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Star Trek Blind! -- The Next Generation

Its clear they wanted Pulanski to have a Spock-Bones dynamic where Bones is trying to needle Spock for his less human qualities (particularly being frustrated by Spock seeing having "no emotions" as a positive). There its a good dynam8c because Spock has an answer for anything and there's a back and forth. Here Data is a sweet innocent and Pulanski is just a bully, so it sucks.
 
ep 30 – The Outrageous Okona (★★★)

“Captain, they are locking LASERS onto us.” says an incredulous Worf.​
Picard shifts in his seat. “Lasers? Those can’t even penetrate our navigational shields.”​
“Regulations... do call for yellow alert.” says Riker.​
“Hmp. A very old regulation!”​

The Enterprise runs across a broken down spacecraft with a lone pilot. They agree to help the guy fix his engines and…. basically give him the run of the ship for some reason. I actually think that’s pretty interesting. It’s not like they can’t track the guy or that they don’t have security teams on all the decks if he proves to be a problem (or could beam him straight into the brig). We also know they have decontamination protocols in the transporter rooms. So sure, why not? It’s in the spirit of exploration and communing with other cultures. Being humanoid probably helps.

Okona himself is a pulp sci-fi character who got lost in the Star Trek universe. He doesn’t belong, but I think not being a member of the Federation or Starfleet is part of his charm since he’s not a philosophical and well-put together type. As just some guy living in the stars, he contrasts with the main cast. You can have a Han Solo, its allowed!

I don’t dislike the character, the problem is he’s written poorly. He’s a casanova type who likes getting it on with the ladies and flirts with the transporter attendant when beamed aboard. His eyes trailing after her, he says “Now that’s sex appeal!” which is in the running for among the least sexy sentences conceived by man. Also he’s a victim of the classic “I don’t know what to do with my hands” impediment and keeps them behind his back a lot.

Turns out that the guy is on the run from two nations who have a warrant for his arrest. This of course, serves to boost his rapscallion points. The A plot isn’t super interesting, but we get a fun look into Data trying to understand humor. Whoopi Goldberg joined the cast this season as Guinan and she’s an A-class actress playing a really cool character. She’s the bartender of 10-F, and acts as confidant for her fellow crew members when they have shit they need to work out.

She has some great scenes with Data trying to encourage him in his ‘human studies.’ Brent Spiner kills it at telling jokes as poorly as possible: His acting is very funny but the joke is so bad you can’t bring yourself to laugh. Data knows what humor is and can classify it, but because he doesn’t need to laugh he can’t figure out why what must seem completely random events trigger it. He later tries to get instructed by a comedian on the holodeck, and the guy pulls out a Jerry Lewis routine but… I dunno about that one.

Okona’s tension-less plot gets wrapped up (he was guilty of keeping a secret between lovers) and is sent off on his way. Still a good episode because of the characterization we get here for Data, Picard & Riker, and of course Guinan is always fun no matter what scene she’s in.

The funniest thing of all is that Okona and Guinan tell Data a joke, fail, yet insist that no no it was funny, you just can’t tell.


ep 31 – Loud as a Whisper (★★★)

Starfleet has commanded Picard to escort a highly esteemed ambassador to an alien world for peace talks between two genocidal peoples who’ve tailored their societies around hatred of one another for over a thousand years. Worf holds some private reservations that Troi, quite tactlessly, prys out of him: Reva is the same emissary that negotiated the peace between the Klingons and the Humans. Why that would give Worf pause I suppose is because anyone who could bring the Klingons to heel would be a larger than life and quite controversial figure in their history.

When we beam down to meet him, Reva comes across as a paradoxically solitary person. I say that because he’s accompanied by a ‘chorus’ of three people everywhere he goes. Reva himself is telepathic but genetically mute and requires his chorus to communicate verbally. That’s a cool idea for an alien but we spend a solid 1/5 of the episode on his introduction. The talks go poorly and Reva’s chorus is murdered. Now he has to wrestle with grief all alone and figure out how to carry on without them.

This had the potential to be something really special but doesn’t reach it. The episode spends a lot of time on Reva himself trying to make him interesting at the expense of focusing on the core conflict.

According to Reva his chorus was the secret to his success. True, his emphatic nature and savoir-faire belonged to him, but the chorus allowed him to express himself in a way that was able to uniquely reach people. Without it, it’s as though the tongue has been cut from him and he’s lost his closest family. That would be a very interesting angle to explore. Both Troi & Riker could have shined here because she could help Reva navigate the feelings of loss and Riker to recover himself when Reva wants to abandon the peace talks in despair of his failure. In fact, all signs point to this episode being tailored for Troi’s character.

They fritter that away on vapid romance and filler. When Troi has to confront a seething Reva violently gesticulating in silent fury she’s completely outclassed by the task. Picard has to get Data to learn sign language to talk with him. Later, Troi is handed the negotiations by Picard. We’re not given the reasons for this nor do we know at the behest of whom. Surely it must have been Troi who asked Picard, so that she would have an angle of approach with him.

She goes to Reva to ask for advice and whilst he's fruitlessly trying to explain a very nuanced line of work, she gets increasingly desperate and shouts “why can’t you just do that?!” The cynic in me imagined Troi going “Save me, Reva! From having to actually do something!”

That triggers the solution for Reva, who decides to use his muteness as an advantage. I believe the idea is that grief and heartache can only be overcome with time and reciprocal compassion. Troi (ideally) would have learned to understand the depths of Reva’s grief and frustrations and walked with him to this conclusion, and we would mirror that on the planet with Reva working with them for the next several years as they learn his sign language and have a ‘neutral’ method of communication that could slowly stitch the metaphorical wounds.

Everything was very rushed and needed more time to cook. It’s a shame because I really like this premise and would have made a great feature film.


ep 32 – The Schizoid Man (★)

Data’s body gets commandeered by the spirit of a mad scientist. The best thing I can say is the set for the planet was nice, we see a Romulan medical officer try to be sneaky, and that the actor who plays the scientist is a sufficient curmudgeon. After that the whole plot is highly boring, predictable, and nonsensical.

