin a whirlwind romance of mischief. But eventually, the trouble starts getting too much for Bart and he realizes he needs to end the relationship. When she does, she frames Bart for stealing money from the church collection plate. Bart becomes persona non grata in town until Lisa manages to prove Bart's innocence.

Bart's been in love before but this is the first time he's in a reciprocated relationship. However, Bart soon finds the relationship fairly one-sided again, as Jessica doesn't seem to genuinely care for Bart in any capacity save as someone to give her a thrill and she doesn't seem that invested once the relationship ends. Bart is able to recognize its a bad and damaging relationship built on thrill more than genuine emotion and while Bart enjoys it at first, even he can recognize when too much is too much. Bart loves making trouble but Jessica goes beyond where Bart feels comfortable. None of the mischief that she does until she steals really feels beyond what Bart would usually do (though I feel like Bart would put more thought into it that simply pull a fire alarm. I feel often there needs to be something closer of a game in it for him). But its less about the pranks and more that its clearly moving in a direction beyond where he feels safe or happy. There's definitely some mirroring in here for something more adult but it doesn't put too fine a point on it and can be enjoyed at face value.

I forgot who the guest star was an assumed it was Winona Ryder or Christina Ricca (who I know both did voiced on the show). I felt like it was someone who played precocious because she would occasionally effect a weird mid-Atlantic accent (I think. I'm not an accent expert) which definitely felt like something a younger person would do (specifically, a young person who worked in 80s cinema). So I was surprised that it was Meryl Streep. First of all, she is very good at sounding young. Like, she has a good voice for a cartoon and THIS cartoon but on top of that, I'm so used to her being "an adult" that her effecting a young voice that sounded genuine worked for me. I find a lot of the guest stars who play kids are simply using their own voices, maybe at a slightly higher octave (did I use that word right) but I feel like Streep is taking a very arch little girl femme fatale and making real choices that go beyond what is in the very funny but unnuanced character in the script.

I feel like the writers were drawing a lot on feeling the need to stay in bad relationships with the assumption that things can work out. Bart opens his heart and finds it hurt by someone who genuinely doesn't care. Bart sort of moves on by the end, doing Jessica's bidding but promising he will do a subpar job on it. I like how he could just do NO job at this point but opts for subpar. I feel like it speaks to two elements of Bart. One, obviously, is that he still can't say no to Jessica but is trying to couch it in payback. But the other is, again, I feel like there's got to be a game into Bart's pranks. Part of this is that it makes it more satisfying to write than completely mindless destruction. He seems to like outfoxing people or creating scenarios. Its not enough to just leave, he needs to thread some sort of needle. Of course, a crappy cleaning job is pretty pathetic for Bart, but it involves something of a process.

Jokes I missed before:

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Other great jokes:
"Hey, records from that era are spotty at best."



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"I don't think God's words have ever sounded so plausible."

"Ralph, Jesus did not have wheels."

"Must... fight... Satan... Make it up to him... Later."


Most underrated exchange in the show's history.

"Save me from the wee turtles! They were too quick for me!"

I like a good calendar gag. And this episode has two in one: the scene itself and showing that Bart's Itchy and Scratchy poster uses the same image for at least two months.

"What is it, a unitarian?"

"Stop him, he's headed for the window!"

"Youstolemoneyfromthechurchcollectionplate!"

"I smelled some marajuana smoke in Vietnam."

"Oh, yeah, smells like church."
(the use of a jack is a nice touch)

"Bart Simpson has somehow managed to sneak his room into my house."

Other notes:

Who... who are the people in Skinner's sting operation? Is that funded with tax dollars?

Remember when everyone was using "Misirlou" to remind us that Pulp Fiction is a timely reference?
 

