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Short synopses of the 32nd season of The Simpsons

Purple

(She/Her)
I'm dealing with some nasty health stuff this week and apparently I'm bored enough as I recover to get morbidly curious enough to catch up on The Simpsons. I can't remember exactly when I stopped watching, but I think it was when Sideshow Bob used superscience to give himself gills and it wasn't a Halloween episode. But all I could readily access is the most recent season. And it's not even like I'm going "wow, this is really bad now." It just feels like everyone is just kinda done. Writers, actors (a hell of a lot of characters have actually been recast and Julie Kavner sounds like she can barely even speak anymore), and it feels like absolutely no idea pitched by the writers gets shot down. And I mean, I'm not NOT saying it's bad, but it's kinda fascinating that all of the following really happened.

"Undercover Burns"
Mr. Burns uses a robot suit to impersonate a new employee, becomes friends with employees, and thus friendly. Some guy I don't know plays the robot's voice.

"I, Carumbus"
Rather than a Simpsons episode have some weird Roman fantasy thing where Homer is a slave-owning gladiator who eventually murders Bart.

"Now Museum, Now You Don't"
Rather than a Simpsons episode have some weird anthology of shorts about mashups of Simpsons characters and famous artists... starting in Rome. Wasn't out of their system.

"Treehouse of Horror XXXI"
Directly spoofing Toy Story, Into the Spiderverse, and Russian Doll (specifically, song and everything). Toy Story gets into like actual horror territory at the end where they hollow out Bart's corpse and add a pull cord making him say uncharacteristic things. We don't get the Spiderpig callback you'd expect but we DO get "Disney Princess Homer" which... at least comes without any weird transphobic jokes? And then we just... spoil the whole plot of Russian Doll without really any jokes.
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"The 7 Beer Itch"
Rather than write an episode of The Simpsons here's this thing about some woman everyone wants to sleep with. Eventually Homer has an affair with her. Nothing comes of it.

"Podcast News"
Kent Brockman starts a true crime podcast to investigate Grandpa murdering his former soap star girlfriend. Turns out she faked her own death. They have a happy ending (and then Grandpa is on a date with someone else a couple episodes later). Yeardley Smith guest stars as herself, somehow.

"Three Dreams Denied"
Comic Book Guy goes to a comic convention, with dreams of asking a question on a panel so well appreciated that he is hired to write for Marvel. He loses his reminder card, is embarassed, and briefly loses his mojo before being annoyed by Ralph. In a B story, Bart somehow gets cast as the lead voice actor in a cartoon, records all lines in advance, and only later realizes he's playing a princess. Everyone makes fun of him/beats him up ("Do you go be him, or her?" "Him." "Get him!") but then turns out the cartoon is super violent and everyone decides it's rad that Bart is a murder princess. The title suggests a third plotline where Lisa becomes a street musician but they basically forgot to write it.
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"The Road to Cincinnati"
Skinner and Chalmers go on a road trip and become good friends.

"Sorry Not Sorry"
Lisa calls Ms. Hoover out for being 100% checked out and is repeatedly sent to detention. Eventually realizes her life is incredibly bleak and apologizes by buying her a massage chair.

"A Springfield Summer Christmas for Christmas"
Rather than a Simpsons episode have a totally played straight formulaic Hallmark movie, entirely from the perspecive of a random woman making a Hallmark movie, who kinda flirts with Skinner a little.

"The Dad-Feelings Limited"
After she briefly holds Maggie and wants a baby, Comic Book Guy refuses to sleep with his wife, and moves back in with his father, Postage Stamp Fellow. One extended Wes Anderson movie riff later, he learns a lesson about fatherhood and does sleep with his wife, while they are respectively dressed as a beaver and the trans gremlin from Gremlins 2.

"Diary Queen"
When Flanders has a yard sale to unload all his worldly goods but particularly those formerly belonging to his dead wives, Bart obtains Mrs. Krabappel's diary, which with the help of some deepfaked/repurposed voiceover reveals she really liked Bart and had high hopes for him, causing him to totally turn his life around. Then Lisa torpedoes that by pointing out he jumped to conclusions and she was actually expressing adoration for a cat.

