• Welcome to Talking Time's third iteration! If you would like to register for an account, or have already registered but have not yet been confirmed, please read the following:

    1. The CAPTCHA key's answer is "Percy"
    2. Once you've completed the registration process please email us from the email you used for registration at percyreghelper@gmail.com and include the username you used for registration

    Once you have completed these steps, Moderation Staff will be able to get your account approved.

Ok here's my defense of Fight Club (complete and total spoilers)

air_show

elementary my dear baxter
I can't say I've been present enough on this forum lately to know its pulse on the movie Fight Club, which I love dearly and truly, still, even after having watched it very very recently.

And I won't pretend it's not a weird dark edgy problem fest, that's part of what makes it so entertaining. But like I got the vibe from people in my life and the internet in general sometimes that like, liking Fight Club is how you tell someone is one of "the bad ones" and I don't know, that hurts. Because I love this movie goddamn it. It did take me a very very long time to finally "get" it though, to be honest.

When I was a teen I loved Tyler Durden as a character (and let's be clear, still do) because he was this interesting philosophizing anarchist who was going to burn down all the bullshit and I couldn't figure out why he becomes the villain in the last third of the film. But also, at that time and until embarrassingly recently, I didn't properly understand Marla's role in the story. When the Narrator says "all of this has something to do with a girl named Marla Singer" I didn't really ever vibe with it throughout most of my young adulthood. I thought that was just "a movie thing" where there has to be a love interest.

But I watched it again with eyes a little queerer this time and put together what I was starting to get but not quite yet from other more recent viewings: It really is about Marla. Not as like a prize, but as a person. But wait, let's start earlier.

So we're introduced to our Narrator, who I'm somehow only just now realizing how queer coded he is. In particular I think he may be asexual. But aside from that he's this guy who just fucking hates the civilization he's come up in. And he particularly hates himself, having come up chasing the American Dream, only to find himself living a cushy yuppie life on the dime of a company that burns families. His feelings about it all eventually become so toxic that they manifest in a sleeping problem because he's developed a chaotic alter ego running around pulling disgusting childish pranks on the wealthy for kicks. Tyler Durden.

But it wouldn't have gone any further than that if he hadn't started seeking a less toxic way to deal with his emotions, by vacationing in other people's trauma. Ok I know but it is kind of the point that he's a bit of an asshole at this point in the story. He's using the warmth of these wounded and dying people processing their grief, and Marla comes stomping in all full of piss and vinegar and flagrantly doing what he was trying to keep on the downlow out of some sense of shame at the very least, and he immediately hates her. He's disgusted with her. He even openly expresses apathy at the knowledge that she's attempting suicide and choosing to call him later on in the film.

He's too wrapped out in his own bullshit to see what a kindred spirit she is. Someone who hates the world as much as he does but has the courage to just wear her disrespect for it anyway. She's pretentious and moody and overly dramatic and self-loathing... just like him. And way way way deep down, he wants to get to know her better. But he's still too much a participant in this society he's wrapped up in, so he starts blowing up his own stuff and unconsciously crafting a reason to "meet up" with his anarchic alter ego and learn how to be more like him.

Because Tyler Durden, now there's someone who could easily hang out with Marla Singer. If he can become more like Tyler, maybe he'll connect to her. But it's messy, and chaotic, obviously so when our main character is technically insane. Also as he becomes more like Tyler, Tyler becomes more extreme. He goes well past merry mischief maker into actual apocalyptic cult leader. Fight Club starts as a very repressed outlet of emotion, like crying at a group therapy session, but more primal and visceral. But then it becomes Project Mayhem it becomes a means to actually bring it all crashing down. Tyler is very ambitious after all. And ultimately, willing to kill.

I'd say that's the first step towards Tyler going from this delightful if disgusting mentor to the villain of the picture. When Bob dies. Bob is a sweet gentle guy and the Narrator has a soft spot for him. That Tyler's antics got him killed is where he actually starts to care about how out of hand this has gotten. And I can I just say, when you stop and think about it, as cynical as Fight Club is about the world we live in, the people in it do tend to be really sweet and gentle and caring people, from Bob to the various therapy groups to the cops trying to prevent Marla's suicide.

And only embarrassingly recently did I get the more important information being communicated in the hotel scene after he talks to Marla and she calls him Tyler. Tyler reappears, with a new look and a much more antagonistic tone, and they put the pieces together for the audience if they haven't figured it out yet. This shit always made me uncomfortable when I was younger because again, I didn't understand why the cool guy I looked up to was now the bad guy. It's because neither one of them says it because they don't have to. Tyler wants to kill Marla.