Data is clearly not acting like himself. Something is wrong, but the cast convince themselves that he is “going through something” and don’t order an immediate diagnostic. When the same thing happened to Picard last season, the crew was very quick (too quick, honestly) to pick up on it and try to confront him. Everybody took stupid pills this episode, especially the antagonist.
 
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Its clear they wanted Pulanski to have a Spock-Bones dynamic where Bones is trying to needle Spock for his less human qualities (particularly being frustrated by Spock seeing having "no emotions" as a positive). There its a good dynam8c because Spock has an answer for anything and there's a back and forth. Here Data is a sweet innocent and Pulanski is just a bully, so it sucks.
This is a pretty common perspective I've read on the internet, and it was weirdly always the opposite of what I've had. When watching TNG as a kid, I always took Data at his word -- that he has no emotions and that insults or jokes or anything else truly has no effect on him. If it didn't bother Data, why should it bother me? It's also, as I've grown up and learned, secretly really good advise for handling bullies and narcissists. It's a kind of stonewalling, where you don't give the other person the reaction you're looking for.

Meanwhile, I always felt bad for Spock and thought Bones was a little too mean spirited a lot of the time. Spock says Vulcans don't have emotions, but we're shown many times that's categorically to be false. And his sarcastic tone he takes with McCoy is clearly one of annoyance so he's not unphased by the insults thrown at him. Spock's entire character arc is also one of a man who has had a hard time dealing with his identity too, so to have an asshole like McCoy just constantly needle him with racist insults is just like, really off-putting. Especially when Spock is a surrogate for discussing the mixed racial experience/identity as a sci-fi allegory.

Later, Troi is handed the negotiations by Picard. We’re not given the reasons for this nor do we know at the behest of whom. Surely it must have been Troi who asked Picard, so that she would have an angle of approach with him.
Picard is a delegator, and he knows his staff, so he assigns tasks to people he feels are appropriate for the job. Troi is not just a councilor, but also a diplomat. That's kinda one of their primary functions/missions in general, so the main staff are all good at doing that kind of work. This fact is never explicitly said, but I feel it's shown to be the case through their actions and over the course of the show.
 
ep 33 – Unnatural Selection (★★★)

They keep doing it!! ANOTHER super-aging episode! But to my surprise this one is good. The fact that the strange ailment the crew tries to diagnose is genetic is incidental.

When a derelict Federation ship is found to have contracted some kind of disease that killed off the entire crew, Picard issues a quarantine order and traces their last port back to a genetic engineering research facility. The staff all have the disease but beg for their children, the results of their research, to be transported away or else they’ll all die off. Pulaski has a spat with the captain because despite the risk of contamination she believes the children can be saved since they are being held in stasis, but her gut will prove to be wrong.

Would you indulge me to soapbox a little? I think Pulaski is an excellent example of a strong woman with a good heart: She is completely confident in her assessment of the children’s risk and entirely self-assured to the point of bullheadedness. She convinces the captain to allow her to conduct a test isolated on a shuttlecraft, finding a way to help the kids while satisfying Picard’s reasonable demands. Crucially, when she conducts the test and the disease spreads to her, she takes responsibility for it. Picard beams the kid back, and she directs Data to bring the shuttle into the facility where she makes due with the time she has to learn how the contagion works and communicate it to the Enterprise crew. She condemns herself to death this way, and nobody is happy about it least of all herself, but her fiercest priority is to her integrity as a doctor. Not skill nor prestige but her honesty.

She doesn’t try to circumvent Picard, doesn’t do anything sneaky or disobey him, she doesn’t denigrate him or try to undermine his authority, and faces genuine repercussions for the mistake – becoming infected with the pathogen. Crucially, her taking this risk is what leads to the discovery of the pathogen and how to cure it, that’s what makes it heroic. This is very bog-standard writing 101 but you see a lot of modern works littered with similar pitfalls that undermine a supposedly virtuous character.

To save her, the crew scrambles for a solution and it is transporter chief “wait he was here the whole time?” Miles O’Brian who hits on it: They use the transporter to reassemble her DNA patterns to a prior record. There’s a great moment before they make the transport where he tells Picard that this operation can only be conducted ‘one-way.’ Picard understands and chooses to assume the controls before trying to say something reassuring to Miles but he cuts him off with a simple & direct “Thank you sir.” That! That’s the kind of considerate professionalism you just love to see!

The transporter gambit worked, and they use it to cure all the facility staff. Pulaski’s risk, and the tenacity of the Enterprise crew, all worked together to save those people. What would have been a run-of-the-mill episode back in the day feels so refreshing now. Maybe I’m just in a weird mood tonight.


ep 34 – A Matter of Honor (★★★★★)

A Federation exchange program sees Riker placed aboard the Klingon cruiser Pagh, and a Benzite ensign to the Enterprise. Both learn to grasp the differences of each culture and manage to thrive despite the initial adversities.

Stellar work. This episode, all the pieces are moving in service of one another and makes for a gripping watch. I love that we spout our initial exposition on a phaser firing range. I love that we get to see Riker sampling klingon delicacies and the wacko food that the production staff had to whip up. Any look into the regular life of the crew is when the show is flying full mast. Riker decides to accept the assignment because nobody’s ever served on a Klingon ship before, and Worf briefs him on the important stuff like assassination procedures. There’s a tremendously good exchange between the two of them before he leaves:

“An emergency transponder? You expect trouble?” says Riker.​
“Simply a security precaution. I want to ensure your return to this ship.” says Worf.​
“Sentiment, lieutenant Worf?”​
“Efficiency commander.”​
Amused, Riker smiles back “I understand. Thank you.”​

You don’t know what the hell that means when you first watch, but it comes together once Riker is brought back aboard. Worf is your friend! You bet Worf would have missed you, ya big lug!

