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What'cha Reading?

Dark Medusa

Diamond Crusader
(He/they)
Finished up Black Leopard, Red Wolf. Brutal from start to finish, definitely qualifies as grimdark. I thought the writing was engaging and I enjoyed the read overall, but I'm also not sure I want to go on and read the sequel Moon Witch, Spider King just yet. It apparently retells (many of?) the same events through a different character's eyes; I honestly don't know if that makes it more or less appealing to me right now. On the one hand, it might benefit from reading shortly after the first one so I remember details from the first one so I can compare and contrast better. On the other, that's a lot of oppressive brutality to stick with and they're not short books.
So, the first like half? Two thirds? Of the book actually starts before the events (like, VERY before). I'd also recommend reading it or at least trying to remember the details because I read both when they came out and forgot a lot, and I felt like I would have gotten more out of it if I remembered more. It is, however, long, oppressive, brutal books, so maybe giving yourself a little bit is good.
 

Paul le Fou

24/7 lofi hip hop man to study/relax to
(He)
Yeah, I gave in and started it so I could remember as much as possible. I'm about 100 pages in, but it's slow going so far; but I suppose the first book started with lots of backstory and such as well.
 

FelixSH

(He/Him)
I read The Hitchhikers Guide to the Galaxy. Second time, first time was around 15 years ago. I wasn't impressed back then, so I wanted to give it another shot.

I enjoyed it more this time. The humor actually worked on me now. Not as much as I'd have hoped (there were a bunch of jokes that simply didn't do anything for me), but well enough. The characters were fine. It was a good time.

Still, I understand why I didn't like it the first time, and I still just find it ok. Not enjoyable enough to read the next book. Particularly the ending felt really rushed and weird. And the story itself, dunno, is just kinda there? I mean, is it simply about Earth being destroyed, and finding out what and why? Because the characters don't have an arc of any kind, and they are barely a team at the end, not really knowing each other for long?

It feels like very early Discworld, the first two books, where there is a story, or something, but it's mainly about throwing Rincewind into more and more awful situations and making fun of tropes. I do think Hitchhikers Guide is better written than those two, but the later Discworld is so much more my thing. A real story, deeper exploration of themes, etc...

I mean, I'm also not really into british humor, it's too dry and emotionless for me. Thinking at the IT Crowd, when I tried to watch it and gave up after a few episodes, these characters always feel so incredibly apathetic, except when they are panicking. But any kind of positive emotions, kindness and warmth? Nope, nothing to be found here.

To end on a positive note, I loved the asides, where Adams would use a chapter to go on about something only vaguely related to the plot. There are so many cool ideas, so much great worldbuilding, it's a shame that it isn't put into a better story.
 

jpfriction

(He, Him)
Treating the first four books as one complete arc works the best for me. They aren’t terribly long anyway.

I never bother reading mostly harmless anymore, It has some good bits but Douglas Adams was clearly in a bad mood when he wrote that. Less said about And another thing… the better.
 
Finally giving Imaginary Friend by Stephen Chbosky a try
Very meh. Too much with the Christian overtones. Could have been half it's length, and wasn't thrilled with the conclusion. I recently finished the first volume of Monstress, which I thought was great. Will definitely continue, and I finished Adrian Tchaikovsky's latest And Put Away Childish Things, which I enjoyed. Now, after two years, returning to The Expanse with Cibola Burn
 

Behemoth

Dostoevsky is immortal!
(he/him/his)
The series is back on track after a bit of a stumble with the last book. Already put Nemesis Games on hold. In the meantime, going back to horror with Ghostland by Duncan Ralston
Cibola Burn is by far the weakest one, IMO.

Edit to add that I think Nemesis Games and Babylon's Ashes are the best books in the series, although the final "trilogy" is also good.
 

Kazin

did i do all of that?
(he/him)
Just finished Ron Chernow's Grant and I came away with a huge appreciation for a man usually overlooked besides his role in the Civil War (I certainly didn't learn about him in grade school beyond the Civil War itself, with his presidency a footnote at best). Grant had problems, to say the least, but for his time, he was a thoroughly good dude.
 

Lokii

(He/Him)
Staff member
Moderator
June reads. A very productive month. I also read a number of short stories and tons of fables, but I'll keep my comments to whole books lest this post go on forever.

The Sanctuary Sparrow by Ellis Peters 1983

Cadfeal book seven. This one concerns a jester who seeks sanctuary in Cadfeal's monastery after being accused of robbing the local goldsmith during his son's wedding. Whereas the last book was largely an adventure story with a bit of mystery peppered in, this one returns to a traditional mystery structure centering on a specific urban location. Very enjoyable, with a good large cast of interesting characters and potential who-done-ems. I've been wondering how long Peters could keep up the magic with her wonderful profound endings and this one might be the crack in the seams. The ending was satisfying, don't get me wrong, but missing was that perfect surprising moment that has previously elevated these stories. Here rather Peter constructs a larger argument for love as the salvation to greed, and it's well-wrought and nuanced and certainly not superficial, but I won't lie and say I didn't miss the sublime punctuating moment.