Through Tyler he did get to know Marla better, but also she got to know all the worst and most toxic aspects of him in return. Every morning she came downstairs to a completely different person, expressing open and hostile contempt for her in a way that somehow mirrors jealousy? It all hits him what a complete and utter narcissistic piece of shit he's been to her and now his insane cult leader alter ego wants her dead because she knows too much and will either report him to more competent authorities or help him figure out what's going on and get him help. Either way the plan is off. And Tyler won't have that.

That's why he has the darkly hilarious fight with Tyler in the basement over the bombs, and why it's so important for him to defeat Tyler and gain control of the gun before the Project Mayhem goons arrive with Marla. It's why he's kind of ok just watching the buildings blow up afterward, clearly willing to either face the consequences of his actions or use his skills as a genius anarchist mastermind to escape to some new life elsewhere. It's ok because Marla is ok, and he cares about her. Doesn't matter if it's as a friend or as a lover, he has somebody that he cares about now. That's enough for a fresh start.

So that's why I still love Fight Club ok?
 
Last edited:

Felicia

Power is fleeting, love is eternal
(She/Her)
It's been a while since I've seen it, so I can't comment much on your analysis, though it sounds good to me. What I do want to comment on is that I don't think liking Fight Club necessarily makes you one of "the bad ones". The discussion I've seen on that subject mostly seems to be about how "the bad ones" likes Fight Club without actually understanding its message, thinking Tyler is the hero, wanting to start real-life fight clubs, etc. Which can be said for many other pieces of media with antihero protagonists.
 

Sarcasmorator

Same as I ever was
(He/him)
Good write-up!

I consider Fight Club to be in the same realm as stuff like Breaking Bad, even The Matrix, etc.: strong stories with clear themes that those so determined can easily take the wrong message from, because there's no way to fully account for willful misinterpretation. It's a good movie but there's a very wrong way to be a fan of it (e.g., thinking Tyler is someone to emulate).

The movie effectively shows how a violent movement can be whipped up from garden-variety disaffection by a charismatic leader telling people what they want to hear and given them targets to attack. But of course some people look at that and just take notes instead of seeing it as a warning. The popular current usage of "snowflake" ignores entirely that the term was an indoctrination method here—that "you are not a beautiful and unique snowflake" part shows how Project Mayhem enforces conformity at least as much as the society it's breaking from. But now people get called "snowflakes" for being bothered by things that should bother them!
 

BEAT

LOUDSKULL
(DUDE/BRO)
Fight club is literally prophetic in the way it's a story about a bunch of dudes with petty but legitimate grievances about society reinventing neonazisim.

It's a fantastic film and it annoys me when people act like acknowledging that it's really good is some sort of red flag that you're a total dipshit.
 

Sarcasmorator

Same as I ever was
(He/him)
There's a social media tendency to try to "solve" people so that you can 100% tell when someone's going to be a jerk, and one's list of favorite movies is of extremely limited utility in that regard. What matters is why it's someone's favorite, no that it's their favorite.
 

Bongo

excused from moderation duty
(he/him)
Staff member
Yeah, it's like, I want aware this movie needed defending. It's a good one. Nice write-up.
 

Sarcasmorator

Same as I ever was
(He/him)
It's one of several pieces of media that have been the subject of various "If his favorite movie is one of these it's a red flag" memes and such.

And like there are certainly valid criticisms of both Fight Club and any other movie but... that's just not an effective rubric and you have to ignore what the movie's about to think it is.
 

Torzelbaum

????? LV 13 HP 292/ 292
(he, him, his)
It's one of several pieces of media that have been the subject of various "If his favorite movie is one of these it's a red flag" memes and such.

And like there are certainly valid criticisms of both Fight Club and any other movie but... that's just not an effective rubric and you have to ignore what the movie's about to think it is.
Right. Unless the movie in question is Birth of a Nation.
 

Bongo

excused from moderation duty
(he/him)
Staff member
"Media consumption as a proxy for politics or ethics" is a topic I've had percolating for a while and I feel like I might be willing to put together some words about it pretty soon.
 

Sprite

(He/Him/His)
So, I just read the novel as a result of this thread, and I highly recommend it to anyone who loves the movie. @air_show in particular, I think you would like it, because it reinforces your feelings about Marla. The book more or less states that she’s the catalyst that creates Tyler.

I think it’s worth mentioning that the author is gay, as that definitely informs the work’s anxiety about masculinity, and the ways that men soothe themselves through sycophantic and violent exploitation. The most intimate moment is a man burning a kiss into his own hand.

I’ll probably watch the movie again soon, but I imagine it will remain one of my favorites. It, uh, kind of kicked off me figuring out that I’m gay, which is screwed up for a litany of reasons, but I’m definitely thankful for it, even if a lot of dudes read it the wrong way.
 

air_show

elementary my dear baxter
You know I have read the book, but I read it a long long time ago, and definitely would have to read it again to know what my opinion on it is now.
 
Top