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Poetry Slam.

Daikaiju

Rated Ages 6+
(He, Him)
And my thanks to you for starting it! It's a practice that helps centre me, and that's always good.

I would love to read aloud more of your dad's poems, if you're lucky enough to find any.
To Dream, Perchance to Fly 03/06/2015

[The opposite of Adams' Hitchhiker's Guide]

My spirit soars
Over the sky's
Sunlit meadows,
Released in my dreams
From the downpulling
Shadows below,
Hopscotching from
Tree tip to steeple,
Seeking the hawk road
To a fair far country
Till the brain
Gets in gear tossing
A storm anchor
Weighted with cares,
Unending frustrations;
A self-winding watch
With no stop knob.
And earthbound again,
I forget how to fly,
Till the next time.
- Gerald Alan Ney
 

Teaspoon

(They)
does everyone and their mum know Eliot? Yes.

Did I used to chant bits of this in joy? also yes

*****

The Hollow Men

Mistah Kurtz-he dead
A penny for the Old Guy



I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men.


II

Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer-

Not that final meeting
In the twilight kingdom


III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.


IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.


V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.


Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.


- T. S. Eliot
 

Teaspoon

(They)
feeling like a bit of John Berryman today

*****

Dream Song 125: "Bards freezing, naked, up to the neck in water"

Bards freezing, naked, up to the neck in water,
wholly in dark, time limited, different from
initiations now:
the class in writing, clothed & dry & light,
unlimited time, till Poetry takes some,
nobody reads them though,

no trumpets, no solemn instauration, no change;
no commissions, ladies high in soulful praise
(pal) none,
costumes as usual, turtleneck sweaters, loafers,
in & among the busy Many who brays
art is if anything fun.

I say the subject was given as of old,
prescribed the technical treatment, tests really tests
were set by the masters & graded.
I say the paralyzed fear lest one's not one
is back with us forever, worsts & bests
spring for the public, faded.

- John Berryman
 

Daikaiju

Rated Ages 6+
(He, Him)
And now for a bit of levity...

facebook_1732653680544_7267276262923074186.jpg
 

Daikaiju

Rated Ages 6+
(He, Him)
Aw, I was out on vacation and the link’s broken. (Looks like it was a cdn cache url that expired.)
Here's a link to the poem

 

Falselogic

Lapsed Threadcromancer
(they/them)
Red Brocade

The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where he’s come from,
where he’s headed.
That way, he’ll have strength
enough to answer.
Or, by then you’ll be
such good friends
you don’t care.

Let’s go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.

No, I was not busy when you came!
I was not preparing to be busy.
That’s the armor everyone put on
to pretend they had a purpose
in the world.

I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.

~Naomi Shihab Nye
 

Falselogic

Lapsed Threadcromancer
(they/them)
For a Student Who Used AI to Write a Paper

Now I let it fall back
in the grasses.
I hear you. I know
this life is hard now.
I know your days are precious
on this earth.
But what are you trying
to be free of?
The living? The miraculous
task of it?
Love is for the ones who love the work.

~Joseph Fasano
 

Teaspoon

(They)
Red Brocade

The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where he’s come from,
where he’s headed.
That way, he’ll have strength
enough to answer.
Or, by then you’ll be
such good friends
you don’t care.

Let’s go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.

No, I was not busy when you came!
I was not preparing to be busy.
That’s the armor everyone put on
to pretend they had a purpose
in the world.

I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.

~Naomi Shihab Nye
That is so very kind.
 

Teaspoon

(They)
sigh


*****

To H.


I.
In 1932 when I was ten
In my grandmother’s garden in Camberwell
I saw a Camberwell Beauty butterfly
Sitting on a clump of Michaelmas daisies.
I recognised it because I’d seen a picture
Showing its brownish wings with creamy edges
In a boy’s paper or on a cigarette-card
Earlier that week. And I remember thinking,
What else would you expect? Everyone knows
Camberwell Beauties come from Camberwell;
That’s why they’re called that. Yes, I was ten.


II.
In 1940 when I was eighteen
In Marlborough, going out one winter’s morning
To walk to school, I saw that every twig,
Every leaf in the vicar’s privet hedge
And every stalk and stem was covered in
A thin layer of ice as clear as glass
Because the rain had frozen as it landed.
The sun shone and the trees and shrubs shone back
Like pale flames with orange and green sparkles.
Freak weather conditions, people said,
And one was always hearing about them.


III.
In ’46 when I was twenty-four
I met someone harmless, someone defenceless,
But till then whole, unadapted within;
Awkward, gentle, healthy, straight-backed,
Who spoke to say something, laughed when amused;
If things went wrong, feared she might be at fault,
Whose eye I could have met for ever then,
Oh yes, and who was also beautiful.
Well, that was much as women were meant to be,
I thought, and set about looking further.
How can we tell, with nothing to compare?

