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Iaboo, Youaboo, Weallaboo for Anime!

JBear

Internet's foremost Bertolli cosplayer
(He/Him)
We're coming off of the most dire anime season since I started watching anime again (5 years ago? 10? Somewhere in that range), and having looked at the trailers on anichart, the next season looks equally dire. We'll still try a bunch of first episodes (including, reluctantly, a few isekai and even a mecha or two), but I'm not optimistic. More time to catch up on my back-log, I guess!
 
We're coming off of the most dire anime season since I started watching anime again (5 years ago? 10? Somewhere in that range), and having looked at the trailers on anichart, the next season looks equally dire. We'll still try a bunch of first episodes (including, reluctantly, a few isekai and even a mecha or two), but I'm not optimistic. More time to catch up on my back-log, I guess!
The pandemic is definitely impacting a lot of anime production. But this last season wasn't so bad, at least for me. You and Johnny watch like dozens of shows a season, but back in the mid to late 00s when I was getting back into anime, I would consider a season to be really really good if it had 4-5 shows that held my interest. (Most I would be lucky if I found 2-3.) We've got that much going on this season, and we've got at least as much going on next season so I'm happy. Definitely not as strong as some previous seasons in the past 4 or 5 years tho.

Next season also has a huge number of sequels to big name shows that you probably aren't a fan of so that probably is skewing things. There's continuations/sequels to Demon Slayer, JoJo, 86, World Trigger, Isekai Shokudo, Lupin III, and Yashahime that I'll be tuning in for.
 

Johnny Unusual

(He/Him)
For interested parties, I'm hosting a top 50 cartoon character list and the deadline is the end of the work week.

 

Rascally Badger

El Capitan de la outro espacio
(He/Him)
I don't see a problem? I think it looks great.

As someone who generally thinks it looks pretty good, its the running. That is trouble with the opening apeing the anime opening so closely; people don't actually move like they do in the show. So Cho trying to run, in silhouette, with the same rhythm as the old show just looks goofy.
 
It looks like an American version of all of those almost universally terrible Japanese live action adaptations of anime that seem to exist primarily for people who constitutionally cannot watch a cartoon.

Maybe it will be better than those, or similar to the cream of the crop of those. But it certainly looks like one of those.
 

Alixsar

The Shogun of Harlem
(He/him)
It's just doing something to my brain. I get why they tried to do the old intro, but by doing so, they're forcing people to make comparisons (also the lack of Ed stands out). But people were gonna do that ANYWAY, and if they HAD made a new intro, The Internet™ would've been mad. But The Internet™ is also ALWAYS mad so like...I don't know??? It just feels weird to me; like I'm watching a fan-made intro to a hypothetical live action Cowboy Bebop show...but it's REAL and OFFICIAL. It's making me feel a way, but I don't know what it is. Anyway hopefully the show is good!
 
Thanks, I hate it. Like, god bless these people for the attempt but it looks bad. And I don't mean visually though it certainly does look kinda cheap and phony like a fan film. But specifically, there's a bunch of scenes cut into it that I assume are from episodes, and I can instantly tell they're trying to do a very faithful 1:1 adaptation and... that's not what this should have been! If I wanted to see the exact same Cowboy Bebop stories, I've got some really nice remastered BDs I can play on demand that won't set off any cognitive dissonance/uncanny valley issues. I was hoping they'd at least try their hand at doing their own thing or making their own stories so that I've have a reason to watch this. But as it stands, that doesn't look like it's the case.
 

q 3

here to eat fish and erase the universe
(they/them)
Why can't we have, like, an anime remake of Babylon 5 instead
 

Daikaiju

Rated Ages 6+
(He, Him)
Why can't we have, like, an anime remake of Babylon 5 instead
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Source
 

Peklo

Oh! Create!
(they/them, she/her)

Hazel is a pretty universal recommendation in general, but trash enthusiasts should partake here in particular.
 