"Wad Goals"

After Ralph discovers a secret golf course, Bart becomes a caddy, as does Skinner who admits that he has secretly always thought Bart is awesome. Marge arbitrarily hates this development and tries to have the golf course destroyed (via a petition which via very convoluted and forced setup is labeled "Stop Coddling S.J.W.s" and this has absolutely no payoff despite a really labored setup with Lisa explaining what that means). Bart convinces the owner to make golf a religion, then is backstabbed, attacks the course with dirt bikes, and then the police shut it down because a sex cult spontaneously formed in it.

"Yokel Hero"
Homer becomes the manager of a dirt-poor country singer, again. But this time rather than a new character it's Cletus. No that didn't already happen, that was Cletus' kids becoming a variety act. No I'm not thinking of the time that happened with Apu's kids, that was another episode going to this well. It plays out basically just like all of those.

"Do Pizza Bots Dream of Electric Guitars"
Flashing back to the late 90s, a 14 year old Homer has dreams of reprogramming an animatronic pizza band to rap dashed because Gil is secretly using the robots to sell cocaine. Also a child is wearing a Bart T-shirt. Back in the present, a concerned family and Moe hunt the robots down, notably having to obtain one from Disco Stu, who is shamed with reference to his dead father Doo-Wop Steve by his mother Public Domain Debbie, one from Sideshow Mel who is sleeping with it, and one from J.J. Abrams who we're pretending isn't a talentless hack, and who steals the rest of the robots to use as the basic for a new Marvel-style movie franchise.

"Manger Things"
In this Christmas flashback episode, nebulously set "6 years ago," Homer delivers one Todd Homer Flanders in a home birth because he's trying to do one decent thing.

"Uncut Femmes"
Marge ends up hanging out with Chief Wiggums wife who turns out to be cool sexy jewel thief and ropes her into a heist movie situation to get revenge on her double crossing ex-partner Lindsay Naegle. There's a very minor and honestly kinda sweet subplot about Fat Tony befriending Ralph, and a throwaway line about the other mobsters seeing a hot genderfluid model and saying "I wouldn't mind asking them their pronouns!"

"Burger Kings"
Mr. Burns tries a hamburger for the first time after stealing it from Homer, becomes addicted, has a heart attack, is brought a fancy vegan burger by Professor Frink at Smithers bequest, redubs it the Excellent Burger, and starts his own wildly successful fast food franchise. Eventually it's revealed that these are made from endangered plants growing only in the rainforest which is being clearcut to produce them and this is a genuinely disgusting way to take this. Burns is relieved he can just be evil again after this is discovered. Meanwhile Marge becomes a soulless insider trader, and there's a weird random throwaway bit with Krusty trying to regain burger chain customers with "LGBTQBLTs" for pride month and asking Sideshow Mel why it isn't working because he's "3 of those letters."

"Panic on the Streets of Springfield"
Homer is diagnosed as having low testosterone (and many more serious health risks) and decides to buy a ridiculously giant truck again. It comes with a free Spotify subscription which causes Lisa to discover an obscure new wave vegan jerk, become obsessed, become a smug goth "teenager," hallucinate the singer as an imaginary friend, and go to see the real version of him in concert after stealing Homer's credit card, becoming horrified that he has become an anti-vegan activist and massive racist. This leads to nothing really besides being less obsessed with just this one guy's songs.

"Mother and Child Reunion"
When the family goes to have a tarot reading performed by Werner Herzog as himself, we get another of those future episodes, covering Lisa deciding not to go to college, causing a rift with Marge, and then going on to become president because future-Simpsons plot continuity is weirdly well-maintained. Still being jaded about a lot of stuff, she smokes some pot with Bart (which he now manages a distributor for) on the White House roof (and I forgot to mention it but a bunch of random episodes this season also involve her music teacher sneaking off to imbibe such). She then patches things up with Marge and returning to the present, Werner Herzog produces a crystal ball in which the face of Nate Silver gives odds on whether she'll actually become president, go to college, have a boyfriend, have a girlfriend (and she's very pleased with how high those last odds are).