I probably don’t need to point out how having the ass-kissing know it all Benzite aboard serves as a foil for Riker’s adventures on the Pagh. Audiences would probably look at the Klingons and go “look at those weirdos what barbarians!” so we need the Benzite character so we might compare the Enterprise’s thoughts of the guy to how the Klingons feel about Riker. Plus Wesley gets to perk the guy up when he’s feeling sad and that was nice.

It’s pretty funny that the Klingons were about to battle the Enterprise because of Space Barnacles, but thankfully Worf’s transponder comes in to save the day. I love how the episode resolves, and it was a brilliant move by Riker. Though I can’t let slide that he tells them to hold fire until 40,000 km because that’ll give the Enterprise less time to maneuver. You think the Klingons don’t know that?! But whatever, this is a must watch.

P.S: They call the space barnacles “subatomic bacteria” and I pulled the most exasperated face you can imagine. I got straight Ds in Biology but even I can tell why that don’t work.


ep 35 – The Measure of a Man (★★★★★)

Time for courtroom drama! There will be more, and this is not the episode with a trial that sticks most in my memory. The answer may surprise you!

Bruce Maddox, a roboticist, wants to disassemble Data to further his research in creating androids just like him. Data refuses to undergo the procedure, not necessarily because he protests to being disassembled, but that he doesn’t trust Maddox is knowledgeable enough to achieve results or to put him back together. The risks are that Data might lose all of his knowledge & memories in a ‘factory reset’ and imagine if that happened to you.

Maddox refuses to take no for an answer, and digs up some old Starfleet laws such that he can make a case that Data is the property of Starfleet. This is patently ridiculous but lets not be coy: Law does not give a shit about whether something is ridiculous. If it says so, then it is so. Picard recognizes this and gets real mad, determined to challenge this stance and take it to court, however an ex-girlfriend(?) is presiding judge. This is the first time I can believe he was together with a woman – because she pisses him off so much. The captain’s too much of a control freak to be happy in a simple relationship.

The trial is short but sweet. Picard gets to have a big ol’ speech, and Riker as opposing council does indeed prove Data is a machine, but the audience knows better. The core message is a meaningful one with more layers than you may expect, but very simple execution and that simplicity is it’s strength. I could probably write a novel trying to plumb the depths of the central conceit “when is a person worthy of rights” but at the end of the day, we’re just watching a TV show not trying to solve the contradictions of human nature.

The ending is heartwarming. Data says to Riker, “You wounded yourself to save me, I will not forget it.” Wise words.


ep 36 – The Dauphin (★★★★)

Wesley has a crush! Or more accurate to say Salia has a crush on him. Salia is the titular Dauphin, the heir to an entire planet who has been sequestered away on a hostile desert world with only her governess for company. She was taken away while young so that she might be raised into the ruler that her people need her to be, and unite the fractured planet. She sees Wesley while being brought on board and both are immediately smitten.

Wesley can’t concentrate on work and is given the mission to go figure out how to talk to her. Worf in particular, has some sage wisdom. They both go out on a holodeck date but Salia gets sad because she knows in her heart she can’t have a cute life of adventure. Picard has to draw Wesley away and order him not to get involved, since it will ultimately end up hurting the both of them.

There’s a long beat of silence here. The camera zooms in on Wes and we watch him deliberate. When you’re a teenager this kind of puppy love is the closest thing to a genuine love anybody knows. If I were in his shoes, I would be asking myself: “Isn’t this wrong for her? What kind of man am I? If I really loved her, wouldn’t I do anything, even disobey the captain?” and I think a normal teenager would do just that. Those thoughts are just flashes of emotions when you’re young, but Wes swims through the turmoil and acquiesces to the captain’s judgment. I think he must know it’s for the best, since Salia herself told him she can’t bring herself to run away on the Enterprise.

Wesley holds to his word, so it has to be Salia who sneaks in to see him. They get interrupted by the governess, who shapeshifts into a wendigo. Salia shifts to protect him and Wesley gets pretty freaked out. Later he’s mad at her because he thinks he was being played: She’s not a human, and although Picard told him as much obviously it didn’t register until he saw her change. He got shocked, and convinced himself she didn’t (or couldn’t) actually care about him. BUT SHE DID WES. And we have a bittersweet send off on the holodeck.

We close with a great speech from Guinan about how love is different each time you experience it. I haven’t dated properly myself so I can’t speak to how accurate that is but I think it’s a good message, and I do know the sense of loss that comes with missing someone you love so it’s encouraging to hear.
 
Picard is a delegator, and he knows his staff, so he assigns tasks to people he feels are appropriate for the job. Troi is not just a councilor, but also a diplomat. That's kinda one of their primary functions/missions in general, so the main staff are all good at doing that kind of work. This fact is never explicitly said, but I feel it's shown to be the case through their actions and over the course of the show.

I thought it was a ploy. Picard assigns Troi to the mission, not with the intent to send her down but to push Reva into accepting it in her stead via reverse psychology. You're probably right that Troi has experience as a diplomat, but I don't know if having her take the reigns in these circumstances is the right move. Don't forget that three people got murdered: The situation on the planet is clearly a very tense and tenuous affair else they wouldn't have sent for the best. Reva is clearly the man for the job, but he doesn't want to take it anymore because of what he's going through. The most optimal path to success is through him.

In the episode Troi says that she has no experience with this sort of thing. The truth of that is up in the air, and it makes sense if it is a gambit. Now that I think on it though, Reva being a telepath makes that route kind of fall flat... hmmm. I think that reinforces my point: The episode could have benefited from more focus.

I don't take for granted that we do get some cool costumes, a cheesy phaser effect, and good acting from the cast. I would've just liked this to be an opportunity for us to see Troi seize the day.
 
There’s a great moment before they make the transport where he tells Picard that this operation can only be conducted ‘one-way.’ Picard understands and chooses to assume the controls before trying to say something reassuring to Miles but he cuts him off with a simple & direct “Thank you sir.” That! That’s the kind of considerate professionalism you just love to see!