Kirin

Summon for hire
(he/him)
Sadly don't have time for the full hour video at the moment, though it looks awesome, but having just watched the intro I wanted to say the original Vampire Princess Miyu OVA is pretty great. .... or at least, I have fond memories of it from long ago. Close enough.

And of course A-ko and Dragon Half are classics of the goofball comedy OVA genre.
 
I watched the first episode of Heike Story. I would have eagerly watched more had time permitted. I went into this assuming there was only a 0.3% chance this show was no good, and I'm glad to report that it's as good or better than I assumed.



I'm not sure every viewer will get as much out of this as me, since general knowledge about the Late Heian Period/culture, and the Genpei War is going to make a lot of stuff make more sense in general and give you that extra historical appreciation for what is at its heart, a pretty faithful historical drama. But I'm positive most people will enjoy it nonetheless and its themes will be pretty self-evident. If anyone needs a quick breakdown of the historical events of what's going on here or an explanation of some proper nouns, I'm here.

My only real complaint so far is that the music is a little too eclectic for my tastes; a rock song here or there feels at odds with the rest of the OST and the show's nature as a period piece. But that's only a mild complaint because it's still mostly interesting even so.

Science Saru (the studio animating this) isn't a group of schlubs or anything, they're a group of very talented professionals who seem to revel in pushing the boundaries of animation. But their usual M.O. is to produce animation quick and dirty with a shoe-string budget/staff. And if they're doing their usual thing here but just with Naoko Yamada as director, she's spinning yarn into gold right now. Her talents as a director are quite simply astounding. This show is ridiculously gorgeous and it feels weird/wrong that this is 'merely' a TV show.

This show is destined to be overlooked and underappreciated by the typical horde of self-identified anime fans, so I expect there not to be much buzz surrounding it. But I dearly hope all y'all will give it a chance. It deserves to be watched by as many people as possible. I usually try to temper my opinions and not jump to conclusions about shows or recommending them this whole heartedly until a bit further in, but I feel this is one of the safest recs I could make and am pretty confident in doing so.
 
I'm still excited for it but have not watched it yet, only because I basically will not watch any serialized show until all the episodes are out. It's still the most I've been interested in a new anime in a long time. But I've been following reviews and don't think I've heard anything but positive reactions, so far, and I'm glad to hear more.

I am baffled by why self-identified anime fans would overlook this, but also I don't follow Anime Discourse at all.
 

FelixSH

(He/Him)
I'm not sure every viewer will get as much out of this as me, since general knowledge about the Late Heian Period/culture, and the Genpei War is going to make a lot of stuff make more sense in general and give you that extra historical appreciation for what is at its heart, a pretty faithful historical drama. But I'm positive most people will enjoy it nonetheless and its themes will be pretty self-evident. If anyone needs a quick breakdown of the historical events of what's going on here or an explanation of some proper nouns, I'm here.
So, I will learn stuff about Japanese History, if I watch this? Well, I'm sold. I'll come back, after having watched what is available to me.

With learning about Japanese History, I just meant about Japan at a specific time frame, not big events.
 
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You will also learn about some very big events, albeit filtered through a popular retelling of those events a few hundred years after they happened, then filtered again through an anime where the viewpoint character is an invented for the show little girl with heterochromia who can see the future (I guess, judging by the trailers). Presumably the viewpoint character is there to some extent as a framing device standing in for how much of the Japanese audience knows how everything plays out, at least in broad strokes.
 
So, I will learn stuff about Japanese History, if I watch this? Well, I'm sold. I'll come back, after having watched what is available to me.
Yes and no. Like, I think it'll be pretty instructional for getting a sense of what this era was like, the kinds of court intrigue that defined this era, the big disconnects between the upper crust of society and everyone else, what the culture of high society was like, etc. But there's a lot going on here that the show kinda assumes the viewer already knows and I'm not sure how a person completely unversed in Japanese history is going to pick up on. Like, in the first episode, you've got mentions/appearances from the Emperor, the Emperor's retainer, and most importantly the 'retired' former Emperor all coexisting to lead the kingdom as the ceremonial head of state, the technical head of state, and the de facto shadow head of state. School children are taught about these things in grade or middle school, and the historical figures featured in the show are historical figures on the level of importance of Abraham Lincoln or Robert E Lee to Japanese history. I still think y'all will be able to follow along with the most important concepts/ideas in a broad sense just by paying attention to context clues but there's gonna be a lot of nuance that'll slip past most ppl.
 
