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The Yule Log is a television show originating in the United States, which is broadcast traditionally on Christmas Eve or Christmas morning. It originally aired from 1966 to 1989 on New York City television station WPIX (channel 11)
The program was both a critical and ratings success, and by popular demand, it was rebroadcast for 23 consecutive years, beginning in 1967. However, by 1969, it was already apparent that the original 16 mm film was quickly deteriorating from wear and needed to be re-filmed. Also, the original loop was only 17 seconds long, resulting in a visibly jerky and artificial appearance. Station producer William Cooper, a future recipient of a Peabody Award, again asked to film the loop at Gracie Mansion, but the mayor's office refused permission. In 1970, WPIX found a fireplace with similar andirons at a residence in California and filmed a burning log on 35mm film there on a hot August day. This version's loop runs approximately six minutes and three seconds.
In March 2000, Totowa, New Jersey resident Joseph Malzone, a longtime fan of The Yule Log, created a Web site named "Bring Back The Log", now named TheYuleLog.com, and administered by Lawrence F. "Chip" Arcuri, petitioning station management to bring back The Yule Log broadcast.
In December 2001, WPIX vice president/general manager Betty Ellen Berlamino announced during an appearance on local radio station WPLJ that the special would return to the television station after an eleven-year absence.
Program director Julie O'Neil found the original master film of the 1970 fireplace at WPIX's film archives in Fort Lee, New Jersey. The master film had been misfiled in a Honeymooners film canister marked with the episode title "A Dog's Life", which resulted in a 2006 40th anniversary special about the Log being titled A Log's Life. In 2009, a fourth hour of the program was added, featuring 22 new songs and seven new artists.[1]
On July 29, 2016, a 16 mm print of the original 1966 version of the Yule Log was discovered amongst a collection of films recovered from the estate of former WPIX executive and producer William Cooper two years prior. The discovery had been made by archivist Rolando Pujol while going through the old films in search of footage of (then) Presidential candidate Donald Trump.
After undergoing digital restoration, WPIX later announced that they would air it on December 24 of that year – exactly 50 years to the day of its debut, making it the first time since 1988 that WPIX aired the Yule Log on Christmas Eve.
In December 2006, to commemorate the program's 40th anniversary, WPIX also aired A Log's Life—a documentary on the history of The Yule Log, narrated by WPIX news anchors Jim Watkins and Kaity Tong.[15]
Just finished The Web of Fear. What a treat that these episodes (well, most of them) were recovered. I've heard that the newly animated version of episode 3 is rubbish so I watched the telesnap reconstruction instead, which was of markedly higher quality than Loose Cannon's stab at Marco Polo, with pans and zooms to emphasize parts of the frame and keep it feeling more dynamic than a slideshow.
- The previous serial concluded with a teaser featuring the Doctor speaking directly to the audience to warn of the new-and-improved, scarier Yeti coming up in the next episode. "So if your mummy and daddy are scared, you just get them to hold your hand!" Very cute.
- The Web of Fear's sets are wonderful and the whole thing drips with claustrophobic atmosphere. I'm not sure how much faith I place in the story that the London transit authority mistakenly believed that the BBC had filmed in the underground without permission (as that seems like precisely the sort of unverifiable tale you'd cook up for publicity), but I suppose it's plausible. I like when the Doctor has a fit about Jamie almost stepping on the third rail in episode 1, while poor Jamie at no point has the faintest clue what the fuck he's talking about. Might as well have been yelling about etheric beam locators.
- I'm struck by how colorful the secondary characters are in this. Besides the extraordinarily twitchy Professor Travers, we've got his clever and fiery daughter Anne, slimy journalist Chorley, and Evans, the cowardly soldier who sings when he's scared. Even some of the incidental dialogue between the various soldiers is amusing. (Contrast with a story like The Moonbase, where practically the entire cast aside from the TARDIS crew are interchangeably bland and unmemorable.) The classic series may have its flaws, but anyone who thinks that DW only achieved good writing and characterization beginning in 2005 is dead wrong.
