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Phantoon

I cuss you bad
I don't think it
disintegrates the last one, they're supposed to wait in the Time Hotel. It needs the best access it can get to access all rooms, and as the Vilengard are behind it all of the hosts are surplus to requirements after they've located the right person. Possessing that person is the end game.

I liked that. The amount of bubbling anger over the way people were treated during COVID was refreshing, and the use of the Orient Express was pretty brilliant. And the Doctor's relationship with Anita, taking a year out to spend with the least important person in the story was a very Doctory thing to do.


Not the most Christmassy Moffatt episode, but I really liked it.
 

Kazin

did i do all of that?
(he/him)
The War Games in Colour spoilers:

Hearing the John Simm Master's musical theme when the War Chief and the Doctor recognize each other was both hilariously stupid and fantastic at the same time. I don't particularly care whether the War Chief is canonically the Master - I'm sure Gallifrey Base has been exploding for days now about it, but I'm far more interested in the Doctor's character than the Master. It's not like he grows over the show - by the time he becomes Michelle Gomez, the Master is still basically evil, whereas the damage the Chibnall era plotlines does to the Doctor bothers me far more.

Anyway, seeing the actual, honest-to-god Troughton era in colour is amazing. As I type this, I'm 42 minutes into the 1:29:58 edit of the War Games, and I think it's very, very well done so far. I highly recommend it - I don't think it's going to collapse as a story in the back half.
 

Kazin

did i do all of that?
(he/him)
Finished it. I adored it.

The editing was superb - I don't particularly miss what they cut, even if most of it was entertaining in it's own right, and still well worth watching. To be honest, I hope fans take the work done here and just colorize the rest of The War Games - I don't know how feasible that is (I assume that is a TON of work), but even if it never happens I'll enjoy what we have here. Even the goofy stuff - the retcon into the War Chief being the Master, and the Second Doctor being given the options to turn into his 12th, 10th, 13th, or 11th forms - was charming. The music was better mixed and less intrusive in this compared to last years The Daleks, though still very much "modern" in its approach. Seeing the domed city on Gallifrey during the endgame was a delight. Heck, they mostly cut out Pancho frickin Villa, who was played pretty much as a stereotype by a white guy (he really only has the one short scene, thankfully).

This, more than The Daleks, has convinced me these edits/colourizations are worthwhile - they don't "replace" the old versions, but are fun new ways to watch these serials. Will I watch the old 1969 version of The War Games again? Undoubtedly. But will I watch this again, too? Heck yes. That was a ton of fun.
 

Kazin

did i do all of that?
(he/him)
Apparently the actor who played Anita in Joy to the World had never done telly before. That surprised me - she was the heart of the episode for me. Great performance!

Behind the scenes video for Joy to the World:

 

Johnny Unusual

(He/Him)
Apparently the actor who played Anita in Joy to the World had never done telly before. That surprised me - she was the heart of the episode for me. Great performance!
I think the performance was great and at times heart wrenching but this was the part of the episode I was less invested in.

To me it was a really good middle and an OK beginning and ending. But the Doctor just hanging out and living was the heart of the episode and it was the best stuff. The funny thing is the show has done this before. Heck, Moffat has done this before. I feel like at least a couple times during the run (The Lodger, The Power of Three). Still, the Doctor being forced to slow down and live is always something that works for me.

I also liked the sweet hotel worker. Had he stuck around, he could easily have been in the small company of characters known as the "interesting male companions".
 

Kazin

did i do all of that?
(he/him)
I think the performance was great and at times heart wrenching but this was the part of the episode I was less invested in.

To me it was a really good middle and an OK beginning and ending. But the Doctor just hanging out and living was the heart of the episode and it was the best stuff. The funny thing is the show has done this before. Heck, Moffat has done this before. I feel like at least a couple times during the run (The Lodger, The Power of Three). Still, the Doctor being forced to slow down and live is always something that works for me.

I also liked the sweet hotel worker. Had he stuck around, he could easily have been in the small company of characters known as the "interesting male companions".
Wait - I think we actually agree. Anita is the hotel worker, the one the Doctor befriends for a year. Joy is the eventual literal star.
 

Johnny Unusual

(He/Him)
But while Anita was my favorite character of this special (such a sweet story thread) I meant the Time Hotel himbo dude would have made a good companion. That actor really gave a sweetness to him that made his death sadder.
 

Kazin

did i do all of that?
(he/him)
I got the season 20 bluray set for Christmas and am ripping it now. I just rewatched Snakedance. It doesn't get much better than that. Martin Clunes is incredible in it, and the atmosphere is impeccable. God, the 80s could have been so good throughout, if they managed stuff this good consistently.
 

