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Movie Time 2.0: TT mini reviews

Beowulf

Son of The Answer Man
(He/Him)
Merry Little Batman - A very cute holiday adventure mostly starring 8-year-old Damian Wayne learning to be a tiny Batman. They mostly used the villain character designs from the Burton/Schumacher live-action Batman movies, which was an odd choice but it goes with the level of seriousness involved. And whoever did the soundtrack loves British punk music. Cute, entertaining; don’t think too hard about it.

We rewatched Dungeons & Dragons: Honor Among Thieves with Babywulf (who loved it) and also watched all the DVD extras. The best bit from those is Justice Smith talking about how he came with creative hand motions for all his spells to see how the VFX guys would draw the magic around them, and it cuts to the head VFX guy just looking long-suffering. But it’s also clear how much the creators cared about D&D and making the movie fun. I hope they get a sequel.

The Marvels - For all the usual “worst movie ever” bullcrap in the reviews, this was pretty good. Ms. Marvel got the memo and was having a great time. At 90 minutes, this was much less bloated than most of the other recent fare. I’d argue it was a little repetitive to Captain Marvel and Ms. Marvel (it assumes you’ve watched those and WandaVision so you know the characters and what’s going on, but still repeats many of the jokes) but still fun, because Nick Fury herding cats and Kamala’s parents being ridiculous but loving is never not fun. And regarding the stinger, I would LOVE to see Kamala, Kate Bishop, Cassie Lang, and Yelena doing Young Avengers nonsense, but I don’t think it’ll actually happen.

Spider-Man: Across the Spider-Verse - This was a delight, full of great lines and Easter Eggs for longtime fans...right up to the point it became clear it was only half a movie, despite how long it was. Yes, I’m going to watch the third one regardless, but I’m going to be salty about it.

Poor Things – “What the fuck was that?” Okay, what it was is a modern retelling of Frankenstein, where the original novel was really gay (Mary Shelley was the original “fanfic writer with a queer friend circle”), but this is very, very straight. And terrified of feminism but convinced it’s inevitable. It gets a horror-movie ending where the monster wins and society is cowed before her, but the monster is feminism. Ah, well. Emma Stone acted the hell out of it and Mark Ruffalo seems to have had a really good time.

Madame Web - I went out of my way to see this because the “usual suspects” on the internet were declaring it the worst Marvel movie ever (which they do any time there’s a prominent female character or a character of color, which this has in abundance). It is, in fact, pretty terrible. There was a rumor this was a test of an AI-written script: This was waaaay too coherent (despite being formulaic) to have been written by AI. I might accept that it was "written" by AI and "edited" (read: basically thrown out and re-written from the bare bones) by underpaid humans. But my guess is that it was written by a committee, under-directed, then badly edited. There are some genuinely good actors in this film, but their performances smack of being given a terrible script that had been rewritten eight times since the table read and then filming everything in a week so the footage could be rushed off to the CGI artists. Except off-brand evil Spider-Man. He's a genuinely terrible actor.
 

Issun

Chumpy
(He/Him)
Dungeons & Dragons: Honor Among Thieves
Certainly one of the most fun films of the decade so far.
The Marvels
Captain Marvel is my favorite MCU character and movie, but the character killed the forward momentum Brie Larson had as one of the true talents of her generation, so I have mixed feelings. Plus I resent having to do TV homework to watch a movie, so have not seen this.

Spider-Man: Across the Spider-Verse
I'm glad Boy and the Heron won, but would not have been upset had this taken the Oscar instead. Great middle film.

Poor Things
This was one of the most fully realized steampunk worlds in the history of film, and I'm glad it dominated the requisite categories.
 

Adrenaline

Post Reader
(He/Him)
Poor Things – “What the fuck was that?” Okay, what it was is a modern retelling of Frankenstein, where the original novel was really gay (Mary Shelley was the original “fanfic writer with a queer friend circle”), but this is very, very straight. And terrified of feminism but convinced it’s inevitable. It gets a horror-movie ending where the monster wins and society is cowed before her, but the monster is feminism. Ah, well. Emma Stone acted the hell out of it and Mark Ruffalo seems to have had a really good time.
What are you talking about
 

Adrenaline

Post Reader
(He/Him)
What I mean is that "feminism bad" is in no way the message of the movie. Bella's awakening to her own sexuality and power as a woman is only terrifying to people who want to exploit and control her. There is probably a debate to be had over whether the movie's concept of feminism works but I think you completely misread it if you think it doesn't see her as the hero.
 

Olli

(he/him)
I can't remember if I posted about it here, but in some ways Poor Things felt like a tribute to 70s sexploitation movies. Openly exploring sexuality and desire, and willing to show it all, but with more budget and artistic vision than a simple porn flick.
 