The one negative I've heard is that people unfamiliar with the source material do feel a bit lost.

That being said, The Tale of Heike is extremely engaging as far as medieval literature goes and both major English translations are good (Helen MucCullough is earlier and more prosaic, Royall Tyler is fairly recent and tries to emphasize the poetic/performative quality more). Worst comes to worst, you either glance at some wikis to fill in the gaps or are inspired to read a classic of world literature!
 

FelixSH

(He/Him)
Yeah, I didn't know about this book, up to now. And now I want it. I tend to read books, instead of watching their movie/series version. Still will watch the Anime, but, uh, really want the book now.

Thanks for the infos, both of you. I'll report back, whenever I've watched the show, or parts of it.
 
The one negative I've heard is that people unfamiliar with the source material do feel a bit lost.
I don't really think knowledge of the source material (either one) is necessary. Shows like this aren't made for audiences with that in mind. They're usually made to expose other people to a story they wouldn't otherwise have been exposed to. But a rudimentary understanding of Japanese history and culture of the time period, as well as basic Buddhist precepts is going to get you 95% of the way. But ya, without any of this, following the events or social cues between characters is gonna be a challenge but not impossible. And even if everything flies completely over your head, it's still a story that, at its core, is fairly simple and easy to follow with regards to this POV character who grew up on the streets exploring the upper crust of society during a time of political turmoil and upheaval. The characters are very expressive and their emotions and thought are very plainly written on their faces and in how they carry themselves. And even failing all that, it's just a gorgeous show you can become engrossed in just marveling at the visual spectacle of the craft being demonstrated.

It's been a long time since I read the original Heike Monogatari, and then it was only chunks of it for my survey classes in college. Reading historical literature like this is great, but I have a really hard time recommending it in earnest to people who 1) don't have a background in doing historical analysis and 2) aren't tempering what they're reading with other sources and/or commentaries. Reading stories like these is often like going into Shakespeare raw. Where all the colorful euphemisms go right over the average reader's heads, or the lack of understanding the historical/cultural context this was written in can lead to wildly different and less correct readings of what's going on in the story. And this is especially true for a language like Japanese that is inherently vague with tons of meaning and implications that lay between the margins. And that is before you get to the idea that most tales of valor and war from this period are all filtered through the lens of people with varied agendas. I'll never forget a history professor reading an account of a noble battle in this time period that made the whole thing seem heroic and bombastic and superb. But then he methodically broke down how the gushing river at the site of the battle IRL is better described as a babbling brook (showing us what it looked like with a slide). And how once you peel away the elaborate prose and self-aggrandizements of these Bushi, that the events of the battle were essentially one small group of soldiers making a big spooky racket in the woods and scaring the other soldiers away.

I might write up a short primer for this show later when I have time and if there's interest.

I caught up to the 2nd and 3rd episodes last night/this morning. One thing I really appreciate about this show is how much of an emphasis it's putting on showing the female perspectives of this time. It's very easy for period pieces - especially Japanese ones - to just ignore the existence of women or the roles they had in shaping these stories. I've got no clue who to accredit this for, I know that's definitely a big emphasis of the director historically.
 
Reading stories like these is often like going into Shakespeare raw.

In this particular case, I don't think this is an apt comparison, unless you are reading the original (=untranslated) text.

Both translations are written in modern and accessible English and come with very helpful explanatory material. You of course have to be the kind of person who enjoys reading classical literature in translation in the first place, but the linguistic barrier to entry is pretty low relative to Shakespeare, because the translator has done the bulk of that work for you. It's more like reading Gilgamesh or Beowolf or Medea or The Illiad translated into English, which can range from extremely easy to extremely hard, depending on the translator's (and the editor's) approach.