- And of course there's the debut of Sir Alistair Gordon Lethbridge-Stewart, always a welcome sight on my screen. (I've previously said that no Doctor's had a proper run until they've faced the Daleks, the Cybermen and the Master, with bonus points awarded for annoying the Brigadier. The math just barely works for all the classic series Doctors... if you're willing to acknowledge the existence of Dimensions in Time. A big ask.) I'm somewhat disappointed to learn that his initial meeting with the Doctor occurs off-screen between episodes; I have to imagine that would have been handled differently had it been known at the time what a legacy the character would go on to have. But intriguingly the Colonel is presented as quite a suspicious figure at first, with several people remarking on the mysterious manner of his arrival, and no one able to vouch for him. (Strangest of all, he's twice reminded that Evans is the other survivor of his otherwise-slaughtered team, but the Colonel seems not to remember him.) Obviously he quickly proves himself as the trustworthy and capable commander we know him to be, but it's an interesting way to introduce him.
- I noticed in the credits that John Levene plays one of the Yeti! I choose to believe he was the one the Doctor and Anne reprogrammed. Apparently he was also a Cyberman in The Moonbase, according to the TARDIS Wiki. Doing a little undercover work, Sergeant Benton?
I spent the weekend at my dads, so was only on mobile then but I wanted to engage with your post about Web of Fear a bit more, Vaeran.
Please tell me you've seen The Enemy of the World. In my opinion, it's Troughton's best extant serial (probably his best overall, too, though I'm very very partial to Power of the Daleks).
Yeah, they had no idea that Lethbridge-Stewart would go on to become what he did when they made Web of Fear, and they changed it in the book - there is no question that he is not the person the Great Intelligence has possessed in the book because Terrance Dicks knew no one would suspect him for a second by the time he came to write it haha.
There's a guy in Australia who recorded basically everything on television starting in the early 70s, who hoarded all those old reel to reels and tapes until his recent death, and most of his stuff was donated by his family to be looked at and saved, if there's any missing material there. He was supposedly a Doctor Who fan, but based on the dates he was recording, likely the only possible missing episodes he could potentially have is the late Troughton serial The Space Pirates, which was the only thing that aired in Australia during the time he was recording. It'll probably take a few years to go through all his stuff safely, though, and there's no guarantee he had any missing Who material, though obviously I hope he did...
I appreciate it! I always enjoy your thoughts on DW.
I have not yet, but it's definitely on the list. (As is The Abominable Snowmen, which I really should have watched first. But I've spent 40 years not making good decisions and I'm not about to start now.) I got a hankering for some 60s Daleks so I'm rewatching The Dalek Invasion of Earth right now.
That's actually super interesting and a very smart change to make. I'm getting increasingly excited to start in on the novelizations and see how they differ from what was aired.
Oh, this is exciting news. I had kind of figured that with no missing episodes found since 2013 (right?) that what we have now was all we were going to get, ever. But where there's life, there's hope.
I've often wondered what I'd do if someone just randomly said to me "hey check this out" and then played me the first five minutes of, say, Power of the Daleks. Would I steal their tape, rip it, and mail it to the BBC? Would I have to fight them for it? Would I even be willing to (I've never been in a fight even in my own defense lol)? I'm a big soft baby nerd man! Just give the missing episodes back to the BBC! Waaahhh!
Fighting isn't the way Kazin would do it. He'd find a way to turn this around. He'd make the villains fall into their own traps, and trick the monsters, and outwit the men with guns. He'd save the missing episodes and find a way to win.It's tough with the collectors. I've really tried to take what Frank Cifaldi thinks about them to heart - basically that they realized the importance of this stuff before anyone else and thus preserved it - but the instinct or whatever it is to keep it entirely to themselves is, er, frustrating (to put it kindly). I've often wondered what I'd do if someone just randomly said to me "hey check this out" and then played me the first five minutes of, say, Power of the Daleks. Would I steal their tape, rip it, and mail it to the BBC? Would I have to fight them for it? Would I even be willing to (I've never been in a fight even in my own defense lol)? I'm a big soft baby nerd man! Just give the missing episodes back to the BBC! Waaahhh!
Rather than rely on what the weirdos in the missing episodes thread on GallifreyBase have said about it (pretty much the only thing I ever occasionally go there for)
- Yes, the Robomen are inescapably goofy, with their giant electric brain helmets that fall apart at the slightest provocation. And no doubt the subsequent introduction of the vastly superior Cybermen put the kibosh on any possibility of their return. And yet... there's something there, isn't there? Maybe it's that opening image of the suicidal Roboman that's sticking with me, or maybe it's that great Terrance Dicks line about them. Or maybe just that I vastly prefer them to the overt Dalek-ization of humans that the modern series sometimes resorts to, with the fucking eyestalk extending from their foreheads. Extermination is one thing, but there's something exceptionally cruel about irrevocably burning out the entirety of a person's identity to make a disposable worker drone. Although, why do the Daleks set the Doctor with an escape room puzzle to judge his suitability to become a mindless zombie? (Headcanon: only the very intelligent make for useful Robomen; the rest either become vegetables or can only follow very simple commands.)