Beowulf

Son of The Answer Man
(He/Him)
What I mean is that "feminism bad" is in no way the message of the movie. Bella's awakening to her own sexuality and power as a woman is only terrifying to people who want to exploit and control her. There is probably a debate to be had over whether the movie's concept of feminism works but I think you completely misread it if you think it doesn't see her as the hero.
I'm not saying Bella isn't the protagonist, but no, I don't think she's the hero. The movie is shown from an extremely strong male gaze, and the viewpoint characters are generally the male ones--Bella is an object to be observed by everyone around her, barely ever a subject in her own right. And she's "feminist" in an overblown way that's scary to conservatives but sexy to liberal men: She loves sex and is okay with casual nudity. She ignores societal conventions. She doesn't submit to her husband; in fact, she destroys two "strong alpha males" and takes the company of a beta male--arguably a cuckhold, even--who's okay with her being a whore.
 

Issun

Chumpy
(He/Him)
The musical remake of Mean Girls is very, very not good. I could expound a lot further but I'm not sure the movie deserves it. Just rewatch the original, since this one is really just reenacting scenes from the original with (mostly) less talented actors and some lazily-written songs interspersed throughout. Renee Rapp is a pretty good Regina George, though.
 

Pajaro Pete

(He/Himbo)
Prey for the Bride (Tubi Original): Very Lifetime Original Movie coded, a largely bloodless slasher that for some reason treats the titular Bride being In On It as a twist in the final five minutes even though it has that title. "We're women... and we did a crime years ago.... and now someone connected to it is coming after us" is pretty well worn territory at this point, just watch Valentine (2001) or Sorority Row (2009).

Bloody Summer Camp (Not a Tubi Original but available on Tubi Dot Com): hey do you want a movie about a masked killer is murdering counselors at a summer camp? do you want two hours of that? do you want a bunch of folks who don't seem to have a lot of experience acting? do you want a lot of scenes that feel like improv? this was a mess from beginning to end, there's somehow like 34 people in the cast? it's a two hour movie with less than 50 minutes of actual material. the scenes with the sheriff were excruciatingly bad, i don't know if they just let the actor improv all his scenes and cut none of it or if he was directed to act like that, but every scene with him was just distractingly bad. Just watch Final Girls (2015) instead.
 

jpfriction

(He, Him)
The musical remake of Mean Girls is very, very not good. I could expound a lot further but I'm not sure the movie deserves it. Just rewatch the original, since this one is really just reenacting scenes from the original with (mostly) less talented actors and some lazily-written songs interspersed throughout. Renee Rapp is a pretty good Regina George, though.
Oh it’s a musical? I kept seeing commercials for Mean Girls with older actors and was very confused.
 

Adrenaline

Post Reader
(He/Him)
Dune Part Two (2024)

The ending, which I would guess is similar to the book, was a bit confusing and unsatisfying to me.
The ending is actually quite a bit different in the book, without the outcome changing that much, if that makes sense. It's more of a clean ending that the sequel undercuts, while in the movie it's very obviously setting up a part three.
 

Beowulf

Son of The Answer Man
(He/Him)
Oh it’s a musical? I kept seeing commercials for Mean Girls with older actors and was very confused.
Yes, as opposed to Mean Girls: The Musical that ran on Broadway, which was fabulous and I highly recommend the original cast album. (Yes, they already had a musical, but made a different one for the movie. I don't understand it either.)
 
The ending is actually quite a bit different in the book, without the outcome changing that much, if that makes sense. It's more of a clean ending that the sequel undercuts, while in the movie it's very obviously setting up a part three.
Good to know. Both Paul bypassing Chani for Princess Irulan and the mechanics of the final knife fight felt unsatisfying to me.

On the whole, I enjoyed Dune Part 2. I think big budget sci-fi (Avatar, Blade Runner, Prometheus, etc.) is my favorite genre of film to see in the theater. I feel like the whole vision spectacle of sci-fi is engrossing in the theater.

But just because I enjoy sci-fi, doesn't mean that other genres are not enjoyable in theaters. I imagine a movie like Goodburger 2 was designed with IMAX in mind.
 

Lokii

(He/Him)
Staff member
Moderator
Yes, as opposed to Mean Girls: The Musical that ran on Broadway, which was fabulous and I highly recommend the original cast album. (Yes, they already had a musical, but made a different one for the movie. I don't understand it either.)

Wait, it's not the same musical? There's new songs and stuff?
 
Love Lies Bleeding is great. I don’t really know what I was expecting but it was thrilling, perverse, and hilarious. The director’s first film Saint Maud was also wonderful. Wish I could’ve seen it in theaters but it was supposed to come out right when covid really started popping off and it went straight to Hulu…
 

FelixSH

(He/Him)
I watched One Piece: Red. It was fine. The story felt a bit reused (having a super op power, that gets out of control and destroys/kills everything around you feels like Big Mums past), and I just can't deal with movies of long-running anime being outside of canon. Like with the DBZ movies, it's just not possible to have this movie happening.