Johnny Unusual

(He/Him)
The Second Doctor Retrospective

Looking back at the Second Doctor era, it's interesting that it both blazed new trails but also even more than the first Doctor seemed to fall into a pattern. The first Doctor had his share of alien invasion and alien siege stories (and sometimes both) but this is really where the series seems to decide "that's what we are" and even in some of the more adventurous Doctor runs, his heavily into THAT to this day. Don't get me wrong, I DO like formula. There's both comfort in it and at the same time there's always room to experiment. But unfortunately, for a show where the idea of GO ANYWHERE AND DO (within standards and practices) ANYTHING, it does feel a shame when we get to back to back alien stories.

I don't like coming in so harsh because there's a lot about the Second Doctor era that works and a lot that feels like the writing and directing is undercutting such a good performance and character. What I mean is when Troughton's Doctor first arrives, he's a real revelation, so much more off-kilter than the somewhat cheeky but mostly straightlaced first Doctor (I tend to think of the Doctor as a force of healing chaos against terrible systems) that it feels like we were shot straight into the iconic, nearly alien portrayal that Tom Baker did (watching clips of Baker recently and a lot of it is downright hypnotic, down to the unique way he says "jellybehbeh"). I was jazzed. And for early on, he's still there but simmering down a little bit (which I feel is common. Big entrance, then slow your role a bit to let the audience get comfortable with you), but a lot of episodes, especially in his second season (season 5) where it feels like too much is him sitting around doing the dirty work of exposition.

I feel to my memory of things, the trajectory is this; season four, the stranger, more fun Doctor, then in the next season, a bit a more of a conventional protagonist, then in his last season, have him actually more fearful and upsettable. I think this was probably a smart choice. In most TV shows, the hero becomes more confident and that's definitely true with subsequent Doctor actors until he's practically dancing between raindrops with a smile. Troughton's Doctor feels more vulnerable and despite initial weirdness, not quite the Willy Wonka he'd become. I feel like this must be because (this is purely conjecture) Troughton wanted to do stuff that wasn't quite so problem-solving-and-exposition, which I bet feels limiting to an actor. But even in latter seasons, sometimes his more interesting stuff (even just in terms of being "fun") feels like it is reserved for the introductions in the first episode of a serial and the climax and/or send-off of the end. But I feel like there's one character who makes it go smooth.

The Doctor had Polly and Ben, companions I found a bit dull, then Victoria, who never came into her own and Zoe, who I think is not badly served even in the weaker serials. But I feel like there's no better companion for this era than Jamie. So many companions feel like a generic point of view character, even when so many characters of this era come from the past and future (something they stopped doing a while ago) but Jamie really stood out. He has the brash personality a lot of companions have but there's also a really good chemistry between him and Troughton. It's a shame we didn't get the Jamie-Doctor-Zoe trio longer because it's a good chemistry. But I think Frazier Hines has a sense of fun to the character that feels like a great counter-point to the Doctor. It also helps that the Doctor is really good at portraying a rapport with any cast member so when the spark is there, it's powerful.

Overall, I feel like this was a good Doctor who only occasionally really gets let off the leash after season 4. The show had come into it's own but I feel like stories like the Mind Robber and War Games feel like the show was starting to try something else that I don't think it would get back to until later Doctors, a different kind of cosmic weirdness that set itself apart. And even with a more conventional invasion tale, the Invasion was the show making the old formula feel strong thanks to a strong leading villain. I think "three seasons per Doctor" is a completely reasonable ask but I also feel like one more Troughton season would have been interesting. I think the show was doing for a refresh but making the subsequent series "The Doctor fights an invasion" story with UNIT put the more interesting evolutions on the backburner.

I know I'm sounding a bit negative, despite my praise for Troughton. There's a lot of good stuff and I feel like the show is getting, for better or worse, more consistency in quality. But I feel like Troughton's best bits don't always appear for the whole episode and there's a lot of him in war rooms putting his fingers to his mouth, thinking and says "yes, Jamie". I think the show is in the process of codifying some of the best and worst stuff. Getting away from historicals was both understandable and costly. They were sometimes less exciting but they also really mixed things up. This is a show that works best embracing variety. The show worked best with shaking up the formula or just doing the old formula with real passion.

Also, so much foam, you guys. So much foam.

Best episodes:
The Power of the Daleks
The Evil of the Daleks
The Enemy of the World
The Mind Robber
The Invasion
The War Games
 
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Kazin

did i do all of that?
(he/him)
Love that best episode list!