Johnny Unusual

(He/Him)
Lisa on Ice

I was never into sports. That was much more my sister's bag. I like sports fiction and think they are interested in the abstract but rarely am interested in watching games. My sister, on the other hand did gymnastics, rowing, kickboxing, hap ki do, iron man competitions and surfing. I didn't have much jealousy (actually, I did hap ki do for a couple years around the same time) but I always kind of wish I was as together as her both in fitness and in terms of career. We are extremely different people in a lot of ways. I tend to be very laid back and just like to chill when I'm not working while she tends to keep busy, seeks out projects and is quite efficient. Though there is occasional tension and growing pains, there was very little sibling rivalry and we both value our friendship. I'd hate it if we couldn't get along.

In this episode, as Bart succeeds in hockey, Lisa finds herself facing her first failing grade ever; phys ed. The gym teacher allows Lisa a passive grade if she does an extracurricular sport but Lisa can't seem to find a sport that fits. After the end of one of Bart's hockey games, Apu discovers Lisa has an innate talent as a hockey goalie. Soon, the two Simpson kids find themselves at each other throats as Homer's favouritism toward Bart turns to Lisa. It all leads up to a big game where things come to a head.

Its funny how at this point despite their differences, there haven't been that many episodes where Bart and Lisa are truly at odds. There are a few b-plots but I can't think of an a-plot before this where it is the focus. There will be other ones, including the stellar "Summer of 4'2" but this feels like the first one where these very different characters are truly at war with each other. As dysfunctional as the family is and as often as they tease and taunt each other, they are often on the same side and are even a pair of pint-sized crime fighters. The writers manage to make their beef feel real tense. As broad as the show can get, there's still room for episodes where character is more than just a motivator for jokes and plot but really decide the heart of the episode. Generally, the kids might do mean things to each other but more often than not, it hurts them to see the other hurt.

Early in the show, there was more of an overt sweetness. Some call it sappy but it tended to be surprisingly effective. Some of that might fall away in favour of wittier gags but even in season six, there are episodes that truly remember to tug at our heartstrings. It only happens at the end, but it works because there's such tension as Bart is motivated by fear of losing his place just as Lisa is finally finding a place with Homer she didn't have before. Meanwhile, while I often don't like "just plain jerk Homer", particularly in the more recent seasons, but it works here. Homer is that kind of obnoxious sports dad and is there to stoke on the kids while Marge plays a thankless voice of reason/straightwoman role. Not to say she doesn't get some big weird laughs but the heart of it is the kids.

I wouldn't call it one of the Simpsons more intimate episodes. Heck, the episode ends with a riot. But I feel like while there are plenty of times for characters to give us gags, I feel like Bart and Lisa's rivalry keeps things in tight focus. There's no b-plot and it feels like everything leads back to the frustrations and jockeying of the kids. There's a tension that feels kind of real, reminding me of some uncomfortable (albeit small stakes) situations in my own household as a boy. Its not as tense as the wonderful "Marge Be Not Proud", an episode that is both laugh out loud hilarious and also surprisingly sad. I also like the touch that Marge gets caught up in the game by the end of the episode. I think before I didn't by her as a suddenly snarling monster but I do this time, feeling like aggression and excitement is too much to deny. Its also what makes the image of Bart and Lisa skating together in the backdrop of an audience apocalypse funny, poignant and meaningful.

Jokes I missed before:

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Not their strongest signage. But... Moe's Bar? I guess Moe didn't want to pay by the letter but also had some things he wanted to say.

Other great jokes:

The entire Action News segment.
"DAMN YOU SNOW!"
Is "Action News" still a thing or is it all just news?

"Did your mommy buy them for ya?"
"Of course she did, who else would?"
"All right Simpson, you win this round."

Eat Up Martha. I wouldn't say this joke aged weird so much as its based on quickly forgotten tech.

"Me fail English? That's unpossible."

"Children, that was our only ball, they'll be no team this year."

"Here's your turtle, alive and well."



"I'm no Harvey Globetrotter."
I also love Marge's cheesy delivery of "look out for the Shaq attack."