In this case, both of the major English translations are closer to what people in nerd culture spaces think of as "localizations" than "literal translations." (In other words, they are both good translations that value readability in modern English.) You will lose something in translation either way, and someone familiar with the original text will always be able to explain something that was lost, but that's not due to some unique vagueness of Japanese or even classical Japanese or Heike in particular but just the nature of all translation.

If you are reading the original text, then it becomes akin to reading Shakespeare in English. Although, even then, Heike is one of the easier to read classical works and a common recommendation for students learning to read classical Japanese grammar. (The situation is a little different because classical Japanese grammar is more different from modern Japanese than Shakespeare's English is from modern English, but on the other hand you have to formally learn classical Japanese grammar in the Japanese educational system or in an upper division class at a serious university language program, so it's kind of a wash...)

Personally, I think Tale of Heike is a pretty easy recommendation, if you the kind of person with an interest in reading major world classics in translation. And that's not everyone, but it's some people.

If you just want to watch this cartoon, probably skim some wikis when you feel lost. The information is out there. But if the cartoon is getting you interested in the source material and it seems up your alley, you could do worse things with your time than to give it a shot! It's a pretty engaging read, I think.
 

R.R. Bigman

Coolest Guy
Crunchyroll nicely put the Demon Slayer: Mugen Train “film” on their service before the new season starts, and I watched it. I feel sorry for the millions of regular Japanese folks who went to see this movie and where totally confused when they were met with a bunch of episodes of a short story arc, clumped together, from a perfectly fine shonen action show, instead of a real movie.

Demon Slayer is an odd property to me. It’s been the biggest thing in manga and anime for a couple years now, but will anyone look back on it fondly in ten years?
 

Johnny Unusual

(He/Him)
New season and I finally finished watching my first bunch of first episodes

Platinum End
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The Premise
A teenager tries to commit suicide and is save by an angel who promises to protect him forever. Sounds generic anime enough (particular 90s and 2000s) but it turns out that in order to convince him not to commit suicide she is offering him fantastic superpowers: wings that can allow him to fly and an arrow that makes people fall in love with him. He accepts (though rightly thinks there's something pretty sketchy about making people fall in love) and the angel reveals to him that his abusive guardians are responsible for his parent's and brother's murder. He verifies the truth but things soon go sideways. Still, he decides he wants to live and learn to be happy... but learns he might be in competition with 12 other people with similar powers.
It Gud?
It... promising. Going in, you should know this is from the same creative team as Death Note and in some ways it shows, even though this feels like an intended counterpoint. Instead of a born amoral teen is a traumatized teen who immediately starts questioning the morals of one of his two super-powers (though he does end up using it twice). Instead of being teamed up with a monster who seems as happy to watch our hero fail as succeed is an angel who is looking out for him... but seems completely divorced from human morals, cheerily suggesting murder and mind control to solve his problems with no sense of intended malice.

Now, I get why people either turned on or never liked Death Note. It's not that there weren't edgelord show's before but I feel like it inspired a lot of smug, self-satisfied antihero series (I mean both the hero AND the series itself has these qualities) that I could do without. It also made the mistake of outstaying it's welcome (I'm more forgiving of the latter half than most but ending earlier probably would have been better). But I really did like Death Note for when it had genuinely clever twists and plots, even if it's overly complicated inner-monologues were ripe for parody. It was a fun ride,

Platinum End doesn't seem as clever, unfortunately. It's nice that the main character seems less of a dick (for now, at any rate) but it really does seem to want to shock and while it doesn't touch a lot of the more abysmal edgelord series in that regard, its not all entirely successful and so far the series just isn't presenting itself as having cool twists. But it also does introduce an instant kill attack, meaning hopefully there will be complex plans and such. I also like that the angel is pretty quick to reveal herself as a questionable guide, with conventional human morality completely alien to her, even is she knows the rules of human society. I could do with fewer shots of her butt. We get a lot of those. It was well animated and moved briskly and is so far an easy watch. I do hope it meets its potential and I do fear that it will rely too much on the love-based mind control. I'm not opposed to the corruption of the lead character but I do hope for something with more nuance than Light Yagami in showing how power can corrupt. So I'll stick with this one an pray for it to keep my interest.