"Old friend, I doubt even you could bring this criminal into the fold among the lambs. Now they've chose their way, and it's taken them far out of the reach of man's mercy. Oh, and I suppose you'll tell me that God's reach is longer than man's."

"It had better be," said Brother Cadfael very solemnly, "otherwise we're all lost."


The Dirdir by Jack Vance 1969

The third part of Vance's Tschai series of planetary romance. Earthman Adam Reith sets to construct a spaceship that will finally allow him to escape Old Tschai and return home. But doing so under the noses of the élite and savage Dirdir is neither easy or cheap. The action largely revolves around two spectacular set-pieces both involving outmaneuvering and outwitting Dirdir hunting parties in fantastically imagined contexts. Very exciting and tons of fun. I'd been trying to space these books out but this one was so enthralling and ended right before the climax (on purpose) that I immediately jumped right into the next.

"There is no reason why the project should not go easily and smoothly except for the innate perversity of circumstances."

Your Rainforest Mind by Paula Prober 2016

A high level summery on adulted giftedness. Low on information but rich in resources, and provides a useful metaphor that avoids the stigmata that comes with the word "gifted." That's valuable all on its own.

The Book of Three by Lloyd Alexander 1964

Surely no one needs an introduction to this. Read aloud to Alex, who had never heard of the series before. Holds up pretty good and he's eager to get to the Black Cauldron. We also found a lot of fun looking up how Disney interpreted these characters. "That's how they drew Doli?! No wonder people hated the movie!"

“Most of us are called on to perform tasks far beyond what we can do. Our capabilities seldom match our aspirations, and we are often woefully unprepared. To this extent, we are all Assistant Pig-Keepers at heart.”

Fables by Robert Luis Stevenson 1896

I was reading some fables on a whim this month and I became fascinated with the form. In the past few weeks I've read some 400 of the things, stretching back to antiquity up to the modern day. It's been captivating to see how different authors play with the structure and how flexible it is. For example, this short volume by Stevenson published after his death. He only wrote a small handful of fables but they are remarkably sly, often avoiding easy interpretations and growing more rich the longer one ponders them.

XII.—THE CITIZEN AND THE TRAVELLER.

“Look round you,” said the citizen. “This is the largest market in the world.”

“Oh, surely not,” said the traveller.

“Well, perhaps not the largest,” said the citizen, “but much the best.”

“You are certainly wrong there,” said the traveller. “I can tell you . . .”

They buried the stranger at the dusk.

The Pnume by Jack Vance 1970

Planet of Adventure reaches it's conclusion. Reith was just on the verge of escaping Tschai when the innate perversity of circumstances intervene. Now separated from his friends and lost in the underground labyrinth of the mysterious Pnume, Reith has seemingly lost all the ground he had gained in the previous volumes. Significant character growth and profound revelations are only hinted through Vance's typical light touch and I found myself at the end with a desire to reread with a close eye, now that I know the shape of the thing. "In a couple of years I'll come back to it," I thought. Well that resolution lasted less than a day. I found scans online of the French comic adaptation so now I've started all over, in a language I can barely read, and it rules!

“It goes to demonstrate,” said Reith, “that you can’t judge a man by the table he sets.”

Cauch asked shrewdly, “How then can a man judge his fellows? For example, what is the basis of your calculation?”

“Only one thing I know for certain,” said Reith. “First thoughts are always wrong.”
 

Violentvixen

(She/Her)
I read this right when it came out, but it was the first Becky Chambers book I'd read so I wasn't really aware of her writing style. I remember expecting it to be a different kind of book than it ended up being, but now that I've become more of a fan I'd like to give this one another shot. The sequel came out pretty recently too!
I don't mean to poison the well here -- just that I was expecting more of a traditional story structure, which isn't really Becky Chambers' thing (she's way more focused on character development and worldbuilding). Psalm for the Wild-Built is a chill and meditative book, and I'd like to read it again.
I just finished this (not in time for book club but whatevs) and completely agree. I don't think it quite works for me. It really reminded me of Nghi Vo's books but I like those much better.
 

lincolnic

can stop, will stop
(he/him)
I just finished this (not in time for book club but whatevs) and completely agree. I don't think it quite works for me. It really reminded me of Nghi Vo's books but I like those much better.
For what it's worth, I absolutely loved her Wayfarers series even though I wasn't totally into Psalm. If you're willing to give her another try, go for The Long Way to a Small, Angry Planet.
 

FelixSH

(He/Him)
I started reading Stephen Kings Misery, because I wanted to finally read something from him. I expected a slower burn, but that fan shows how deranged she is from the word go. I'm still at the start, but I already get anxiety from how she punishes the protagonist for imagined, bad behaviour.