That's a union man.
 
I thought it was a ploy.
I don't see why it can't be both. It's not like Picard gave Wesley or someone else grossly unqualified and incompetent those duties. He gave it to someone he trusted would do the best job that they could given the circumstances. As his hand was forced with Reva sitting out, hoping that Reva's pride and sense of duty would compel himself to get out of his funk.

The transporter gambit worked, and they use it to cure all the facility staff.
This is an intensely weird episode. Because it both doesn't jive with later assertions in the franchise that genetic engineering in the Federation is banned, as well as the fact that they kinda just stumble backwards into a fountain of youth that never really gets brought up again despite the vast repercussions this discovery should have.
 
Star Trek transporters: the most convenient and horrific technology of the future.

I’m sure it would take some hacking but I doubt there is really anything preventing a guy like Miles from just flooding some planet with hundreds of copies of himself for shits and giggles.
 
If I was responsible for a single Star Trek spec script, it would be an episode where it is revealed that man now has access to god-like technology and is part of a galactic utopia... but most teenagers are still just teenagers. So sometime a few years back, Starfleet set up some uninhabited planets, and those are just "mess around" spots for the youth of today until those crazy kids grow out of it. The population is now 90% transporter "accidents", a handful of AIs of dubious purposes, and a small family of super-evolved, super-horny newts.
 
Star Trek transporters: the most convenient and horrific technology of the future.
And realistically speaking, it’s soooooo much more horrifying and dangerous vs how it usually gets discussed in-show or the existential crises people discuss.

If transporters work the way they’re described (breaking down matter into energy and visa versa) and General Relativity still works the way it does IRL, then transporter accidents wouldn’t just be people put together wrong. They’d be explosions that dwarf conventional nuclear weapons. We’re talking on the order of 100,000+ Hiroshima class bombs here.
 
ep 37 – Contagion (★★)

The Enterprise begins to malfunction by way of an ancient alien computer virus making mischief. The plot is run of the mill but I recommend it because this is a particularly juicy example of “1980s production value” hard at work; spinning RGB threads of TV magic for your eager eyeballs.

I’ve neglected to go in-depth on the sets and special effects but I want you to cast your minds back to before the internet and these pocket computers we call phones. Touch screens were science fiction, PCs projected out of big ol’ CRT monitors, Walkmans were the latest fad, and there was an ashtray in every Perkins. At the time to actually see visuals pop up on their flatscreen monitors was so cool. Even something as simple as watching the stars zoom by the windows really puts you into the world to an extent the original series couldn’t quite pull off. It’s very easy to take these small touches for granted, and indeed the small touches are where the show’s production is most well served. Even the weird decorations that litter crew quarters and the captain’s ready room grant the ship it’s luxurious flavor. Like the big rock behind Picard’s chair. I guess when you’re in space you want to bring a little piece of home.

That’s not to say that the gloriously cheesy effects are not also wonderful. The alien probe is a planet .png that they slowly drag n’ drop across the viewscreen. Geordi gets shocked by a random lightning bolt, and Data has to throw him away from the console to save him. Mr. Spiner winced in the take they used because I think the poor guy almost landed on his neck, but it was a great fall and funny at the same time.

My favorite part is when Geordi has to dramatically run to the bridge, but the ship’s all screwy so the turbolift is going haywire. They had to get creative and Mr. Burton is doing his best to channel William Shatner as he pretends to get tossed around the thing. Even the stuff on Iconia, while looking like they built it from a refurbished 70s airport, still squeezes in some cool effects like the dimensional gateway. There’s something so comfortable about it all, like peanut butter sandwiches and choco-chip granola bars.

This is the first time Picard orders Earl Grey to drink. I prefer Lady Grey myself.


ep 38 – The Royale (★★★)

A Klingon vessel sends record of a strange anomaly on a hostile, barren world. Upon investigation the crew finds no life, no atmosphere, but a mysterious lone building. I’ve got a hunch one of the writers really liked film noir.

This is a truly, very silly & surreal premise that won’t work for everyone, yet I have a soft spot for The Royale. Watching it now, it’s not got a lot of meat on it and difficult to get invested in. It is a second-rate novel after all, as the episode is keen to remind us (see, its supposed to be bad). As a kid though, despite having little idea what is going on and not understanding what the hell that cowboy was talking about, it is a singularly interesting episode to watch in motion. The revolving door, the black backdrop behind the set, the jazzy music and colorful costumes, all throws you for just enough of a loop that it’s pretty entertaining watching the episode spin it’s wheels. Plus we get to see Data gamble and the man is a goddamn natural so that’s a lot of fun. Everybody gets some good lines too, Riker in particular: “When the train comes in, everybody rides.”

I always loved how Riker hands the book for Data to analyze, and he just flips through all the pages at once.


ep 39 – Time Squared (★★★)

A shuttlecraft is discovered floating alone out in deep space. When rescued, we discover that it is s o m e h o w from The Enterprise! Not only that, a doppelganger Captain Picard is found unconscious aboard.

I’m really struggling to rate this one. This is an excellent acting episode for Picard, grappling with a stressful personal dilemma. Surprisingly it’s a decent Troi episode too, trying to help Picard come to terms with his uncharacteristic fear & uncertainty; the doppelganger heralding an act of cowardice that he is fated to commit. I see it a genuine insight she points out that this…. Clone? Impostor? Android? Replicant? Is in fact none of the above. He is Picard, and there’s no getting away from it for the captain. Plates of juicy angst & suspense to chew on.

Though the more I think about it, the more it sours for me. The dilemma isn’t really a dilemma. The faux Picard took the shuttlecraft and dooms the Enterprise based on the knowledge that he had at the time, was sent back into the past s o m e h o w and becomes the knowledge current Picard needs to make the right one. I think this is a damned if you do, damned if you don’t Time Paradox. The drama of Picard actually figuring that out is the appeal, so this isn’t a mystery episode – suspense would be the more apt label.