Takt Op.Destiny
DD79Z1APOIDh1tXEdORCSK8I2_o=.gif

The Premise

A Quiet Place as an adventure series with super powers and music. Basically, it's a future were people can't play music because monsters.
It Gud?
Certainly better than I expected. Usually when I give Based on a Mobile Game a shot, well, it's pretty easy to say it's at best going to not be worst. Takt is certainly better than it's title. And the animation is actually quite pretty, even if the character design says "based on a mobile game". But it does have actual style in some scenes, the animation looks like time and money was spent on it compared to most cash grab series and it was very easy to watch. Yes, it has a lot of mythos but it never bogs the series down with it, which a lot of game-based anime seem to LOVE to do, like we are going to be really into long scenes of exposition and game mechanics.

It's not without it's weaknesses. The characters are a bit fun in their quirkiness but even their quirkiness, though realized well enough, isn't unique. It's probably going to be a monster of the week show for a while and while there's nothing wrong with that, it might risk losing interest. But it breezes by quickly enough and I was never bored at this stage and found the fights pretty compelling.

The strongest element are the little things. Probably my favourite element is a background detail, a piano that has written on it "play me again some day". I really like that because I think it spells out the world and the stakes. Music isn't "necessary" but it is important to us for our emotional well-being and the characters yearn for the day when music can be a part of their lives again. It's an element I really like and though I expect the series to stay at a place of mid-tier watchable, more little touches like that is going to go a long way to getting me invested.

Mieruko-Chan
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The Premise
Mieruko is a normal teen girl who one day starts seeing horrifying ghosts. Her only defense... pretend she doesn't see them so that they will eventually leave her alone.
It Gud?
I read the manga half a year ago and while I had issues, I really liked the "game" of the series; a cutely-drawn girl tries desperately to ignore upsettingly-drawn ghosts. It's farce with genuine comedy and genuine horror as she reaches her mental limits trying to ignore monsters while carrying on conversations with friends and just living her life. I really like this premise and I feel like it often pulls it off well. And yet, I wasn't enamoured with this series.

The problem isn't the adaptation. I was afraid it would tone down the upsetting monster designs which I feel are very much key but mostly the translation to screen goes well. I do have mixed feelings about the length as the comics are often rather short and read quick while this is a half-hour show. But I feel like it tries to ratchet up the tension and it does start with a slow burn I don't mind for introducing the character (I believe the first scene of the source material happens at the midpoint of the anime, with her almost immediately seeing a ghost). I feel like it has proper discordant sound and subtly that works in it's favour.

But for whatever reason, it just didn't grab me in motion. Part of this simply because, well, while I liked the game, I vaguely remember not liking everything about it, more focused on the fun of the "game" element. I didn't mind it but I wasn't laughing all the time or anything. More than that is one thing I do remember not liking from the source material: boy is this a male-gaze heavy show. Like, it's way too thirsty for it's own good. It might be the element that tips me into not being to interested in reading it. So I'm going to say it's not without merit, but it is ogling a lot. Like, too much. More than the show were we saw a lot of angel ass. I was on the fence but I won't stick with this one.


The World's Finest Assassin Gets Reincarnated in Another World as an Aristocrat
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The Premise:

I mean... there's nothing left for me to say.