I like how the convicts are pretty up front, to their theoretical detriment, about their intent to keep committing crimes and Wiggum still lets em go OH MY GOD ITS A METAPHOR FOR AMERICAN POLITICS!

Homer's obliviousness to being the second and therefore least favourite parent is endearing in an episode where he is mostly just the worst.

"Kill, Bart! Kill, Bart! Kill, Bart!"
"Kill Bart! Kill Bart! Kill Bart!"

"We paid for blood!"

Other notes:

Lisa's snowball prank is solid prankery.
 

zonetrope

(he/him)
Marge, Bart rides up in the front seat today because he's a good guy at sports.

(The sports editor at my college paper quoted that all the time.)
 

Büge

Arm Candy
(she/her)
But also also, there's something about it that feels like a child's nightmare (which is what it is revealed to be). I don't mean there's David Lynch-like weirdness so much as that feeling of helplessness and fear that the people who are in charge of us will turn against us.
Emphasized by Marge's ineffectual pep talk:

"Mom! You've gotta help! They're cooking kids in the school cafeteria!"
"Kids, you're eight and ten years old now. I can't be fighting all your battles for you."
"But mom--!"
"No buts! You march right back to that school, look them straight in the eye, and say, 'don't eat me.'"
"Okay..."
 

Johnny Unusual

(He/Him)
Homer Badman

I'm not much different than the common man. I can think of a lot of celebrities where someone came out against them for reasons. Then the accusations quieted down. So I just assumed that "I guess there wasn't much traction there and it wasn't true." Or I thought it might be but since I don't know, I guess I can just ignore it. This is not a way of being I am proud of and I tend to drop support for any still living creator for whom consumption of their work would benefit them. And in some cases, some people who it wouldn't but the truth of who they are has so thoroughly tainted the art that I just can't. I'd be lying if I said I completely cut off all problematic creators from my life. I still love the work of Hitchcock but he apparently attempted to force himself on Tippi Hedren while filming the Birds and generally had a history of abusing his female actresses. I love David Bowie but shortly after his death a story came out about him having a sexual encounter with a couple of women under the age of consent. But I work hard to divorce myself from creators who likely hurt other people and side with the people who were hurt. Which makes this SOOOO weird...

In this episode, Homer and Marge go to a candy convention to pocket some quality candy. Homer's prize plum is the Gummi Venus de Milo. At the end of the evening, Homer takes the babysitter home and notices that the Gummi is stuck to her butt. Homer plucks it off, oblivious that the babysitter thinks Homer intended to pinch her butt. The next day, protestors appear at Homer's door and make his life Hell. Homer appears on TV but that just makes things worse when he's edited to look bad. Eventually, Homer is saved when Willie reveals that he's a voyeur who tapes people and gives Homer evidence that it was just a misunderstanding, which clears everything up.

Ooh, boy, where to begin. This episode has aged with super weird and not good. Look, someone being falsely accused of sexual harassment and having their life fucked up would be sad. But considering how many more stories of acts of harassment and FAR worse have gone unreported simply because people are not willing to believe the victims. Even the truth in this episode kind of sucks. Homer may not have intended to make Ashley, the babysitter, uncomfortable but maybe stay away from people's butts without permission, regardless of how oblivious you are. Homer never even apologizes for the thing that causes the misunderstanding in the first place. The episode is really focusing on the accused, telling us how it is so sad for him. And it is in this fictional case. But its a very bad look now to talk about how the situation is SO bad for the accused when the accuser has to fight so fucking much to get heard. I feel like the 90s was in constant fear of false accusation that people miss the point of why discussing sexual harassment is something that needs to be talked about: not only because its a bad thing but because people are worried to talk about it for their jobs or their reputation.