Agreed with you on how formulaic the Troughton era was in season 5 - The Enemy of the World is such a breath of fresh air in that run of nearly identical base under sieges. El Sandifer (take a shot, Kazin post readers, I mentioned her again) said it's basically Mad Libs: "You can create these stories with Mad Libs. Take a noun that is something people have, a verb ending in ing, a creature, and a location with people, and you too can write a story in which Noun-Verbing Creatures attack a Location. Last time was Mind, Controlling, Crabs, and Holiday Camp. Today we get Identity, Stealing, Humanoids, and Airport." Heck, that's from the Faceless Ones post, and that's still season 4!

I really wish more of season 4 existed. It clearly is Troughton's best season - you can tell even peering at it through the recons. What I wouldn't give for even a single episode of Power of the Daleks, my god.

Very interested in reading your take on the Pertwee era. To me, it's the most formulaic era in the show's history - but it generally executes the formula pretty well, even if it's not my favorite era.
 
I spend Christmas and New Years at my parents house a lot of the time. There home is a country home in Wisconsin with very little to do.

I have my PS3 over there. But realistically I'm not going to start up a game of Metal Gear Solid 4 or Final Fantasy XIII in the one or two night per year that I spend there.

They have basic cable, and one of the true joyfuld discoveries for me was finding Doctor Who on BBC America. Its the perfect show to watch after my parents go to be early and I want to be entertained for a few hours. Almost all the episodes I've watched are satisfactorily self contained. I'm sure there are rewarding character moments if you follow the show all the way through. But even without those I loved tuning into BBC America over the holidays and watching Doctor Who.

Matt Smith happens to be my favorite doctor, because that is who I randomly watched first. But I also think he is really good!

Anyway I was bummed when Doctor Who went to Disney Plus and I'm happy the show is returning to BBC America. Even if its only replays I suspect 90% of it will be new to me.
 

Johnny Unusual

(He/Him)
·Spearhead from Space

"Smith. Doctor John Smith."

In this serial, the Doctor lands on contemporary Earth, worse for wear. He is eventually found and taken to a hospital where UNIT discovers where he is. The Brigadier, with new science recruit Liz Shaw in tow, rushes to see his old friend but finds the face of a stranger. The Doctor has regenerated. Eventually, The Doctor is nearly kidnapped by forces that the Brigadier has been investigating. The Doctor escapes (and is nearly killed by UNIT), is taken to the hospital where he escapes again to track down the TARDIS, taken by UNIT. While there, the Doctor promises to help the Brigadier in exchange for the key to the TARDIS.

The investigation leads to a plastics factory where a former worker is telling tales of a creepy dollfaced man who tried to kill him. In investigating, it is revealed that the now automated factory is being run by Autons, plastic golems controlled by an alien force called the Nestene Consciousness. The are looking to create plastic replicas of important leaders to take over the Earth. The Nestene creates a double of an army higher up to try to hinder investigations but the Doctor and Liz figure out the truth. Together, they create a device to turn off the Autons and eventually use it on a creature created to attack the Earth. The creature is defeated and the remaining Autons are deactivated. Stranded on Earth, the Doctor agrees to help UNIT for the time being as it's science expert in exchange for amenities and resources to work on the now trapped TARDIS. And also a car.

Spearhead from Space signifies a huge sea change for Doctor Who and a vision of the future. I'm not talking about UNIT or even Jon Pertwee. I mean the broader idea that the show itself can change greatly in format and still be recognizably it. Like plastic it can be malleable and shaped in bold, exciting new ways. As much as I'll miss the previous era, there is also something of this that is a breath of fresh air. The alien invasion plot itself is not too different than some we've seen before, even if a bit weirder, but I think the tone has changed a bit. There are lines and gags I can see Troughton doing but there's a whole different vibe to Pertwee. Despite being under unit, he feels more like an aristocrat. There was a certain arrogance to the previous two Doctors but Hartnell was more a harsh old man and Troughton definitely felt more free and easy.

This Doctor is more a noble robbed of resources, if not his title. Of course, said title doesn't mean much on Earth but it means a lot to him. He feels far more direct, in a lot of ways. And I think that goes with the "man of action" Doctor he is. This feels more like a response to the Avengers. I've never seen the show but from cultural osmosis, I get the vibe that there's a lot of Steed to Pertwee's performance. He's combining the Doctor's previous elements with a bit more of a Bond figure, though still allowing him to look silly (such as when the Doctor is being smothered by a plastic octopus monster). This Doctor talks but I feel he's also more quick to act to shut things down. I also think that's why at this stage, the Doctor has fewer male companions. Before the Doctor was frailer and it was up to Ian or Jamie or, God help us, Ben to be the intrepid one to move the plot along in the ways Hartnell or Troughton's characters wouldn't,

