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Iaboo, Youaboo, Weallaboo for Anime!

SpoonyBard

Threat Rhyme
(He/Him)
Delicious in Dungeon is over for now, but season 2 is coming.

I'm not familiar with the manga but it looks like we're about halfway through the material so season 2 should be it I think?

Anyway, it's still really good!
 

SpoonyBard

Threat Rhyme
(He/Him)
I am... hesitant. I'd love for it to turn out well but it could go so wrong.

At the very least they'd need to do something with Happosai. That trope has aged like milk since the 80s and 90s.
 

gogglebob

The Goggles Do Nothing
(he/him)
Happosai appears, instantly trips, falls into the Spring of the Drowned Gila Monster, and spends the remainder of the series sunning on a warm rock.
 

Johnny Unusual

(He/Him)
The anime season is over, here are the thoughts on it.

Sandland

This was just fine. It's interesting that the production is good for something that storywise felt kind of slight. It's also a story that feels kind of humble; the bad guys in the last arc threaten to murder a country and basically get slaps on the wrist. ONE OF THEM GETS TO KEEP HIS JOB!?! But I feel like that's indicitive that we are sort of expected to treat it as a romp by the end, even though the stakes were so high. Anyway, it was a cute series but I don't think it's going to stick with me.

Demon Slayer

This was probably the weakest arc. I like training arcs but the whole thing felt slight and meandering. It all works best when Tanjiro gets to be charming, though. That helps a lot. It also reminds us that the show really can't stop doing Nezuko dirty. A Hell of a gorgeous finale, though. It'll probably be a while before I see the trilogy of movies. Also reminded that, yeah, Zenitsu still sucks. So much. They are clearly building him up to do stuff in the last arc but... jeez, this guy.

A Condition Called Love

A lot of this show is watchable, if generic, romance. But I think it really fumbled trying to have a slightly darker lead simply by constantly him throwing out red flags and the female lead and by extension the show seeming to ignore them. The show wants to have this character be flawed and grow but him threatening his girlfriends co-worker because he feels he's too close just makes him look like an asshole. I like what I think the message of the show *intends* to send, which is part of romance is becoming a well rounded person and not just the glory of falling in love but I don't think that's what the show actually spells out in the end.

Bartender - Glass of God

A very slight show about characters meeting a bartender who serves incisive drinks. It's pretty slight but I will say this; the sound design is perfect. Every little pour and fizz makes me thirsty. But probably not a big recommendation unless you are looking for something to remind you of drinks or you like shallow but somewhat human slice of life stories.

Jellyfish Can't Swim At Night

This wasn't bad but I had higher hopes for it. This looked to be a different "let's get together and make a band" show but I don't think it does well enough with it's main drama of a business mom who valued business over her child. Perfectly watchable but I think I was hoping for something more and got something a little less.

Kaiju No. 8

Though the lead is an "old man" of 32, in every other way Kaiju No. 8 follows a very traditional shounen narrative. But there's a difference between following a formula in a bad way or in a good way. Kaiju No. 8 is generally quite good, thanks in large part to the lead being charming, having a good rapport with the other characters and just having some awesome looking fights. I do worry; a lot of shounen anime that start really good but are traditional start to lose their way the more they go on. Oh, there are exceptions (people are generally telling me One Piece is better than ever) but I really liked Demon Slayer and I feel like each subsequent arc allows things to slip a little bit (though I end up liking every gorgeous finale). The finale promises a new status quo but I hope it doesn't take away the part I like; the lead lacking physically in a traditional way but utilizing his experience to help everyone.

Go! Go! Loser Ranger

Go! Go! Loser Ranger has been a fun one. It reminds me a lot of the sadly "not picked up for season 2" Talentless Nana in that it is about a character who isn't nearly as strong and needs to use wits and deception to defeat his ridiculously overpowered foes. I feel like there are series that approach the same idea better but it has been scratching the itch that Nana left behind so I'm looking forward to season 2.