The other thing the show wants to explore is the nature of the media circus and distortion of the truth. Those aspects are also timely in a way that is interesting but it is also unfortunate because A) its couched in the sexual harassment plot and because B) while there is definitely issues with the news media skewing stories, that problem is also what a lot of accused harassers and assaulters claim is going against them. There is a problem with misleading news but the people are clearly lying criminals are the ones whining about it. This feels very much like another 90s phenomena of public figures being at the center of insane media storms like OJ Simpson and (boy is this at the opposite end of the spectrum) Monica Lewinsky (who too my fuzzy memory was treated pretty shittily by the media). There was a fascination with how the media was evolving into a voracious beast, almost a nightmarishly unstoppable force. That still is something of an issue but at the same time we are having more people than ever able to expose injustices with their cameras.

Now apologize if I made any shitty points. I knew this episode was coming but I still feel unprepared to fully unpack what is going on in this episode in light of the world as we understand it know versus how these issues were treated then. I don't even have time to get into Willie's peeping being forgiven because it helped someone. Despite the fact that the episode seems so wrongheaded in hindsight, it is actually VERY funny in terms of individual jokes. The Rock Bottom segment is incredibly good, And the candy convention is won of those wondrous Simpsons wonderlands I wish I could visit. But man, when my neice and nephew get older and I cherry pick episodes for them to watch, this episode ain't going near their eyes.

Jokes I missed before:

I actually can't think of one so I'm just going to use this space to lament I didn't put in this joke on the other great jokes section of "Itchy and Scratchyland": "See all that stuff in their, Homer? That's why your robot never worked."

Other great jokes:

175558.jpg


"Will you two stop saying Gummi so much?"

"Great meaning large or immense,
We use it in the pejorative sense."


"That's your solution to everything 'go under the sea.' It's not going to happen."
"Not with that attitude."


He's literally stewing in his own juices.

"My only hope is this homemade prozac. Needs more ice cream."
I would eat that disgusting mess. That is who I am.

The Rock Bottom corrections list was both the most frustrating time little me had in trying to catch all the jokes but also one of the richest veins.

8vyie5Dt_04D90t05_fXYUewTfiD1wFrOu66AlS-ORE.jpg

Other notes:
Also, I was only vaguely aware of Janet Reno as a teen but this is the second time she's referred to as evil on the show. Is this a misogyny thing or did she really do awful stuff or all of the above but she got more attention because of the former reason? I mean, the Clinton administration had some pretty awful/ill-considered policies but I wouldn't be surprised if there was extra attention focused on her because of her gender.
 

zonetrope

(he/him)
This is a classic episode that's tough to level with because what Homer does is really fucking gross. Imagine actually hearing that story IRL.

I actually did go to a candy conference once! Or technically, it was the annual Fancy Food Show in San Francisco, with a candy section. It wasn't as extravagant as the Simpsons equivalent, but there was a big Jelly Belly installment where you could help yourself.
 

Johnny Unusual

(He/Him)
Grandpa Vs. Sexual Inadequacy

I love my dad but I'm not really good at spending as much time with him as I should. I mean, I see him at least twice a week when we aren't under quarantine but that's generally in the company of the rest of the family. I don't spend a lot of one on one time with my dad anymore. I could see him after work but I tend to use that time to exercise and de-compress and when I do have time on the weekend, I appreciate just being able to just relax and get some chores done. But I know my dad, who has mobility issues stemming from his MS, can be quite lonely some times and most of the time he spends with Mom. Hopefully, I'll try to spend more time with him during the Christmas break depending on my province's state in regards to the pandemic but I really should keep him company more often.

In this episode, Homer and Marge are having trouble in their sex life and all the solutions they seek out come up entry. Help comes from an unexpected source as Grandpa reveals he has a recipe for a powerful aphrodisiac. After a wild night of passion between Marge and Homer fueled by Grandpa's tonic, Marge suggests the Homer and Grandpa sell it and make some money out of it. The drug is so successful locally, the two start going on the road to small town communities. During their trip, they come across the farm Homer grew up in and during their trip down memory lane, Homer realizes how unsupportive Abe was as a father, which sparks a fight between the two. When Grandpa reveals Homer was a tonic-fueled accident, Homer refuses to speak with his father. After a failed attempt to become a better father, Homer returns to the farm unknowningly at the same time as Abe and the two each set the house on fire. While meeting each other while escaping, both accept their failings as Dad's and reconcile.