"The Man from G.R.A.M.P.A."
A British spy suspects Grandpa is a secret Russian sleeper agent. Turns out he is not.

"The Last Barfighter"
Bart and Milhouse get bored and go to a taping of Bumblebee Man's show. Bart is picked from the audience for a gameshow type thing and wins a choice of prizes, taking, as anyone should given the chance, a crystal skull over a vacuum or mountain bike. Turns out it's full of Tequilla, so Homer steals it to share at the bar. Moe also has some, then starts blabbing about people's personal confessions. This proves to be a violation of the sole rule of a secret bartender club Moe belongs to and the whole rest of the episode is just full on John Wick parody, with Moe fighting off other bartenders with cool martial arts trying and eventually failing to keep them from injecting all of his customers with a drug that makes them unable to consume alcohol. They all massively turn their lives around and become better people. Then since they eventually check in on Moe, the head secret bar guy decides to restore the status quo. The crystal skull, which had been dropped and shattered earlier, reforms and tells the Simpson kids, in Spanish, that a tendency to alcoholism is genetic and they should all keep that in mind.



Overall the whole experience of watching this was just really surreal. Depressing with the many reminders of voice actor mortality. Oddly prone to recycling very specific jokes and even entire episode premises from as recently as literally the previous episode. Clear if muddled efforts to do multiple trans-positive jokes. A lot of... kinda blatant and shameless cross-promotional stuff with other Disney properties. Lots of forgetting to tell jokes or resolve stories.

And it's just really freaking weird to me that we have both Homer and Bart as magic princesses. That and the double Rome thing. And the double Comic Book Guy spotlights. And going to that parent with similarly structured name joke again later. What the hell even was all that?

Also worth noting with the voice recasts- A lot of these are due to deciding they shouldn't have a couple white guys playing a bunch of non-white guys, so that's cool, but it's still really jarring in context:
And the actress for half the kids died a few years ago apparently.
 

Lokii

(He/Him)
Staff member
Moderator
Comic Book Guy goes to a comic convention, with dreams of asking a question on a panel so well appreciated that he is hired to write for Marvel.

To be fair this is an extremely relatable set-up.

"The 7 Beer Itch"
Rather than write an episode of The Simpsons here's this thing about some woman everyone wants to sleep with. Eventually Homer has an affair with her. Nothing comes of it.

I had to know more about this one as infidelity is presented as a major threat to Homer's moral center throughout the series, so I watched. Pretty sad story structure that, as we're all aware by this point, is just the barest pretense to tell some jokes, most of which don't land. The premise is that Willy is telling this story to Nelson over a campfire for no discernable reason, except the episode forgets this setup and they disappear halfway through. Homer and this one-off character kiss, I don't know if I'd classify that as an "affair" so much, and so Homer comes through with his moral integrity intact, meaning this episode doesn't even have controversy going for it. Major props for making it through a whole season of this Purple. Utterly baffling television.
 

R.R. Bigman

Coolest Guy
I can’t imagine how this show is still going. Even the podcasters who get paid to talk about Simpsons would probably rather go hungry than discuss a single one of these episodes for two hours. It’s so depressing.
 

ArugulaZ

Fearful asymmetry
Morrissey's manager really didn't like the episode parodying his client, and I really don't blame him. I mean, he's a press flack hired to protect the singer's reputation and by extension his own livelihood, so you would expect him to object to the show's unflattering depiction.

However, I don't even LIKE Morrissey and I was annoyed by what I've seen. Ballooning the singer to triple his weight and having him spew racist invective while clutching a hoagie doesn't feel clever or insightful or subversive... it's very sixth grade; the kind of crass, pan-to-the-face obvious joke you would make in middle school when you didn't know any better. MAD magazine brought more to the table than that.