Is it four stars though? That’s the question. It’s a good episode that I was eager to see resolve, but would I be excited to see this as a re-run? I’m genuinely torn.

OH! I almost forgot: Riker cooks some eggs! Actual eggs that he got from a starbase. Not chicken eggs, alien eggs. They tasted horrible, but the sense of community was irreplaceable. If you want to make friends in today’s world, just invite them over for breakfast.
 
ep 40 – The Icarus Factor (★★★)

Good & bad news comes to Riker. For distinguished service he’s offered the command of the starship Ares, but his long absent father Kyle has also come aboard. Oh, it’s been 15 years and now you want to talk?! They spend the episode not talking to each other.

So instead we focus on Worf being grumpy. We’re led to believe he’s bothered because Riker may be leaving (and he is bothered) but in fact, he’s meant to be celebrating his Rites of Ascension but has nobody to bring because he didn’t think to ask anyone.

Wesley, Data, & Geordi figure this out, and set up the ritual in the holodeck for him. The scene reinforces what the audience has come to know: The Enterprise is a place where the crew feels like family, and it’s explorations on the edges of the galactic map is meaningful work which serves to strengthen those bonds: Klingons might still be at war with humans if it weren’t for these efforts, and we would never get to share in their customs of electrocuting their warriors with cattle prods.

I joke, but Michael Dorn sells it with his acting. He seizes the campiness by the neck and chokes it out. You’re so happy that he gets to celebrate with people he cares about that you’re right there with him as he walks the river of blood. His separation from his ancestry fosters a yearning to grow closer to it, so Wesley & the others gave him a great gift.

All of that underpins why Riker yearns to stay aboard even though he’s been working so hard to achieve a captaincy. The episode doesn’t spell this out, but he’s questioning whether he wants to be a captain because it’s his dream or if he’s trying to prove something to himself & his father. That’s why I like the scene with Picard, where he’s honest with him about the inimitable feeling of being a captain. Picard knows it’s vanity and does a little ‘shush’ with his mouth before he admits his feelings, but he opens up like that for Riker so he knows what he’s missing out on. It’s great.

Kyle Riker’s attempt to say goodbye to his son are stonewalled, so he decides the only way to reach him is through the ultimate evolution(???) of martial arts! American Gladiators! The fight is as cheesy as anything in TOS. It is adorable and I love it. The show chooses this as their arena because it’s more visually interesting plus physicality is more Riker’s thing. Though the thought crossed my mind of whether their conflict could have been relayed even better:

I wonder, what if they had a Shogi match instead?! An intellectual duel may present Riker a tougher challenge and would showcase his fitness for command better. Kyle’s earlier boast that Riker was never able to beat him would’ve also been more believable, given what they imply with his character. Even Kyle’s cheating could work in a Shogi game – maybe he drops a pawn to checkmate!

Naturally that’s all predicated on the writers and the audience knowing what Shogi is in 1988 or whatever. As bad as I am at it, I love Shogi. Imagine if it hit the mainstream back then!

If I’m not mistaken, doesn’t ‘yoroshiku’ mean something like “I’ll be in your care?” If true, that is extremely funny given the context.


ep 41 – Pen Pals (★★★★)

“I’ve got Prixus in mineralogy, Allens for volcanology, I want Davies for geochemistry but…”​
“They’re all older than you.” says Troi.​
“And it makes me feel strange. What do I do about personality conflicts?” says Wesley.
“Irrelevant. These people are professionals. You’re in charge, if there’s a conflict you settle it.” says Riker.​

Wesley has been treated much better this season and this is a good episode with a very pertinent lesson for young folks obviously, but there’s another lesson for adults too: Troi made me mad when she said “you can’t teach confidence” because that is absolute bullshit: If you want young men to grow confidence when they’re young, you need (NEED NEED NEED) to prove to them that they can trust themselves. “Proof” is the keyword here, you can butter them up all you want but they have to believe it in their heart, and you can’t do that until you show them they can grasp their own success. You do that by first by giving them genuine responsibility.

What do I mean by genuine? Well, a lot of kids don’t want responsibility. I sure didn’t I just wanted to have fun. The responsibilities I was handed always felt like chores grownups were foisting off onto me, not opportunities as they should be. I remember a neighbor was trying to find owners for a puppy, and mom said “Isrieri you want a puppy don’t you? It’s so cute! You’d love a puppy!” and I very clearly, but perhaps not firmly, said NO I don’t want a puppy. A puppy is a huge investment, I knew that even as a 10 year old.

But my opinion didn’t matter, the puppy came home with us. That poor dog didn’t get taken care of very well; nobody considered it theirs. Mom kept trying to get me to think of it as my dog and that it was my job to look after it, but I didn’t want the damn thing she’s the one who brought it home. So neither of us looked after him as we should have. My aunt took him in after several years. What was the lesson young me learned? Why bother having an opinion? Who gives a shit about my opinion?

I bring this up because the Enterprise crew meets to have a discussion about Wesley and whether he should be given a boring but crucial job analyzing the unstable geologic structure of an inhabited planet, but he’ll be leading the team. They debate for a bit as to whether he’s ready to handle it but Picard makes some good points, and a very grateful and eager Wes takes up the task. He’s a super-genius and can handle the work, but because he’s young, authority doesn’t feel right. He feels like he’s constantly overstepping himself because his knowledge doesn’t match that of his colleagues.

The episode’s thoughts on this are muddied, but essentially: Command is about confidence which can only come from trust. First from yourself, then trust from others follows naturally. You can only trust yourself if your judgment has led to success. So that’s why they give him this position where he can fail, and they stay relatively hands off to let him navigate it. Thing is, that only works if the kid wants to do the job. If you want to foster that, you want to show them the benefits. Wes dreams about being a captain so he already knows, but a lot of kids either don’t know what they want or don’t recognize the importance of confidence.