Its no secret that for most of this series, Grandpa is portrayed as a worse father than Homer, or at least less sympathetic. Homer can be thoughtless and even mean to his kids but generally when we see flashbacks to Grandpa, he's making time to denigrate Homer, so we see why Homer tries to take time away from him. Of course, Grandpa definitely has his good points to, as he sold his house so Homer could give his family his own. Homer thanked his dad by letting him live there... but that lasted about two weeks. We've often seen the two characters having a push and pull, with Homer wanting his Dad's love and Grandpa just wanting some attention and neither being very good at giving what the other wants. Maybe if one caved some more, they would get what they want. Or maybe they've tried and they didn't get what they want so they go to the status quo. But there is a lot of interesting dynamics between the two, which makes for strong episodes where Dan Castellaneta has to play against himself for maximum comedy and drama.

Reversing a plot point from Old Money where Abe won't speak to Homer, Grandpa goes too far in talking back to Homer and says something that can't be taken back. Homer seems used to Grandpa's nastiness but this is a line for Homer that really hurts him. Grandpa's impotent attempt at reconciliation is funny but its also really sad, something that is sold in the voice acting as Dan gives him a softness to his voice we don't often here. The edge is gone because this is a man who knows he just lost his last family tie. Compare that to Homer's rage in the scene where he kicks Grandpa out of the car. This isn't usual Homer "I'll touch whatever I feel like!" but something that is seething and barely contained. It has a different kind of intensity. Its not nuanced or anything but its something I'd be interested in seeing happen in the recording booth.

Towards the end of the episode, Homer realizes after attempting to love bomb his kids (terribly) so he can be a better Dad that for its MANY flaws, the kids much preferred his hands-off style. This is a bit of a re-affirmation of the status quo but it also makes Homer a bit sad that the kids are already happier... not so much without him but with limited him. Eventually the two reconcile that they both messed up as fathers a lot but that doesn't mean they need to reject each other and can still find love and even correct some mistakes in... VERY small ways. Of course, its not going to fix the core problems with their relationship because with some rare exceptions, Simpsons is all about returning to the status quo but with a happier face put on the final moments. But the show is really good at making those final moments work emotionally during these seasons.

Oh, and this one also had a pretty funny b-plot where Bart becomes a conspiracy nut. Its pretty good but also kind of doesn't have much of an ending, except the kids essentially work together to build a conspiracy mythology which... lets face it, feels pretty prescient to what the Alt Right mindset is.

Jokes I missed before:

Took me years to realize what flaccid meant and that there was a Lake Placid to really get Lake Flaccid. I mean, I kinda got it from context but still. Also, I got the gist of the Maplethorpe book but now I actually know who he is kind of.

Other great jokes:


"Legend has it my great grandpappy stumbled on this recipe when he was trying to find a cheap substitute for holy water."

482614.jpg


IBNsLv7-rssEkb4oiPuwK03-lfE=.gif


662627.jpg


"They didn't start chasing us until you turned on that getaway music."


YhHOwTuY_k6Fn3-k3GpmPMeHfG4=.gif


"...the meal of dinner."

"I'm sure he meant to say 'serious drinking'."
"That's what I assumed."

"I was always proud... that you weren't a short man."

Other notes:

I'm going to say Homer should get points for really trying to make the Utility Room work.

I meant to say it in the body of my essay but couldn't find room: I like Grandpa in old timey snake oil salesman mode.

I'm much more familiar with Paul Harvey via the Simpsons and Freakazoid than through anywhere else. I just assumed he only aired in the U.S. but JBear says he used to listen to him from time to time.
 

zonetrope

(he/him)
I'm glad Comic Book Guy found a date (or at least a friend) willing to go with him to the Stock Footage Festival.
 