If that's the best The Simpsons can do in 2021, it's time for the producers to roll up the dead horse they've beaten into a carpet over the last thirty years and call it quits. Or to quote the show from its good days... "Stop, stop! He's already dead!"
 

MetManMas

Me and My Bestie
(He, him)
I get why The Simpsons changed (FOX loosening its standards, changes in the writing and directing cast, trying to keep an active audience watching as wackier low brow adult shows gained more and more prominence), but it's sad that it's been bad for way longer than it was good.
 

ArugulaZ

Fearful asymmetry
It's not relevant anymore! They keep trying to make it relevant by changing the back stories for the characters (teen Homer was in a goth band! No, wait, now he's trying to make Chuck E. Cheese robots rap!), but it's too rooted in a way of American life that no longer exists. Bob Mackey wrote a detailed essay on why the show doesn't work in the 21st century... somebody needs to make some television executives and producers read it.

Disney either needs to make a Simpsons sequel or just let the damn thing die with what dignity it has left.

(Also, Purple, thank you for describing the episodes so I don't have to watch them. Apologies in advance for any mental trauma or terminal boredom you may have suffered in the process.)
 

Purple

(She/Her)
Yeah, every time the subject comes up, my friend and I keep getting into how much better things would have been if they'd just let the characters age in real time. And you don't even need to look at it as a hypothetical. The earliest flashback episodes where you don't have to adjust the calendar conspicuously work, and legitimately seem to function as backstories to the characters we have. Homer and Marge have never not felt like they grew up in the 60s/early 70s, Grandpa serving in WW2 and Skinner in Vietnam feel essential enough that they haven't retconned either of those. They really were only a few episodes in before they started writing stories where Bart should clearly be a teenager, then Lisa. They actually write them as young adults as often as they feel like they can get away with it and especially later on those episodes feel a lot more canonical and grounded and real than the rest of their respective seasons, and again, before the show even gets bad, it was already getting hard for the writers to jive their states ages with their established personalities and interests. Voice actors dying or just sounding much much older wouldn't be as jarring of a thing, it'd be fine.

I had to know more about this one as infidelity is presented as a major threat to Homer's moral center throughout the series, so I watched. Pretty sad story structure that, as we're all aware by this point, is just the barest pretense to tell some jokes, most of which don't land. The premise is that Willy is telling this story to Nelson over a campfire for no discernable reason, except the episode forgets this setup and they disappear halfway through. Homer and this one-off character kiss, I don't know if I'd classify that as an "affair" so much, and so Homer comes through with his moral integrity intact, meaning this episode doesn't even have controversy going for it. Major props for making it through a whole season of this Purple. Utterly baffling television.
I mean, it kinda feels like it's going farther and with less moral conflict than any of the other times this has been a plotline. Typically it's more, Homer isn't picking up on a vibe, gets kissed/propositioned, has a crisis on how to process/react to that. Here he's like... literally halfway to her apartment before deciding not to walk out from a wife he hasn't seen in quite some time and seems totally unconflicted. Although a lot of that is that this batch of writers just cannot write an ending. I think every single one of these just trails off and makes me double check that Hulu didn't just skip everything past the last commercial break.
I can’t imagine how this show is still going. Even the podcasters who get paid to talk about Simpsons would probably rather go hungry than discuss a single one of these episodes for two hours. It’s so depressing.
OK I could discuss an episode of this for 2 hours if I could pick the episode. Halloween's easy because there's 3 stories to get through and no really what the hell, Russian Doll specifically? And I could easily unpack stuff for hours about either episode giving itself over to the only character to have any sort of actual growth or conflict or depth in this whole season, freaking Comic Book Guy.

For most of these though there just... isn't more to talk about than the 2 or 3 sentence encapsulations I have here.
If that's the best The Simpsons can do in 2021, it's time for the producers to roll up the dead horse they've beaten into a carpet over the last thirty years and call it quits. Or to quote the show from its good days... "Stop, stop! He's already dead!"