What you gotta do, is show them the guy in 10-F. There is an extra, the blonde guy at the bar, who is sitting as still as a statue looking straight ahead into the wall with the biggest & dumbest grin plastered on his anxious, petrified face. I can’t tell if he was in some blissful revere of stupidity or trying not to let out what would be the loudest fart ever heard on that soundstage! That’s what happens if you never learn to be at ease with yourself.

Enough digressing. I haven’t even talked about the A-plot: Data was surreptitiously (an uncharacteristic act of insubordinance) communicating with an alien girl named Sarjenka from aforementioned planet. The volcanic activity is threatening to kill her and everyone she loves. Data chooses to exhibit compassion and pity for this girl, and tries to help her by confessing his discovery to the captain and asking for guidance. This is a Prime Directive problem, so the cast convenes to discuss it.

The episode is essentially making the case that the P.D cannot, and is not, a moral absolute. That is correct, because the philosophy behind it is extremely lofty & esoteric and a core tenet of that very philosophy is that there’s no such a thing as absolutes. I spoke before that realistically, these kinds of conundrums would have a Starfleet committee that captains refer to. My personal headcanon is: That captains have a uniquely large breadth of autonomy to act as dignitaries on behalf of Earth & the Federation, and just… have the authority to execute summary judgment based on how they’re feeling that day.

That latter angle is how I view the scene. They’re not stressing over breaking some codified law, they’re genuinely trying to determine what the right thing to do is. It takes hearing Sarjenka’s distressed voice for Picard to commit to helping her. They have the power to act, and surely, to act is the just thing. But I think it’s important to also consider that P.D was drafted to prevent these emotions from spurring you to into something rash that will fuck things up in ways you can’t foresee. Of course, they were already committed the moment that Data contacted the child.

The plan is hatched and Data beams down to help Sarjenka. There’s a prop in her house that unlocked a memory: Do you guys remember those clear giant inflatable beach balls with longitudinal lines on them? I remember playing with one of those in, god, kindergarden? First grade? I would flop onto of it and roll around on the floor.

There’s no good reason for Data to beam down to see her, beam her back ABOARD THE ENTERPRISE without permission, and create an even bigger problem for the crew. I understand if that’s irritating and, it bothered me a bit too. Nevertheless, he did it because he wanted to, out of compassion for his little friend. Data can’t feel emotions but he does want things. The ability to desire is what makes him so special.

I don’t like that they’re able to wipe Sarjenka’s memory. I don’t think it invalidates the dilemma of the episode but it weakens any argument against leaving her to fate. It was a long shot that the memory wipe would even work since she’s a brand new species and they don’t know how her chemistry functions; they could have killed her. In fact if she were to die, that would have better highlighted the consequences of violating the P.D.

This episode sneaks up on you. On the surface it seems a trite, mediocre affair where Data does things Data would not do, involving an insubstantial moral and saccharine ending. I think there’s a surprising amount of nuance to it the more you unpack, and the two plots compliment one another in a way that isn’t immediately obvious. It’s not perfect but the more I reflect on it the more I like it.

“O’Brian, take a nap. You didn’t see any of this you’re not involved.” says Riker, striding swiftly into the transporter room.
O’Brian promptly locates the corner. “Right sir. I’ll be over here. Dozing off.”​
“Data you’ve got ten minutes.” Riker beams him down just as Picard calls him to the bridge. “Damn!”​
“I just woke up sir!​
“You know what to do?​
“I’ll have him out of there smooth as ice.” God damn I love O’Brian. I like to think if I was a Star Trek officer, I’d be like him.​
 
Is it four stars though? That’s the question. It’s a good episode that I was eager to see resolve, but would I be excited to see this as a re-run? I’m genuinely torn.
I actually find the episode fascinating, even though I've seen it (and the rest of TNG) a million times over. It's the first, meaningful early look we get into how Picard's brain works, what motivates him, and what his character flaws are. The best Picard episodes are all ones like this that explore those facets of his personality. Of him coming into conflict with his perceived weaknesses, and either overcoming them, or reevaluating his views all together. It's something I always thought was both very interesting to watch, as well as always served as a good role model for an evolved idea of what masculinity could be. The biggest failure of the movie Nemesis isn't any of the things you normally hear fans whine about, it's that the central drama of the film is centered around Picard having the exact same personal identity crisis as this episode as if he hadn't learned that lesson before.

OH! I almost forgot: Riker cooks some eggs! Actual eggs that he got from a starbase. Not chicken eggs, alien eggs. They tasted horrible, but the sense of community was irreplaceable. If you want to make friends in today’s world, just invite them over for breakfast.
Loved that scene. It's also very fun that Worf thinks they're delicious b/c you know, aliens and whatnot.

Naturally that’s all predicated on the writers and the audience knowing what Shogi is in 1988 or whatever. As bad as I am at it, I love Shogi. Imagine if it hit the mainstream back then!

If I’m not mistaken, doesn’t ‘yoroshiku’ mean something like “I’ll be in your care?” If true, that is extremely funny given the context.
That whole "Anbojutsu" sequence is pretty embarrassing/bad, but you can tell it's coming from a place of admiration from 1980s weeaboos.
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The Japanese text on the walls/combat mat are all references to Urusei Yatsura.

Troi made me mad when she said “you can’t teach confidence” because that is absolute bullshit: If you want young men to grow confidence when they’re young, you need (NEED NEED NEED) to prove to them that they can trust themselves. “Proof” is the keyword here, you can butter them up all you want but they have to believe it in their heart, and you can’t do that until you show them they can grasp their own success. You do that by first by giving them genuine responsibility.
IMO, I don't think what she's saying is necessarily mutually exclusive to what you've explained or what the rest of the episode is doing. To me, when someone says "you can't teach confidence" they're alluding to the fact that it's something that people need to discover for themselves. You can put people into positions where they will be set up to succeed/make learning that lesson for themselves a lot more likely. But it's not like confidence is a math equation you can force a kid to memorize.
 