Tonbo!

This is the series where the actual quality of the show doesn't actually live up to my continued enthusiasm. It looks cheap and there's something... underdeveloped about it. Like it's not meant to be watched with full attention. And yet it has mine. There's a certain charm to the series that really overcomes it's flaws. Also I watched parts of the dub and amusingly all the males sound like Brian Cox or Liam Neesan and all the girls sound like what dubbing sounded like in the early 90s. It's kind of wild. I was generally surprised it was picked up for season 2 because of how deeply under the radar it is. I truly feel like the only one who cares about this and I get it but I like it.

Train to the End of the World

Now this is the show of the season.. unless we counts shows continuing from last season. Not every episode hit (the self-referential anime/manga episodes felt a little too manic) but it was a strange journey that was whimsical and engaging throughout. A good show about change and moving on and finding a healthy way to do it. Though it leaves itself open for a sequel, it feels pretty done and I think ends in a pretty satisfying way. More shows like this, please.

Delicious in Dungeon

Surprising no one, Delicious in Dungeon was awesome. I can't wait for season two but it's been a wild ride. I really expected it to be a pretty fluffy show with some violence but it keeps going to unexpected places and the cooking D&D show turns to have not only a rich mythology but also some really engaging intrigue and even an emotional turn, all while letting the party's de facto leader reveal himself to be weirder and weirder every episode.
 

q 3

here to eat fish and erase the universe
(they/them)
I really loved Tonari no Yokai-san. It's kind of an anthology series about a world where humans and yokai (Japanese folklore creatures) live side by side. Extremely good at putting you through the emotional wringer but usually ends on the sweet side of bittersweet. Kind of similar to Natsume Yuujinchou but more of an ensemble cast and also reaches a pretty definitive ending by the end of the season.

Astro Note was also a lot of fun, an obvious throwback to old school romcoms but with most of the nastier views shaved off and replaced with a more progressive outlook.
 

Büge

Arm Candy
(she/her)
Bartender - Glass of God

A very slight show about characters meeting a bartender who serves incisive drinks. It's pretty slight but I will say this; the sound design is perfect. Every little pour and fizz makes me thirsty. But probably not a big recommendation unless you are looking for something to remind you of drinks or you like shallow but somewhat human slice of life stories.

I mean, it was bankrolled by a barware company and a liquor company. Of COURSE they're gonna do a lot of loving shots of cocktails being prepared and served.
 
Looks like Ranma is the next Rumiko Takahashi thing to get the Brotherhood-treatment:
Aaaand we have key art!

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And a PV!

And a start date! (October of this year!?) And a venue! (Netflix)

And a cast and staff! Pretty much all of the OG voices that can come back, will. (Save for actors who have died already like Ukyo's and Kuno's actors. And even though they recast Genma, the old actor for that guy is now doing the show's narration.)

It's gonna take a minute for me to get used to Ranma w/ more manga-accurate hair, but this looks... kinda great???
 

Kirin

Summon for hire
(he/him)
Yah dang, that looks like it’s sticking super close to the original, just pumped up with modern production values. A bunch of those early shots are burned into my brain from back in the day. Amazing how much of the original cast is back. I’m excited!
 
Amazing how much of the original cast is back.
I'm just kinda amazed that the voices showcased there still sound perfect. Usually when something like this gets revisited decades later and they bring the cast back, age has begun to affect some of the actors so they don't quite sound the same/are audiably older sounding. At least with Ranma & the Tendo family that they showcased, they all sound like they haven't missed a beat >30 years later. Also, recasting Soun with Akio Otsuka is just like... waow. Netflix pullin' out all the stops on the voice cast I guess.
 

Johnny Unusual

(He/Him)
I Parry Everything

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Premise

Guy parries everything!

It Gud?