It Gud?
So when the show starts, we have 14 year olds with large breasts in revealing dresses and in chains while old men buy them in an auction. So you know what kind of show we are going for. Now, to be fair, most of this is generic but quite watchable. It is about an old assassin doing one last job and telling his sidekick she isn't ready, only for him to be betrayed by the very organization who created him. It's nothing unique but I do like the grumpy old assassin archetype. Unfortunately, he's going to become what appears to be a smug kid who is good at everything because 70% of the genre now is smug guy and 95% is about them being super amazing at a particular thing with that making them the most amazing character ever and having only the most superficial "flaws" for the story to dig into. And look, I don't need all my characters to have "flaws", it's an overused complaint about Superman and it's dumb to me because "yeah, but he is still brave because is is not afraid to be vulnerable and compassionate even when it is hard". But with a lot of the characters in these series being a certain level of author-insert, it gets pretty tiring. My feel is the show is going to be far less watchable going forward, especially with the lead surrounded by busty teens and also he is a teen now. Not a bad first episode but it was also kind enough to present it's red flags.

The Faraway Paladin
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The Premise
Neil Gaiman's The Graveyard Book but isekai for no reason.
It Gud?
Hmm... maybe. It's definitely not bad at all. But the first episode is a lot of slow tone setting, which based on the intro looks like it will change over time. Like, it looks like it will go from high fantasy slice of life to a genuine adventure. If it is to stay were it is, it is a nice enough watch but I don't think I would have any desire to keep going. I like the idea of a hero raised by sweethearted undead (which is also the origin story of Hyunkel, the awkwardly named character from Dragon Quest: The Adventure of Dai) but there's strongly compelling yet to me. I like the characters well enough but they don't grab me in any strong way, sadly. Still, if they all get more of an adventure context, I could see it being more compelling. I like slice of life well enough but for whatever reason, in that gear, this premise holds my interest in the most tenuous way.

The show's biggest sin is making it an isekai. Not that I hate all isekai, though I have strong feelings about the fact that way too many are about people whose personal problems are solved with their own death and magically being whisked away to be a super-hero, implying that if you are having trouble with your life, death is the answer. It's... weird. But beyond that, it seems to have zero impact on the actual story. Why can't he just be a foundling with talent. I feel like the author isn't that invested either and this was an editorial mandate to try to connect to a popular and very subgenre. It really didn't need it and that element makes me feel like it's shy about trying to be unique and doesn't have faith in the real core of it's premise, a coming of age tale.

And as a coming of age tale... I feel like it is too early to tell. I want to give this one more of a chance to get its cards on the table and show what kind of show it is. Is it an adventure show? Will it remain something closer to slice of life with a journey element? Will is be a series of villains or an episodic town to town tale of personal discovery. I'll give this one a chance but if my interest level remains the same in the next one, I will probably drop it.

Banished from the Hero's Party, I Decided to Live a Quiet Life in the Countryside
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The Premise?
No, it's not an isekai, technically but also it is in it's heart. Basically, a high fantasy side character is asked to sideline himself for the real hero, his sister. He resigns and decides to live a quiet life in the countryside, where he decides to open an apothecary.
It Gud?
It's not bad but I'm not particularly interested in going forward. If you want a modestly animate slice of life series in a high fantasy world, it's got what you need. There's no reincarnation but there is a protagonist who is amazing but underappreciated by everyone (JUST LIKE ME THE AUTHOR AND YOU THE READER!) so basically same ballpark. It's a pleasant enough little series in a similar tone to say, The Saint's Power is Omnipotent, save there's less romance with a very bland dude and more implications of "they'll miss me when I'm gone". And even that last thing makes it sound worse than it actually is in practice. Granted, the OP wants us to be very clear that the protagonist's new friend has breasts but apart from that, there's nothing too bothersome about this one. I'm just not all that interested in continuing.

Irina: The Vampire Cosmonaut
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The Premise:
In an alternate history Earth (mostly place names and crosses for some reason), vampires exist... and are necessary for the space race. Desperate to get the first man in space before the west without sacrificing a "hero" cosmonaut, they intend to test things on a vampire lady first, and a man who wants to be a cosmonaut is charged with guarding her.
It Gud?
It surprisingly dull, so far. Things really haven't gotten started so I'm willing to give it one more episode but the fact is this very wild premise results in a very talky show and I'm not that interested in the characters. Once the table setting is done, it could pick up and there's a fun visual in the opening credits of a rocket shooting out a satellite shooting out a coffin shooting out the main character. But I just don't have any feel for the characters and their growing relationship.