I get why The Simpsons changed (FOX loosening its standards, changes in the writing and directing cast, trying to keep an active audience watching as wackier low brow adult shows gained more and more prominence), but it's sad that it's been bad for way longer than it was good.

I mean, that's the thing. When freaking Sideshow Bob is suddenly getting superpowers like a freaking comic book villain, that's BAD. When Kang and Kodos show up in a non-Halloween episode, that's BAD. When there's that Patty wedding episode that's so transphobic I'd believe it was guest written by J.K. Rowling, that's BAD.

Watching these I just felt this... detatched sad curiosity, and a distinct awareness of my own mortality. We're way past the era of zombie Simpsons. This is just like... encountering a pile of brittle white sticks in a forest clearing and taking a while to register that they are in fact bones.

I think I actually got a mild chuckle out of it on a couple occasions, when, as we all do now and then, it just made some offhand references to some classic Simpsons gag or other. And that didn't even feel like a self-aware thing, that's just... how people talk this century.
 
"The Dad-Feelings Limited"
After she briefly holds Maggie and wants a baby, Comic Book Guy refuses to sleep with his wife, and moves back in with his father, Postage Stamp Fellow. One extended Wes Anderson movie riff later, he learns a lesson about fatherhood and does sleep with his wife, while they are respectively dressed as a beaver and the trans gremlin from Gremlins 2.

I just learned that Comic Book Guy has a wife now. Huh.

Apparently she is a Japanese woman named Kumiko. And if you Google this, you see a bunch of stories about how they re-cast the part with a Japanese-American actress? But if you watch a clip of the new actress, they cast her to just do the exact same vaguely Asian catchall nonexistant accent they've been doing on the Simpsons for decades? Which is kind of like, if you recast Apu with an Indian actor, but just had the Indian actor just do an immitation of Hank Azaria doing his imitation of Peter Sellers doing a broad caricature of an Indian person? (Or maybe this also actually already did already happen? No idea.) The show seems to be in a very weird place trying to negotiate how to move forward in the current environment.

It also reminds me a lot of Dong on Kimmy Schmidt being played by a Korean-American actor who also did a vaguely Asian catchall accent that was nowhere in the ballpark of a Vietnamese accent... There seems to be this expectation that any Asian actor can just do any Asian accent, but that's... not how it works, obviously not if you cast a Korean-American to play a just arrived immigrant from Vietnam, and, maybe less obviously, not even if you cast a Japanese-American to play a woman from Japan.
 

yama

the room is full of ghosts
And if you Google this, you see a bunch of stories about how they re-cast the part with a Japanese-American actress?

Not that anyone would notice because I can count the number of times Kumiko appeared on one hand and have fingers left over.
 

Octopus Prime

Mysterious Contraption
(He/Him)
I do want to see the Halloween episode, because it was written in part by Julie Prescott, and Id like to support her.

Otherwise, ill be mainly excited to see this season because that means ill be done with my full series rematch and I can see the Good Seasons again. (There was a brief uptick in the late teens/early 20s, fwiw)
 
Not that anyone would notice because I can count the number of times Kumiko appeared on one hand and have fingers left over.

pictured below, yama's hands

YXo2jQc.png



(i haven't watched the show in years, and i'm sure the general point stands, i just went down a kumiko rabbit hole and saw she had like 20 appearances, although presumably that includes a lot of non-speaking episodes, so again, i imagine the general point stands, just making a dumb joke)
 

yama

the room is full of ghosts
20 appearance? That's like... 17 more than I thought there'd be. I guess when the Simpsons isn't in syndication any more on FOX, I kinda forget most of the episodes.
 

ArugulaZ

Fearful asymmetry
Perhaps best left forgotten, cough.
You know how far out of the loop I am? I didn't even know 'ol Louis Lane HAD a wife.

* Louis Lane was the name Groening wanted for CBG, don't @ me
 
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