Basically, this is another anime about a humble, sweet character who MIN-MAXes their way to ultra-godhood. It’s not an isekai but it has a similar vibe: set largely in a conventional JRPG-style fantasy realm with guilds and classes and the character is told he’s not great but guys it turns out HE’S SO GREAT AND BETTER THAN EVERYONE ELSE IN THE WORLD!

Look, series with sweet, humble characters who are amazing at something CAN work but the issue I have is this has VERY little to differentiate it from other series of a similar tone. It’s kinda dull. There’s nothing I haven’t seen in this character that I haven’t seen in dozens of other characters. And I can be very amenable to formula but you need some extra charm or novelty or talent and everything in this is quite generic.

I will say, the first episode title, I Parry a Cow, is a hint at the kind of humour I wish it had. The end of the episode reveals he think the giant minotaur he decapitated was just a regular moo cow and he is of the assumption he’s weak when he’s strong. But it doesn’t land. The character is shown as somewhat naïve (with a training regiment that… doesn’t look like parrying. He seems to be hitting swords rather than relocating their energy) but I guess him being that dumb is a joke that doesn’t land because I have no reason to think he’s THAT dumb. It’s a cute idea I feel just doesn’t work.

Suicide Squad Isekai

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Premise

Crime clown Harley Quinn is recruited alongside an unstable group of supervillains to invade another dimension and… unfortunately their plane crashes before they know anything else. Trapped in another world and having less than 72 hours before their heads explode, the unlikely antihero group is going to need to work together to survive a fantasy world.

It Gud?

I tend to be kind of suspect of a lot of DC stuff these days. Not because good stuff isn’t being produced but because we are dealing with a company, the WB, that is often anti-art and really fucking with shit in a bad, bad way. But I was really hopeful for Suicide Squad Isekai. When done right, Suicide Squad can either be a tense thriller, an ultra-violent anarchic funfest and sometimes both (see James Gunn). When done wrong, it can feel really edgelordy “BLACK OPS” stories that are trying way too hard to feel cool (see David Ayers).

So where does Suicide Squad Isekai land? Not on the latter but a sort of disappointing version of the former. It is heavily informed by elements of both Suicide Squad live-action films but seems to be trying more for the James Gunn side of being fun, especially when fan favourite King Shark appears and just starts eating everyone. It’s trying. But it has some problems. 1) That Katana (one of the DC characters that never clicked with me but maybe I just missed all the good Katana stories) vs. Harley fight is WEIRDLY clunky. It looks like someone did some good choreography for it but the actual animating of it looks wrong, staccato (in a bad way) and ugly. The Joker chase scene isn’t bad but the rest of the show doesn’t look as good. 2) The cast is small. Some of my favourite elements of Suicide Squad is taking also-ran villains and injecting real life and character into them, as well as having fun with obscure DC Characters. And killing them. In a good Suicide Squad story, there’s a sense that any one of them or any of them can go at any time. But these are names and I suspect if the show kills off characters, it will be ones introduced later. I want a sense of danger. I don’t need a death an episode but even if we end with a surprisingly high death count for the anti-heroes, I’ll be happy.

But my biggest problem is a small one… but insidious. I’ve been really bothered by Warner Bros projects like Multiversus that are trying to tout “LOOK AT ALL THE IP WE HAVE!” And I feel like that’s leaked into other projects. This is no difference with awkward shout outs to Tweety Bird, Lord of the Rings and Game of Thrones that feel like it is trying to remind MAX subscribers “Check out our deep, TOTALLY NOT DELETED library!” And that sort of also makes the whole endeavor remind me all the ways I’m bugged by WB. I still haven’t decided if I want to keep trying because it’s not bad. I just wish it was more fun. Frankly, the better Suicide Squad anime is called Akudama Drive and it heads in the bloody, cynical anti-authoritarian direction I crave.

Dungeon People

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Premise

A dungeon explorer gets near the bottom of the dungeon only to discover that actually running a dungeon is a 9 to 5 job.