Dunno, these are just nitpicks. It's a fun movie to watch, just felt a bit underwhelming. I did enjoy seeing all these big names reappearing, that's always fun (and not possible, without being out of continuity).
 

Octopus Prime

Mysterious Contraption
(He/Him)
Making me like Ghostbusters is no great feat. It’s happened pretty consistently over the years.

Ghostbusters Afterlife managed to beat all the odds and be a Ghostbusters thing I thought sucked beans.

So it was with great apprehension I approached Ghostbusters: Frozen Empire

And I loved it.
 

Büge

Arm Candy
(she/her)
fd6bcc53737bbed88382df705140c0f77717a632.gif
 

jpfriction

(He, Him)
My flight sat on the tarmac for a good 4 hours yesterday while they dealt with all sorts of shit so I got to watch a couple movies.

Dial of Destiny was quite stupid but I had more fun with it than crystal skull.

Also clicked on Freelance on a whim as I saw John Cena and Alison Brie in an action flick and figured it’d be an action/comedy thing like The Lost City and I bet there is a cut of this movie out there that does that but that wasn’t what they released. Just a bog standard muscleman and a pretty girl against the world movie that bored me to tears. Bummer.
 

Rascally Badger

El Capitan de la outro espacio
(He/Him)
Godzilla x Kong: The New Empire rocks. I mean, its silly nonsense, but silly nonsense in the funnest way. The title is a little misleading; it is a King Kong movie with some Godzilla, but its fun. It kind of feels like they wanted to make a Kong movie with no people, just Kong running around. He's never more relatable than he is at the start of the movie. He can't find a date, can't find a dentist that takes his insurance; he just looks lonely and sad.

I hope they do a sequel where Kong and Godzilla are single dads.

I think I need to revisit Godzilla: King of the Monsters and Godzilla vs Kong, but I'd put this one below King of the Monsters and above GvK. The only real problem I had with it is that the villain is just not as good a threat as Ghidorah or MechaGodzilla.
 
It kind of feels like they wanted to make a Kong movie with no people, just Kong running around.
There is less people nonsense than the last movie, which is good because the people aren't particularly likable or interesting. But they are still there in order to narrate to the audience all of the nonsense you're watching in case you needed Reasons for why you should be invested in watching a beeg monke and a beeg lizzy throw hands.
 
Enjoyed this, like its prequel, way more than the other Legendary solo monster movies.

The Scar Skar King controlled Shimo with pain but Godzilla also murdered Tiamat in her own domain. 😡 Not a good person.
 
Jakob's Wife (2021)
Who's your master?

I watched Jakob's Wife for the first time last night. Its a small budget vampire movie.

The story centers a round Jacob (Larry Fessenden), a preacher, and Anne (Barbara Crampton), his wife. Anne is part of a redevelopment project which aims to revitalize an old mill and turn it into a shopping center. The developer of the project is an old high school flame for Anne. Anne and the developer go to the old mill to discuss business and maybe have an affair. Its here that they run into a vampire.

I think this movie has a couple of cool ideas:

First, instead of setting a the vampire in a dense urban area like London or New York, Jakob's Wife is set in decaying small town America. If people go missing in a burnt out town with drug users and unemployed who notices?

Second, Anne is turned into a vampire. Her husband wants to cure the vampirism and return her to normal. However, Anne doesn't really want to give her vampiric powers up. There is a theme in this movie of women being unburdened from men symbolized by vampirism. Vamparism provided independence.

Barbara Crampton is one of my favorite actresses. Her involvement in any film makes me more interested to see it. She is the lead in this movie and she is very good.

Rating (our of 5): 💀 💀 💀 1/2
 

Paul le Fou

24/7 lofi hip hop man to study/relax to
(He)
I watched the original Road House and the new remake recently. The original is interesting in some of the ways it presents its world - bouncers become famous for being good bouncers in this interconnected bar world; it's got that pat 80s morality of how somehow fighting bad guys makes you just as bad as them and also the popular 80s trend of having a businessman threatening small town America being the bad guy; it's got Sam Elliott being frankly awesome. A fun-enough jaunt back into Americana and archetypal 80s cinema.

The new one hits a lot of the same plot beats but does it in a thoroughly modernized context and streamlined plot; it's as 2020s a movie as the original is an 80s movie. It fails to distinguish itself, really, despite taking a few different angles on things. Not having the main character be a career bouncer before getting hired is something I missed from the original, as well as the presence of that Bouncer World where people get famous for keeping bars under control. The businessman-against-small-town angle is somehow even more cliched than it was in the original. Gyllenhall feels like he's playing a full-on sociopath, an actual broken man, rather than the philosophy-major cool-cat Swayze played. Conor MacGregor absolutely devours the scenery when he's onscreen, and is undoubtedly the highlight of the movie. It's not bad, just not very noteworthy. Worth watching I guess, but nothing I'd particularly recommend.
 
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