Does it get worse? I'm honestly not sure if I can take it, if it does.
 

Exposition Owl

more posts about buildings and food
(he/him/his)
For what it's worth, I absolutely loved her Wayfarers series even though I wasn't totally into Psalm. If you're willing to give her another try, go for The Long Way to a Small, Angry Planet.

I was also a huge fan of the Wayfarers books from beginning to end. It was one of those deals where she had clearly said everything she wanted to say with them by the last book, but I was still kind of sad there weren’t more.
 

Dark Medusa

Diamond Crusader
(He/they)
I haven't read Wayfarers, so I wouldn't be surprised if my opinion is affected by this, but I've enjoyed the two (so far) Monk & Robot books. They're small, they're cozy, and have interesting worldbuilding and ideas. I quite like them.
 

lincolnic

can stop, will stop
(he/him)
I was also a huge fan of the Wayfarers books from beginning to end. It was one of those deals where she had clearly said everything she wanted to say with them by the last book, but I was still kind of sad there weren’t more.
I will die mad that we never got more Doctor Chef.
 

Paul le Fou

24/7 lofi hip hop man to study/relax to
(He)
I'm about halfway through Moon Witch, Spider King and I think I may put it down. It just really hasn't grabbed me; I'm only realizing it now, but the first half of the book has been a lot of "Stuff happens to Sogolon" without a lot of agency on her part. I'm sure that turns around, but that's not the main thing that's bothering me. Not that anything in particular is bothering me, I just don't find myself caring too much.

Started on Jeff Vandermeer's Hummingbird Salamander, only a few tens of pages in so far but I'm interested in where it's going at the moment. I hope I end up liking it, because the last Vandermeer book I tried to read (A Peculiar Peril) really didn't do anything for me.
 

lincolnic

can stop, will stop
(he/him)
Two recent reads:

Detransition, Baby by Torrey Peters. A good book in its own right, and notable for being the first novel by an openly trans woman to be nominated for the Women's Prize for Fiction. I really thought all the main characters were engaging and compelling, and (at risk of sounding like virtue signaling) I think a lot of cis people would do well to read this one and hopefully gain a bit more understanding of what life for some trans people is like. Or at the very least, make them really think about gender in a meaningful way. (Lest it go without saying: I am a cis dude, so if any trans folks here have different feelings about the book or the author, I will defer to you!)

The Ferryman by Justin Cronin. This one kept popping up on a couple of "best sci-fi novels of the year so far" lists. It was a good story and an enjoyable read, though the actual writing didn't knock me out. It lost me a little at the end, but I was engaged pretty much all the way through.

Now I'm about halfway through Margaret Atwood's recent short story collection Old Babes in the Wood. I picked this off the library shelf without giving the jacket too much of a read, and was a little surprised to find that it's mostly realistic fiction. But it's Margaret Atwood and she doesn't disappoint. I'm enjoying my time with these stories quite a bit.
 
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Some recent updates:
1. The Wishing Game by Meg Shaffer. Really good
2. Finished the Ghostland series with Infinite. It was decent, but really should have just been a stand alone
3. Finally finished The Making of The Empire Strikes Back. Will probably be reading Jedi in August
4. Read the latest volume of Saga, such a good series. Looking forward to Vol. 11 in October
5. Currently, getting back to The Expanse, with Nemesis Games
 

Rascally Badger

El Capitan de la outro espacio
(He/Him)
During a recent library sale I bought volume 2 of Fantagraphics Prince Valiant reprints. This stuff is wild.

Valiant and his Dad go to reclaim his dad's kingdom from an usurper, Sligor. Except when they get all geared up, Sligor is just "if you let me leave you can have your kingdom back. Being a king sucks." And they do; no fight. Dude leaves his wife and daughter there because "he just wants peace."

Then he goes to some castle to help fight the Huns (only slight racism) besieging it. The 'warrior-troubadours' fighting in the castle fight on the battlements all day and then party all night, until they run out of food. Then they burn the women alive in a tower (???) and sneak out a secret passage to attack the Huns from behind and fight until the last man dies.
 

lincolnic

can stop, will stop
(he/him)
I got my girlfriend the first big Saga omnibus for her birthday (which is everything except the most recent volume from last year), and I'm kinda jealous of her getting to read it for the first time.
 

FelixSH

(He/Him)
Done with Misery. Excellent book, start to finish. I had read Carrie before, and The Long Walk years ago, but now I finally understand why he is so popular.

The really intense moments are rare, it feels way more like a thriller than a horror story. But I guess there is just a cross-section this book settles in.

Also, this feels like a modern classic. The characters are multi-layered and rich, and the themes are well worked out. At some point while reading, I just got caught up with the thought that people who like classical literature will not care for something like this, just because it's new. Which is a real shame.

I'll certainly read more of him. Mainly other ones of his really popular books. And I'll watch that bad movie he made. Maximum Overdrive, I think? That one sounds like a fun watch.
 
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