Red Silvers

Pokemon Red w/ 1 Nidoran
Grampa: "What, seeex: What's so unappealing about hearing your elderly father talk about sex? I had seeeeex."
 

Johnny Unusual

(He/Him)
Fear of Flying

I must admit that my understanding of mental illness is lacking. I certainly know enough to know that a lot of conventional portrayals of "crazy" are pretty unhealthy to our understanding of mental health. This means accepting a lot of the art I love like Psycho and, like, 85% of Batman stories, despite the quality of the stories, is skewing views of mental illness into something that turns people into alien monsters rather than something that requires support, understanding and attention. Even a lot of stories focusing on people dealing with therapy with good intentions can inadvertently cause problems by featuring problems that get a quick fix at the end of an episode or story arc. I'm sure there are points where therapy might be able to end after some time of it providing an important service but a lot of times its "I'm cured.", which I feel is rarely to never the case. Of course, I'll concede my ignorance if anyone wants to contend any of these statements. But I feel while the Simpsons simplifies things and some of the elements of portrayals within the episode that feed into less charitable portrayals, "Fear of Flying" is an episode that does a lot of good beyond simply being funny.

In this episode, Homer is kicked out of Moe's for a prank and in his effort to find a new bar ends up in an airport bar for pilots. After being forced onto a plane and made to fly due to mistaken identity, Homer causes damage to a plane and to avoid a PR incident, the airline gives the Simpsons a free trip. However, while on the plane, Marge reveals she has an intense fear of flying. Marge and Homer try to ignore it but Marge's behaviour becomes increasingly erratic, causing disruption within the family until both are forced to admit that Marge needs therapy. Eventually, she gets it and after some sessions, Marge discovers the route of her problem was that she has shame regarding her father being a "stewardess". Marge then finds herself ready to overcome her fear of flying.

This is an episode that is one I can't simply condemn the core of as I can Homer Badman. I think this has positive things to say about the healing power of therapy, which is something America seemed to be pretty fascinated by in the 80s and, to a lesser extent, the 90s. Marge tries to ignore it, finds it unhealthy and finds far more benefit in figuring things out with a therapist. But there are also clichés that are outdated and wouldn't fly anymore: the idea that a few 1 hour sessions over the course of, I'm guessing, a month (tops) can "cure" a major mental issue. The show seems somewhat aware that there's much more for Marge to deal with and Homer, fearful for any negative conclusions Marge comes to about him, rushes Marge out of the room. This is probably because the show doesn't want to have to deal with it week after week. But that's a silly fear as they don't HAVE to. They can just say she's still going at the end of the episode and without seeing it, we can assume she is going in perpetuity, maybe occasionally acknowledging it the way they do with Marge's gambling.

I am not fully prepared to expound on any definitive opinion on the portrayal of Marge in extreme anxiety mode. Again, I don't know enough about mental illness to know how realistic the portrayal is and what is "cruel for laughing at" or "I can relate to this and laugh at it". Like, I suspect its swings a little closer to the former, because even though we are extremely sympathetic towards Marge, there's also "aren't the symptoms of Marge's pain making her act silly"? But while I think it is more the former, I can definitely see the possibility of someone seeing themselves in this and being able to find humour in it and relating to it. Still, Marge muttering under her breath like that probably is something more of an unhealthy portrayal.

I suspect one of the best aspects of the episode, aside from the humour, is probably Homer. That's the part I can relate to, even though Homer's behaviour is negative throughout. I'm a really insecure person and I am constantly worried about what people think about me. This isn't any sort of serious mental illness, its neurosis and some self-absorption. While I certainly wouldn't try to be skewing the negative, I can see myself as someone trying to fish for what was discussed because I'd be afraid of the truth and what I might learn what someone else is saying about me, even though it wouldn't be any of my damned business and would be between my hypothetical SO and their therapist.