It Gud?

There’s a fun premise in here; who actually is behind the dungeons in dungeon crawls? What if working on them is a workplace comedy? That can be fun. The problem is that… it’s kinda dull. There’s nothing BAD here but nothing is really clicking either. The animation is fine but it doesn’t grab me especially hard. The characters are lacking that little something that makes me want to spend time with them (though the goat demon is closer to a character I want to follow). But I kind of spent the story yawning through it, waiting for it to end.

It wasn’t an “angry” bored either, but it was a slightly impatient one. Waiting for things to fall into place or for me to be interested and then eventually waiting for it to end. I think it doesn’t help as the sheer amount of RPG inspired settings is stupefying. There’s still amazing stuff like Delicious in Dungeon but that feels like it has a very strong identity. Even the first episode of that threw me for a loop that it took me a while to get on board but even early on it made big swings and had fun. This comedy is just a real snooze for me.

They do try for a hook; the lead character thinks this job could help her understand her father more. It’s a good starting point but for whatever reason it still fails to gain investment from me. I think this is just a setting that has to work real hard not to have me yawn and having the characters be inoffensively cute isn’t enough. Maybe going forward we learn how these characters tick but I just can’t be arsed to take it. Also, I can’t stop calling it Dungeon People Dear Reader.

Alya Sometimes Hides Her Feelings in Russian

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Premise

A popular girl in school speaks fluent Russian and often says her true feelings about him in Russian. What she doesn’t know is he understands what she is saying.

It Gud?

I think there’s a world where this could work. It sounds like a one note joke but it actually seems to be making efforts to be more with some romantic competition and some directions the series can go it. There’s something in there. The problem is really in the second half where it goes from “eh, alright I suppose” to “RUH ROH, I SAW HER PANTIES BECAUSE SHE WANTED ME TO PUT ON HER SOCKS”. It really goes from fine to horny in act two and not in a way I like. And the lead’s reaction really doesn’t help.

I don’t think I was going to watch it before but I saw potential in it. Even there, there was the issue of a questionable power dynamic where the lead KNOWS that this might be devastating or humiliating if she knows and he never really tries to give her an out. So it kind of makes him seem like a creep for not even really considering the moral dilemma he’s in (“Do I tell her and humiliate her or do I try to keep this a secret and let her spill her secrets”) and I just don’t care for it.

I also think it is absolutely dumb that they decide they clearly have a past together they don’t remember given to us in a very obvious way (HER HAIR IS BASICALLY THE SAME! WHO ELSE HAS HAIR LIKE THAT?) I will say that the intro goes surprisingly hard. It is weird, though, that neither the intro nor outro seem to contain Russian.

ATRI – My Dear Moments

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Premise

In a future where the water level has risen drastically, a young man uses a submarine to look for a treasure inside his grandmother’s house… only to find an advanced android that looks like a girl.

It Gud?

As I was watching this I was kind of wondering if this was based on an H-game. Not because it was particularly horny, more based on the pacing and character designs and, let’s face it, questionable character dynamics. Like, not in terms of what happens, but it reminds me of Air. It isn’t, though. It’s based on a visual novel. So I was CLOSE.

As for what this is, the aim is bittersweet slice of life with a bit of adventure (I don’t anticipate action scenes with the robot girl). A story of character dealing with emotional and physical trauma whose journey is joined by a robot girl. But this is, like, the OLD type of anime robot girl. It talks about how advanced and human it is but also it’s a willing slave and just happens to look like an attractive young girl (who certainly looks a couple years younger than the teen lead). Is it possible it will be a non-romantic relationship that unpacks real free will? Maybe.

But I can read the red flags here. The problems I would have with this wouldn’t be insurmountable by anime standards but I imagine I would be scrunching my face in a “no thank you” way a lot. And the fact is, it is a big factor in me not picking this up, I find the leads who aren’t falling into the icky “born sexy yesterday” trope just are kind of dull, even the older lady who thinks money is nice. Despite my anti-capitalism stance, I also can’t disagree with her. There’s room in my life for slice of life sci-fi about trying to really live in a strangely beautiful dying world but this ain’t it.