The Vampire Dies in No Time
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The Premise:

Draluc is considered to be the most immortal vampire and that's... sort of true. In fact, he's remarkably easy to kill but he constantly resurrects after being killed by open doors, rich food or even being mildly surprised. He ends up meeting Ronaldo, a vampire hunter who feels that he needs to spend more time self-promoting than doing his actual vampire hunting, since that's what pays the bills. After an altercation leave Draluc without a mansion, he invites himself into Ronaldo's business, using it as a place to stay.
It Gud?
It is very much a gag manga and mostly it works. The humour is sort of a fun, traditional thing but it is funny for the most part. In this respect, it is reminding me of Sleepy Princess and while I don't like it quite as much, I could see it being as strong if it gets into a stronger rhythm and endears us to these goofballs a bit more. But if not, it's still a solid and competent little piece of humour and I also need to say so far it has the OP I like the most.


I'll also say that I like that there's an armadillo sidekick, which I'm taking as a fun reference to this baffling moment in the classic Dracula movie.

Visual Prison
1184098.jpg

The Premise:
Remember Hypnosis Mic? No? But... but I wrote an entire thread about it.

......

......

OK, well that was about technologically enhanced rap battles across the greater Tokyo metropolis. This is the same thing but it's vampires having Visual Kei battles across Tokyo.
It Gud?
Look, Hypnosis Mic was so ridiculous, I had to see all of it. And Visual Prison was kind of the same. There's almost no time for the show to actually give the plot. It's just "guy listens to his favourite visual kei band while on a walk, sees an impromptu visual kei performance, turns out it's vampires that look like angels with microphone swords who turn the audience into... little balls of light? And I don't know if that's a literal thing or a metaphor. And then another band of vampire shows up and sings their song with mannequins (the mannequin song is better). Then another vampire shows up and rescues the main character, we find out he's a dhampir and part of some contest with a nebulous prize and he's going to have to start a band.

I mean, if you like the genre of visual kei, a sort of pop opera fusion, then this is for you.
This show is every bit as ridiculous as Hypnosis Mic, a stupid show I liked to watch. It takes its premise seriously, it's better animated and it's pretty easy to watch despite it being full of the kind of tortured vampire posturing I find kind of dull. I think it's a better Hypnosis Mic and it's weird confusing premise is as laughably goofy. And yet, I have no desire to watch more. Oh, I liked watching it well enough but for whatever reason, I was like "OK, that was fun. I think that's all I need." It's not the show's fault. I just had my fill.

BTW, here are the other songs, if you want 'em.


Taisho Otome Fairy Tale
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The Premise:
In the Taisho era, a car accident costs a young man the use of his dominant hand and the use of his mom (due to her being dead). Disowned by his family, he now lives in a remote house by himself. A woman appears revealing that she's going to be his fiancée and soon the man who declared himself a pessimist starts to open up to this new person in his life.
It Gud?
It OK for now. It is a bit questionable to have a romance about a girl sold to a guy to pay her families' debts (and a three year age difference, which is kind of a lot in the teenage years) but if you can compartmentalize the values of the era (and whether or not they are being promoted by the creator), it is a cute little show. Oh, it's pretty well-trodden ground with a girl who refuses to be down even with her had life situation is a well-worn female anime protagonist. But as a whole, it's a sweet little comfort food of a show and I don't mind sticking with it.

Still about 9 more shows left to watch! Will be back with more at a future date.
 
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Kirin

Summon for hire
(he/him)
So, uh, some old school MTG fan working on that property?
I mean, title is Black Lotus and first line of the trailer is "I gave the people manna"....
 
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