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"family-friendly," of course, didn't include queer peoplehe was also responsible for shifting the franchise towards a more family-friendly model
Yuuuuup. That's one of the many things the guy ought to be held to task for. I also don't hear many people talk about this either, and I'd love to see someone try and crunch some numbers on it too. But if you ever look at the background characters for any given Star Trek show, just pay attention to the kinds of faces you see. In TOS, Gene made it a point to have diversity walk the hallways of the Enterprise to show an integrated workforce. That ethos was still there in the first season or two of TNG. Once Berman took over though, I can't help but feel like the background characters filling the hallways or inhabiting alien worlds all of a sudden started looking a lot more like 90s Hollywood - e.g. almost exclusively white. I always think back on Jonathan Frakes' director's commentary on Insurrection where he just unprompted starts opining, "Ever notice the casting of this Baku village? How this harmonious, perfect society, everyone in it just happens to look Sweedish? Weird, right?" Star Trek gets a lot of credit for its portrayal of diversity, but the Berman years, at the very least, coasted on that reputation and did a bare minimum to appear diverse when they could have done a lot more."family-friendly," of course, didn't include queer people
First two episodes were good. Not amazing or anything, but the show is fun and comforting. It's been over two years (!!!) since we had new Disco, and a half year since any new Star Trek in general. This Writer's Strike drought friggin' sucks, but it's nice to have something to look forward to every week now for the next few months.Speaking of Treks and queer people, I sure do <3 me some DISCO. First two eps of the final season dropped last night if anyone who cares wasn't paying attention.
I just watched all of these episodes very recently so they're very fresh in my mind. Was waiting on you catching up Kirin to see what you had to say about them though before blabbing on myself. Glad you've enjoyed everything so far. Some quick notes from myself:And then we hit some biggies - Waltz and Far Beyond the Stars. (Which is to say, if you forget titles, the one with Sisko stranded with an increasingly unhinged Dukat, and the one where he's an SF writer in the '60s.) Pretty sure both of those have been discussed to death in Trek circles as I kinda remember them just from osmosis, so I don't know that I have much to add, but yeah. Powerful stuff, with Avery Brooks puttin in some serious work. (Also fun times trying to recognize everyone out of makeup in the latter.)
That episode REALLY felt like it should have been a Bashir joint, but then we don't see him get picked up by Section 31 until later.Oh and I almost forgot we just saw Honor Among Thieves, where O'Brien gets to do a solo *non*-period noir piece, that was pretty good too (even if the setup is a super weird thing for Starfleet to do... sure, let's send the brilliant engineer keeping our most strategically important outpost running on an extremely dangerous undercover mission somewhere entirely else for... reasons.)
The Magnificent Ferengi - was pretty fun as was Who Mourns for Morn? and Honey I Shrunk the Runabout I mean One Little Ship.
Well that's a fun bit of trivia I'd missed.It also has Iggy Pop as the best non-Coombs Vorta.
I actually like Ezri a whole lot. She has more of a personality than Jadzia, who seems to shift about depending on what the writers need at any given moment. And I'm lowkey glad they wrote Terry Farrell off the show? Not that I wanted her to get replaced/lose her job. I like her and her character a ton. But the whole point of her character's gimmick is that she basically gets reincarnated, and it would have been a massive waste of potential/a good premise for the show to not actually explore that and what it would be like for those around her. Like imagine watching a Superman show where Superman never flies lol. They honestly should have done the switcheroo even earlier, to have more time exploring Ezri. And also, not burn bridges with Farrell so that Jadzia could show up again once or twice, OFC.
Vic is whatever. Never worked for me, , just don't like thw whole vibe. But it's not too much.
Vic was someone's beloved pet character idea, and he really feels like it.
Vic is so fucking weird. His energy is fanfic insert character because everyone likes and/or respects him just a little TOO MUCH and he's just Frank Sinatra. In fact, this specifically feels like Seth MacFarlane fanfic.I don't think that Only a Paper Moon justifies Vic's entire existence, but it's the closest the show ever gets to a payoff for the character's presence.
realistically you know the only people into glam rock on the station are Jadzia and Nog.
I love this analogy.It's like if a character everyone loved named Bavid Dowie entered the show and suddenly everyone in the universe was super into glam rock despite the fact that realistically you know the only people into glam rock on the station are Jadzia and Nog.
Oh, yeah, I know she just exists because someone from the production team was an asshole. My point was more what WH later argued, that we totally should see how it works out, when a trill host dies. It's so essential to that society. It's just too late at that point, and it should be actually have been made to show that side of Dax. Not as the result of a shitty power play.Ezri was just kinda... compromised as a character, because Berman wrote Terry Farrell out when she wouldn't commit to the full seventh season (she wanted to be recurring to ease up on the schedule) and then had to do something with Dax about it. It wasn't a "let's explore what happens when" kind of decision, and the scramble is kinda clear.
I can definitely think of good characters with these qualities but it's always weird when it feels unearned in a group of characters for whom that should mean very different things and when it comes out of nowhere, it feels like someone is trying very hard to make something happen. USUALLY when a show tries that hard it feels like a backdoor pilot. Which would be wild in this case.super wise, bestie with everyone.
If y'all haven't seen the DS9 documentary from 2018, watch it because it becomes obvious really fast that it's all Ira Steven Behr's fault. That he was That Guy.Vic is so fucking weird. His energy is fanfic insert character because everyone likes and/or respects him just a little TOO MUCH and he's just Frank Sinatra. In fact, this specifically feels like Seth MacFarlane fanfic.