- VETOED
- Susan continues her unbroken streak of being useless at best and a liability at worst; no wonder Carole Ann Ford was eager to move on at the time. That she manages to cook a rabbit stew in episode 5 without breaking her ankle or falling into a ditch or exploding is remarkable. (My mind wandered a bit as I was watching this story, and I started wondering what would happen if the Time Lords learned of Susan's existence on Earth when they were desperate to bolster their forces during the Time War. Maybe they'd conscript her and force her to regenerate into The War Susan, who goes on to obliterate battalion after battalion of Daleks entirely by accident, repeatedly tripping and falling against the weapon controls. Come on, Big Finish!)
- The Daleks' plan is of course absolute nonsense. Even if Earth were unique among all planets in having a magnetic core (?!?!), why would that matter when their plan is to remove it anyway? And what advantage is gained by piloting a planet through space in lieu of a spaceship? Not Terry Nation's finest hour, I'm afraid.
- The teachers both put in a good showing in the final episode. Ian hotwires a planet-killer bomb and survives a fall down a hundred billion miles of excavation shaft with only a torn jacket to show for it, and Barbara improvises an elaborate hodgepodge strategem to bluff the Daleks (...to buy time for Jenny to flail her hands at the air in front of the console. Don't think I don't see you back there!). Trying to modulate her voice with her hand in front of her mouth was cute too.
- "One day, I shall come back..." One of the all-time great scenes, and a promise that has yet to be fulfilled. Despite Carole Ann Ford's apparent willingness to participate (having returned in The Five Doctors, Dimensions in Time, various audios, etc.), the series never really seemed to know what to do with her character. She was written before so much of Time Lord lore was established, and thus doesn't really fit neatly into the series' or the Doctor's mythos anymore. (Surely the Doctor would realize that Susan would outlive David by centuries? No, he wouldn't, because that fact of Time Lord biology hadn't been written yet. Amazing to realize.) It's a mystery I'd love to see RTD tackle during his second administration, hopefully while Ford's still alive.
You probably have no way of answering this, but do you happen to know how long Gallifrey Base's new account approval queue is? Wanting to see that missing episodes thread for myself, I signed up last night but it still says my account needs to be approved by a moderator. (From what you say about the place, maybe that's for the best...)
To quote El Sandifer (who, if you're finding yourself signing up for Gallifrey Base, you should read instead, she's brilliant): "They want to, and I want to stress here that I am not making this up or exaggerating at all, remove the Earth’s magnetic core so they can install an engine and drive the planet around as a spaceship. It is very much unclear why an unaerodynamic planet is the ideal place to do this, or why England is the perfect place to do the drilling here. Clearly, if the Daleks have a fully functional invasion fleet, there’s not a huge need for spaceships. They’re in pretty good shape on that front. So presumably the Earth is to be a sort of prestige vehicle. A sort of Porche for the mid-life crisis of a Dalek. I picture Daleks pulling along upside another planet and saying “Hey Babe. I drive a planet.”
Yeah, I'm not sure - I joined (apparently) in October of 2014, so it's been a minute. I suppose I'm not surprised that they have to manually activate everyone since it's a fairly popular board, but I don't know how long it'll take them to get to you, I'm sorry.
I exaggerate how bad it is, for the most part - the Missing Episodes thread is usually - usually - fine, the main bad crap I see is when episodes are new and the usual suspects come in and start complaining about "woke" stuff like *gasp* a black person! A woman! etc. They're the type to skirt the lines of the rules, too, to make it seem like they're just expressing their opinion and not just being blatantly racist.
Ugh, gross. I'll be sure to put on my anti-radiation gloves before posting there.
(I've mentioned this before, but I continue to be bewildered as to how right-wing chuds develop any kind of connection with shows like DW or Star Trek, whose values both stated and implied run so contrary to their own. I know I couldn't sit and watch a show that portrayed racism, sexism, etc. as heroic and right, no matter how good the rubber-suited monsters looked. So how do they do it? How can they imagine someone like the Doctor would have anything but disgust and pity for their backwards-ass views?)
Welcome to Gallifrey Base!I've been trying to think of a response or reaction to this and every time I do my brain just locks up. Simply astounding.
Doctor Who X-2.