Bye Bye Earth

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Premise

In a world where everyone is a half-animal creature, a human girl is ostracized for being “featureless” and ends up in possession of a big magic sword. She is trained to use it by a master who teaches her to use it to fight mysterious and seemingly tragic monsters threatening the ecology but soon finds her master’s last lesson will be a real heartbreaker her… battle him and forget every thing she’s knows of him.

It Gud?

Bye Bye Earth (no idea what the title refers to, maybe this is one of those “to be revealed later” type deals) has some solid worldbuilding behind it but also some weak stuff. The magic sword stuff doesn’t feel that alive or exciting to me and while I can buy animal people being freaked out by a regular human, I guess I wouldn’t use “featureless” as the pejorative. I mean, she has different stuff, not know stuff. That part felt weak. But the enemy fought isn’t evil, and it hints at a sadness behind the threat that’s more than “monster of the week”. I don’t know much about a nomadic curse alluded to but the idea that someone can pass it as a gift at the cost of you forgetting the person who raised you like a parent is sad in a way that it can both drive a lot of story ideas and a lot of emotions.

And I guess that’s the problem. Intellectually, I knew that is an existentially scary and sad thing BUT I guess I also wasn’t attached to the character that it hits the way I want, with me breaking down sobbing or just plain gutted. And I don’t know what EXACTLY it means for this character going forward (will she KNOW someone was missing in her life or is even the concept that there was SOMEONE completely gone, leading her to incorrectly believe she was already alone.

I think the problem is two-fold; I kind of don’t know what the larger stakes are for the series and though I want to, I just don’t care. Keep in mind, I don’t think Bye Bye Earth is a bad show. But I was weirdly disinterested in it, despite feeling that the ideas under the surface are not always solid but rich in potential And the show doesn’t fumble a thing, it also simply doesn’t draw me into the world the way I wanted it. So to Bye Bye Earth, I can only bring to mind one expression; farewell!

Love is Indivisible by Twins

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Premise

Twin girls love the same guy. Do I need to draw you a road map?!

It Gud?

OK, I’m being cheeky but in fact, this show with a dumb title and a tired romcom premise really took me off guard. There’s like half a show so far that I was ready to give a chance (Suicide Squad. On the fence about it). I genuinely found myself liking this slow, quiet gentle show (which is should be known isn’t really a comedy). There’s no farce or backstabbing (well, the characters might disagree but it’s more they are willing to paint themselves as the villains) and it’s not high melodrama or wacky comedy. It’s a straight up romance about loving people in a complex and nuanced romantic dilemma.

So far, there’s no “I thought she was you” stuff (the male romantic lead can tell the difference between the twins), instead focusing on the idea that characters are willing to take chances on love and feel shitty about what they feel the fallout is. No one is really acting “dumb” for the plot, though they may be acting foolishly in the way young people do. But they care about each other and don’t want to hurt each other, causing them to not let themselves have what they really want.

And I think that’s why this is the first pure “oh, this is really great” show I’ve seen this season. I was not expected to be so excited about a very muted but very sweet comedy. The characters are well-realized and you can tell there’s a lot of love for it. And often I don’t have a lot of patience with narration-heavy romance shows (not because they are bad but they can have a soporific effect on me) but this one is exactly what I needed this summer!
 

Johnny Unusual

(He/Him)
Makeine: Too Many Losing Heroines!

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Premise

A girl advises her best friend who she has a crush on to go with the girl he loves and… she is not happy about it. A random student witnesses her humiliation and ends up becoming the only person she can vent her spleen to on how it all falls out.

It Gud?