- Kingsley Amis
 

Daikaiju

Rated Ages 6+
(He, Him)
Anniversary of Dad's passing, so here's another from his fertile mind.
Untold Memories 09/04-08/2015
I

When you're young,
Early on especially,
The present's in
The air you breathe,
Often underfoot
Like left out toys,
Sometimes in your face
After childhood missteps
Or the larger world
Comes barging in.
~
Snippets
Of possibilities,
Probabilities,
Distant clouds
That may come
Your way or not.
But gather and harden
With choice;
Yours, yet also
Countless others',
Such hints
Of future
Often overlooked
In the glare
Of the present.
~
Mostly private people
My family were.
A few stories,
A legend or two.
The painful pushed back
Behind a curtain..
Certain members unapproved,
Mentioned only
In passing.
Life went on,
You don't even think
Immersed in your own
Present to ask
What you don't know
Of a past
Like an air nav chart
Checkered with
No Fly, No Go,
FOUO, No Foreign.
II
Great Grandpa Gerhard,
Alive till I'm twelve,
Erect, austere and certain.
Holding court
In your living room.
Descended from Marshal Ney
You said,
Not knowing
We're cousins.
All the while
The hidden locket,
Your late wife's image,
Next to you heart.
What was she like?
I'll never know now.
Boyhood in Barton.
Normal school 1890.
How was that?
Park policeman
Folded into regular force.
Still a thief with a knife
Is the same to either.
Were you scared before
You disarmed him
On the Locust St. bridge?
Why the late move
To Appleton
Only to return?
~
Grandpa George Senior,
Hollywood handsome
In youth say the photos.
Fancy cakes baker
Only for work.
Never knew the taste
Nor the bakery.
Few words mostly,
Unless baiting Dad
By defending
Joe McCarthy
As misunderstood.
~
Grandma Lydia,
Samurai grade carbon steel
Wrapped securely
In a goose down quilt,
Extra thick and fluffy.
Let her nice you
To death, yes.
Or else!
What was Dad like
As a boy?
Or your brothers,
Especially Henry?
Drowned at fourteen.
Married a man
With that middle name,
And brother Fred's
Third son's a Hank.
What's that?
Twenty some years
Too late.
~
Grandpa Milton Wordsworth
Too few years.
Too few visits
Down the disappeared
railroad. Like Arlo's.
A long gone interurban,
The North Shore.
Only a trail
On a bit
Of right of way
Aimed at Chicago.
Our trips shortstopped
at Great Lakes Naval
Short walks wending
Through hospital grounds,
A shadow
Of your former self.
I'm never told
What keeps you there
Till the Easter you died
Grandma went
That longest short trip
Alone.
No tales of WW One
Navy, ships
And duty at sea.
I carried
That small leather
Key holder over
Twenty years
Till collapse.
~
Grandma Anna,
Queen of Clean.
Regular rearranger
Of my dresser drawers.
Where are those socks?
Every morning
To early Mass.
Neither Mom nor her
Talk much of Grandpa
Or of Clifford,
Sandy haired son
Of the easy going smile,
Killed at nineteen,
March, 1945
With the 94th,
The Woodchoppers.
He liked Stan Kenton.
Never told not to ask.
But subtly sidetracked
To safer roads.
Not till Mom died
Did I find out,
Not just a working mother,
A prime leather stitcher,
But a suffragette.
And Uncle Clifford,
A silver star.
Who knows
What else lies
Under yesteryear's leaves.
- Gerald Alan Ney
 

Falselogic

Lapsed Threadcromancer
(they/them)
Despite my Efforts Even my Prayers have Turned into Threats

Holy father I can’t pretend
I’m not afraid to see you again
but I’ll say that when the time
comes I believe my courage
will expand like a sponge
cowboy in water. My earth-
father was far braver than me — 
coming to America he knew
no English save Rolling Stones
lyrics and how to say thanks
God
. Will his goodness roll
over to my tab and if yes, how
soon? I’m sorry for neglecting
your myriad signs, which seem
obvious now as a hawk’s head
on an empty plate. I keep waking
up at the bottom of swimming
pools, the water reflecting
whatever I miss most: whiskey-
glass, pill bottles, my mother’s
oleander, which was sweet
and evergreen but toxic in all
its parts. I know it was silly
to keep what I kept from you;
you’ve always been so charmed
by my weaknesses. I just figured
you were becoming fed up with
all your making, like a virtuoso
trying not to smash apart her
flute onstage. Plus, my sins
were practically devotional:
two peaches stolen from
a bodega, which were so sweet
I savored even the bits I flossed
out my teeth. I know it’s
no excuse, but even thinking
about them now I’m drooling.
Consider the night I spent reading
another man’s lover the Dream
Songs
in bed — we made it to
“a green living / drops
limply” before we were
tangled into each other, cat
still sleeping at our feet. Allow
me these treasures, Lord.
Time will break what doesn’t
bend — even time. Even you.

~Kaveh Akbar
 

Teaspoon

(They)
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.

And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.

My hero bares my side and sees his heart
Tread, like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.

He holds the wire from the box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls the chain, the cistern moves.

- Dylan Thomas
 

Falselogic

Lapsed Threadcromancer
(they/them)
Jesus at the Gay Bar

He's here in the midst of it —
right at the centre of the dance floor,
robes hitched up to His knees
to make it easy to spin.

At some point in the evening
a boy will touch the hem of His robe
and beg to be healed, beg to be
anything other than this;

and He will reach His arms out,
sweat-damp, and weary from dance.
He'll cup the boy's face in His hand
and say,

my beautiful child
there is nothing in this heart of yours
that ever needs to be healed.


~Jay Hulme
 

Teaspoon

(They)
Weathers

This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.

- Thomas Hardy
 
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