Wesley, Data, & Geordi figure this out, and set up the ritual in the holodeck for him. The scene reinforces what the audience has come to know: The Enterprise is a place where the crew feels like family, and it’s explorations on the edges of the galactic map is meaningful work which serves to strengthen those bonds: Klingons might still be at war with humans if it weren’t for these efforts, and we would never get to share in their customs of electrocuting their warriors with cattle prods.

I joke, but Michael Dorn sells it with his acting. He seizes the campiness by the neck and chokes it out. You’re so happy that he gets to celebrate with people he cares about that you’re right there with him as he walks the river of blood. His separation from his ancestry fosters a yearning to grow closer to it, so Wesley & the others gave him a great gift.
 
ep 42 – Q Who (★★★★★)

Q returns to visit Picard with a strange request: He wants to become a member of the crew, going so far as to offer to relinquish his powers. Picard, rightfully skeptical, denies this request. Q warns that humanity boasts a mission of peaceful exploration but there are dragons out there in the endless expanse that humanity is not equipped to deal with. Picard’s simply states, be that as it may we are nevertheless ready & determined to meet it. In the Star Trek universe, if humanity has proven one thing it is for the ability of their better natures to triumph over their flaws. After all they’ve struggled with in their disastrous distant past, and emerged all the better on the other side, why shouldn’t he be so resolute?

Overconfidence. That’s why.

Q calls his bluff, and hurtles the Enterprise way out into unknown space to force an encounter with the mysterious Borg. The spooky cybernetic species of space zombies. This is the episode that put TNG on the map. I don’t think the Borg could have asked for a better introduction. The writing staff clearly knew they had something good and splurged on the production budget. There are plenty of cool effects, in particular the shot of the Enterprise having a slice carved out of it and the Borg auto-repairing their outer hull. Cool cybernetic costumes that excellently characterize both the Borg’s nature and their threat. Best of all, a really cool matte painting of the Borg ship’s interior.

The Borg are the total antithesis of the Federation: Humanity’s unification was under the principles of freedom via autonomy, and the miraculous mixture of individualistic zeal balanced by empathy, allegiance, & mutual respect to one’s fellow man. Taking all possible measures to never repeat the same pitfalls that spurred them to war with their own species. They carry that attitude to their relations with other species. A desire to rejoice in the uniqueness of differing perspectives and commune with those views to enrich us. Allowing us happier lives as better people.

The Borg are a hive mind intelligence with no individuals. They subsume the identities, thoughts, and desires of all biological life forms they encounter into themselves. Cannibalizing and adapting their technology to continuously improve and spread further through the galaxy. They sweep through worlds and leave them barren, hellbent only on the collective’s continual evolution via consumption. If the Borg had a philosophy it would be “Cells Do Not Rebel” Perspectives? Virtue? Enrichment? Happiness? All of that is irrelevant; distraction. Domination is the imperative, and assimilation the ultimate tool. This inflexible resolution is exemplified in their ship design: All aesthetics eschewed to be little more than a moon sized cube with the bare minimum of life support to sustain their biologic components.

The encounter proves a disaster. All attempts by the crew to talk, gather information, even defend their own ship, are futile. The Borg far outmatch the Enterprise and the ship flees with the cube in hot pursuit. Picard is forced acknowledge his helplessness and, with all the dignity that a man in his position can scrounge up, and successfully begs Q to save them.

The closing line of the episode from Q is an interesting one. 18 people died in the encounter, and Picard doesn’t appreciate that Q allowed it to happen when he full well had the power to stop it. He is quite correct that Q is responsible for their deaths. Q replies “If you can’t handle a bloody nose you should have stayed in bed.” Picard claimed that his boast of humanity’s prowess does not come from hubris or arrogance and I would agree, but consider this:

Humanity has solved the issues of war, hunger, and poverty. Every person on Earth lives, if not a fulfilling life, a life without misery. People are free to pursue their passions and live in peace. They’ve breached the stars and have colonized other worlds, securing the continuation of humanity for perhaps thousands of millennia to come. They’ve joined and are key members of the Federation of Planets for mutual defense and cultural equanimity.

And that isn’t enough? Humanity continues to search the galaxy, expanding and laying down new worlds, to seek out new life, to establish relations. To search and explore and poke their noses where they may neither be wanted or needed. From Q’s perspective what if humanity became just like the Borg? What if the fickle principles and moral relativism of humanity swings the other way? If they can't stick to their own guns just to save a little girl from a volcano, what else would they bend their own rules for? Do you still think you’re guarded against the dangers of that? You want to become a power in the galaxy? You want humanity to continue to climb the ladder and join with the big boys at the top? Fine. But don’t pretend like you don’t know what you’re getting yourself into.

On a lighter note, let me commend the opening minutes of the episode too. We meet Ensign Gomez. Very excited to be here, and a bit of a klutz. Geordi laughs when she requests a cup of hot chocolate. “We don’t ordinary say please to food dispensers.” She points out that being surrounded by all of this tech can be a little disheartening so, why not be the change you want to see in the world? Why not be courteous? She spills that chocolate all over the captain (*gasp*) and while displeased, he at least has the tact to just excuse himself after her earnest apologies. The captain may not like it when things aren’t always orderly and ship-shape, but those are also very human moments. I think it makes for a great contrast with what follows.

I remember how much an impression this episode left on me when I first saw it way back when, and how when the first Borg scout dies they just beam in another one. It was so creepy how he just popped out the dead Borg's eye socket and went on his merry way.


ep 43 – Samaritan Snare (★)

Thus far I’ve been able to pull vague memories of what each episode was about based on the title, but this one was a mystery. I briefly considered if I had never seen it. That is until…


WE ARE PAKLIDS
OUR SHIP IS THE MONDOR
IT IS BROKEN



That’s it. That’s the episode.

Worf tries to be the voice of reason. He points out that sending LaForge is a bad idea. It could be trick. We don’t know who these people are. The situation is too convenient. You could at least send somebody with him. They’re flying a spaceship, send them the schematics and let them fix their own damn warp drive. DON’T BE A FUCKIN’ IDIOT, RIKER.