I still think the episode is more positive than negative. Marge's "eureka/rosebud" moment is comedic and simplistic but I do feel like it can at least reflect a real source of pain, a strong feeling of shame from a young age, even if it is over something that should be seen as trivial. Marge finds ignoring things makes things worse and tackling things head on in a safe place can be something extremely helpful. I feel while I wouldn't trust most of the current writers to get a good episode out of this, I feel another therapy episode, one that digs into the fact that one of our funny characters needs to talk to someone, could be good. The most obvious candidates are Marge and Lisa, but even Bart and Homer would be good to show that some of their wacky behaviour may have connections to something they really need to be dealing with (Homer flat out says as much as in the second episode with Mona Simpson, where he states that his overeating isn't just a quirk, its a compulsion related to his feelings of abandonment). I feel like with a renewed focus on mental health, many comedy shows feel more comfortable tackling it in a way intended to be helpful such as Bojack Horseman and uh... Pickle Rick, I guess? I didn't see it. Anyway, this episode may have aged a little weird but overall it is a strong and compassionate episode, even if it mishandles at least a few things.

Jokes I missed before:
Not really a "joke" but I only recently realized the title is a reference to a famous novel known for its second wave feminist themes. Its weird to use that title based on a common phrase with no pun or anything in it.

Other great jokes:

Mt. Lushmore is a pretty great name.

"Jokes on them, I'm still alive."

"Crisitunity."

"Where's my wallet?"
"Right here dad!"
I love Cartwight's delivery here and the expression on Bart's face.

"Hello sir, would you please leave without a fuss right now?"

Sometimes you don't need the original cast to make a joke work but not only does a dark take on cheers work best with the original cast, George Wendt is great as sad, scary Norm. Reminder that George Wendt is a very funny, amazing actor.

"Wait a minute... this lesbian bar doesn't have a fire exit! Enjoy your deathtrap, ladies!"
I love that the joke is that Homer isn't bothered by the nature of the bar because he's pretty progressive but he's really concerned about fire safety. However, the capper to that joke aged *badly*.


At first I thought it was "Crazy Clown" airlines. Then this watch "Kwazy Clown." I checked the closed captioning "Quasi-Clown." I love it.

"Marge, what's wrong? Hungry? Sleepy? Gassy? Gassy? It's gas, isn't it?"

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"Can't talk. Keeping myself in a state of cat-like readiness."
"Uh... neat."

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"Ya see! Ya see! *I* just left *my* first sessions and *I* haven't opened *my* mouth yet."

I love Zwieg's proclamation that the Monkees, that most manufactured band of the era, where about political and social upheaval. They all generally seemed like good people, though. One of them spent a season as Arthur on The Tick.

"Danger, Danger, My Hooks Are Flailing Wildly!"

"This might not be the best time to mention this but your last cheque bounced."
"Wait, wait, I'm remembering something."
"Yes, there's still the matter of."
"I was a little girl..."

Marge's "rich tapestry"

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Other notes:

We never do learn more about Mrs. Bouvier's bean farm.

Seriously, I do want to self-educate so if anyone who knows more about mental health wants to educate me about what I've discussed, PLEASE do. More than Homer Badman, this is an episode I feel weird about discussing because I don't know how equipped I am for it.

Also, this is a great song. It deserves to be Homer's favourite.

 

MetManMas

Me and My Bestie
(He, him)
What really makes the scene where Homer gets banned from Moe's is that the other pranks are things that are extremely harmful to Moe's health like a cobra in the cash register and lighting him on fire while Homer's prank is just unscrewing the sugar lid.

That said, he really should've known better than to prank Moe when he just wanted a cup of coffee with a little sugar in it.
 

Juno

The DRKest Roe
(He, Him)
As somebody who has a background in psychology there's a number of things about this episode that bother me about how therapy is portrayed that I don't quite have the ability to explain, so all I'll just say here is this- it's annoying how popular culture's understanding of psychotherapy has never progressed beyond Sigmund Freud, a man who died 80 years ago and whose theories are largely dismissed by those currently in the field today.
 
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