But I feel like I'm talking about what the serial does and not what it is. This is kind of a wonky serial but not a bad one. I actually was afraid it was going to be stretched out to six episodes so I was pleasantly surprised when it started ending at four (I had seen it before but not for many years). There's almost a remove between the Doctor and the threat until the end. He is talking about it but he's only engaged with it directly when he is kidnapped and when he solves the problem. Mostly it's him in labs or at a wax museum. The reason it manages to work somehow is because this is more about simply establishing the Doctor and the new status quo and that is interesting and watchable. The first two episodes alternate between the threat and seeing the Doctor being wacked out and silly. It's slightly odd in how the stories feel disconnected but it's still watchable TV. It's slightly weaker in episode three, while still being watchable. The final episode isn't perfect but it's quite breezy, even if I'm not a big fan of "I just made this machine" type solutions.

The Autons are interesting villains. They have more staying power than most and I think, ironically, while the Daleks and the Cybermen have rich metaphors (fascism and dehumanizing industrialization), somehow the Autons work by.... not having a lot. The echo the Cybermen (especially in this serial where a fully automated factory is a plot point), but like later monsters, they are also a very fluid sort of enemy where you can plug them into a different situation where they can represent different sorts of evil. But more than anything, there is a creepiness to them and the scene of Autons bursting out of shops to murder the populace. Don't get me wrong, in many ways they are underwritten but for the mechanics of the serial, it works pretty OK.

I will say, I don't have a handle on Liz Shaw. A very different companion; like Zoe, she's a smart young woman but she feels much more of a "woman" than a "girl" than most of the female companions to this point except Barbara. But I do like that she's pretty dismissive of the Brigadier but warms to the Doctor being similarly smart mouthed. I don't know if the chemistry is completely there in all it's forms yet but THAT moment felt natural that these two would feel some kinship. The Brigadier is basically the same but the only-slightly contentious power dynamic has changed. The Doctor is willing to help and to play ball but clearly doesn't like thinking of himself as being under Brigadier and the Brigadier clearly knows he only has as much power over the Doctor as the Doctor will let him have.

It's a different era for sure. The show feels more like the popular case-of-the-week spy shows of the previous decade but with aliens. The fact that it is the first episode of the new decade also feels telling. I can't imagine a show continuing with black and white into the 70s. I also think the whole episode is shot on film rather than video (I suspect this won't last) and while I wouldn't call the sets "vibrant", it doesn't feel quite like the black box theatre the show was or will be again. It's the point of no return. But, to some extent, isn't it always?

Best cliffhanger: Probably the Doctor getting shot on accident. That was a weird one.


Next time:

Map_of_the_Interior_World.png
 

Kazin

did i do all of that?
(he/him)
This Doctor is more a noble robbed of resources, if not his title.

Some, such as future writer for the show Paul Cornell, would say the Third Doctor is a tory. (spoilers for the sequel story Terror of the Autons in that link)

He's combining the Doctor's previous elements with a bit more of a Bond figure, though still allowing him to look silly (such as when the Doctor is being smothered by a plastic octopus monster)

Get used to this. They have Pertwee do this ridiculous gurning several times a season, and it never gets better.

I also think the whole episode is shot on film rather than video (I suspect this won't last)

Due to industrial action, this entire serial was shot on film, yes, and as such it's the only classic series serial to be available in ridiculously high quality on bluray. Going from pristine Spearhead to janky Silurians is rough, it's very noticeably worse quality. And you're right, it won't last - the picture quality is all over the place in the Pertwee era, primarily because a lot of it had to be rescued from lower quality, often home recorded NTSC tapes to restore colour to black and white prints, which were in many cases all that remained or could be found. Some of the episodes had to be restored by using "chroma dot" data in the black and white image to extrapolate colour data and bring colour back, but this was sadly not available for some episodes, such as The Mind of Evil, which I first saw in black and white because that's all that was available until relatively recently (2013 or 2014, iirc). So while there are no more missing episodes, prepare yourself for wild image quality fluctuations throughout Pertwee's run, although they tend to get better as the series goes on. Part of the reason I'm so excited for the season 7 bluray is the image quality of both The Ambassadors of Death and Inferno is kind of crap, especially for the former (and both of those stories are, in my opinion, among Pertwee's best), and I'm excited to see if they've improved those two stories.

I don't hate the Third Doctor, though, far from it. Some of the writing of his serials is incredibly boring, and though he doesn't have Troughton's charm to pick up those really dull episodes, he is fun to watch. I particularly enjoy when he angrily shouts down some evil authority. He's very good at that.
 
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