Riker decides to be a fuckin’ idiot and sends over LaForge, who gets held hostage by the Paklids. The twist? They weren’t playing dumb. They really are stupider than a bag of hammers. They’re some kind of caveman species that lucked into technology from the future that they’ve commandeered to become space pirates. William T. Riker the cunning first officer of Earth’s flagship was outsmarted by a phishing scam. Even Troi comes onto the bridge to call Riker a fuckin’ idiot.

This plot may be the most frustrating yet. It is minimally droll because of the makeup & acting from the Paklids but that’s literally all it has going for it. Even the B-Plot with Picard’s heart transplant has no substance. The only reason he leaves the ship to have the operation is that he doesn’t want word to get out that he has a mechanical heart.

This is the future and the crew doesn’t care about that. Geordi is blind and no one thinks any less of him. It’s not like Picard is mentally unsound, he has the equivalent of a 24th century peg leg. The kids would think it’s cool. They try to tell us “Oh but it bruises Picard’s ego” BULL SHIT it does. Everyone permits themselves a little vanity but he knows better than to allow those thoughts to affect him. Not so much as to leave the ship.

Pulaski could have easily operated on him, and DOES OPERATE ON HIM. “So, Dr. Mr. Heart Surgeon Ph.D, you aren’t going to perform this risky procedure?” “I cannot. I am not qualified. I am only Dr. Mr. Heart Surgeon Ph.D. We need a Dr. Mrs. Heart Surgeon Specialist Ph.D Esquire.”

Only one thing salvages this: On the ride to the starbase Wesley & the captain are forced to spend six hours alone on a shuttlecraft as it scuttles along on impulse power. We glean half a sentence of the closed, bound book that is Picard’s private life. We learn that his biological heart was stabbed in a barfight and had a cheap & quick replacement. We learn he wasn’t always this put together, and had to learn some harsh lessons to become the man he is. The writing is pretty poignant, if a little stilted on Wesley’s end. It’s a very good scene that they stretch for half the runtime. You could probably watch an edited version on the internet than subject yourself to the whole thing.


perspicuous : adjective
1) plain to the understanding especially because of clarity and precision of presentation
 
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The encounter proves a disaster. All attempts by the crew to talk, gather information, even defend their own ship, are futile. The Borg far outmatch the Enterprise and the ship flees with the cube in hot pursuit. Picard is forced acknowledge his helplessness and, with all the dignity that a man in his position can scrounge up, and successfully begs Q to save them.
One of the lowkey very interesting aspects of this story is that when the Enterprise first fires upon the Borg Cube, they actually severely crippling it. The implication being they had just kept blasting, they probably could have eliminated the Borg then and there. But due to their own nature as an inquisitive and non-aggressive people, they give the Borg the valuable time to repair their ship and figure out a defense against the Enterprise's weaponry. It's a way of showing through action the theme that Q is trying to convey to the crew/audience. They're out of their depth out here.

Even the B-Plot with Picard’s heart transplant has no substance. The only reason he leaves the ship to have the operation is that he doesn’t want word to get out that he has a mechanical heart.
This is a point of disagreement between us. Mostly though, in that it is kind of the beginning of a character development arc that takes the entire show for it to complete for Picard. Whether you value or get what I got out of it is ymmv, but it's something about TNG I really value and adore.
 
After all they’ve struggled with in their disastrous distant past, and emerged all the better on the other side, why shouldn’t he be so resolute?

Never before 2025 did I so understand some jackhole with too much power losing an argument and then being like "Oh, you think you're so great? Well what about if the worst thing ever showed up? Huh? Huh? What now?"
 
This is a point of disagreement between us. Mostly though, in that it is kind of the beginning of a character development arc that takes the entire show for it to complete for Picard. Whether you value or get what I got out of it is ymmv, but it's something about TNG I really value and adore.

That so? I'll keep that in the back of my mind, then. The later seasons are a blank in my memory so I'll look forward to seeing how that develops.
 
That so? I'll keep that in the back of my mind, then. The later seasons are a blank in my memory so I'll look forward to seeing how that develops.
Picard is for many and myself, a role model for progressive masculinity, and more generally human decency. A competent leader who is also compassionate, considerate, thoughtful, self-sacrificing, principled, yet open minded and open to critiques, etc. He runs counter to a lot of our culture's toxic masculinity traits and was one of our foundational TV-dads.

But his one character flaw is that he's still very susceptible to the stoic impulse of being emotionally closed off from others and hiding his vulnerabilities. For him, he sees that as an existential crisis. He defines himself and his self-worth by his job and his competency at it. And he believes that the people around him wouldn't follow him to hell and back if he showed nothing short of perfection. And because of the dangerous nature of his job, that takes on a life-or-death urgency in his mind. And so he closes himself off from his subordinates, friends, family, potential lovers, etc as a result.

And his long arc throughout the show is him slowly learning how to let his shields down. To let others in and to be vulnerable with them. To learn that these people aren't just following him because he's some invincible captain, but because they like him and believe in him. Not just as a captain, but as a person. That these people are not just his subordinates, but could be his friends and family, if only he'd let them. And that there is in truth more strength in being honest and vulnerable with such people, and letting them support you, than to shut them out and endure the unendurable alone.

These were powerful object lessons I subconsciously internalized as a kid, and never really fully appreciated until far later as an adult. And I personally give a lot of credit towards my own growth as an individual and in helping to inoculate me against the toxic masculinity I grew up being smothered by from all angles of our culture and especially my own family.

So yeah. You're actually right that Picard was wrong in The Samaritan Snare. But that was the whole point! This is the show exploring his character flaw and giving him texture and character growth. In a vacuum, it might not mean as much. But in the aggregate and as part of the foundations of a wider character development arc, it's very interesting IMO.

Of course, this is probably ymmv. As I've said, this whole business takes on a very personal aspect for me so I'm certainly biased. I wouldn't blame anyone for not getting the same things out of it that I have or having an entirely different POV. But I still think it's neat and worth discussing.
 
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