Despite my description, this is a series that is laying up to be… *maybe* a quasi-harem series about girls who lose in love who find this guy but I feel (and hope) more that it’s this guy who weirdly finds himself where people who lose in love rely on him for friendship and guidance. But for now, it seems to be mostly this one guy and one girl. And even if they characters don’t fall in love, this could be a fun series.

Though a few jokes fall flat, most of the episode is quite funny! It’s a funny show were a sort of everyman ends up being bothered by this hot mess of a girl who really needs a friend as she watches the one guy she’s always loved walk off with someone else. She’s a weirdo, a mooch and generally not very thoughtful but the show is good at balancing her worst quality (played for laughs) with some sympathetic ones. This will make an interesting pairing with Love is Indivisible by Twins this season, that’s for sure.

Mayonaka Punch

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Premise

An internet content producer is dumped by her friends program after a violent outburst and her attempts to gain a following online end up merely reflecting her own failings back at her. Things take an unexpected turn when request for a partner on streaming projects result in an unexpected candidate; a vampire who is convinced she’s somehow chosen to be her victim. With a streaming gimmick like a vampire there’s no way to lose so a deal is struck; get a million subscribers and she’ll let the vampire drink her blood.

It Gud?

It can be tricky when the premise of the series is about someone cancelled for bad behaviour. In this case, it isn’t sexual impropriety, it is being violent and have just a toxic personality. I am wondering how the show will deal with that. It really puts us in the bad feelings this character has but it also seems very much like some shit she brought on herself. And based on what I’ve seen so far, it feels a little more like a way to get the character to start from the bottom. That’s not to say that it won’t deal with it somewhat, but I suspect it won’t be nuanced.

With that out of the way, the other promise of the show seems like it could be fun; a vampire youtuber. And more specifically, the opening makes it seem like the entire coven will get in on the streaming game. I’m not that into youtubing but the premise yields promise. I will say I was worried we were in for some “wacky” nonconsensual touching but despite the chase scene, it really backs off before we get there and the vampire seems to be open to consent rather than an eat and run. I could see this as just a so-so series but the animation looks pretty good (most shows were fairly solid looking this season). I’m going to give it a chance.

My Deer Friend Nokotan

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Premise

A former delinquent tries to reinvent herself as an honour student but that doesn’t matter because DEER GIRL!

It Gud?

I was genuinely worried on this one. The preview came in hot in a good way. Gag manga that is highly absurdist can really bounce off me. There’s still stuff I love. I have big soft spot for Sexy Commando Masaru which had great direction. Then there’s stuff like Bobobo which can occasionally be very funny when parodying shounen tropes and is fascinating in merging the gag and shounen battle genres in a way I’ve never seen anyone else do (which is to say the idea is what if villain’s values are deconstructed with wacky sketches until they lose) but is often… much. And that’s it, sometimes the comedy culture divide and simply poor direction of realizing gags can hurt.

I didn’t like all of Nokotan and sometimes it really did have gags that fell flat. But far more of it worked than I feared. And some I can tell it’s really realized the gags from paper well with great direction and wonderful use of really bizarre CG deer (including a screenwipe that is also a deer). I think like a lot of gag heavy series, there’s probably a “your mileage may vary” element to me. But overall, even going in knowing the wacky premise, it managed to get me some great laughs. Here’s hoping it is consistently funny to me.

Narenare -Cheer for you!-



Premise

A cheerleading club is dealing with one of their own being in the hospital and one member struggles with the guilt that she put her in there when – PARKOUR!!!!

It Gud?

This one is a but of a bore. It’s not super sedate like some of the show’s weirdly are but it does not to a lot that interesting. Except for the unintentional comedy of parkour. See, there’s just this character who is just doing parkour all the time. ALL THE TIME! I think it is supposed to be a quirk but I think it’s much funnier than I intended. Possibly because the character who does it is an introvert but parkour is some of the most “LOOK AT ME!” shit imaginable.

And hey, I don’t want to make fun of parkour. It’s an easy target but as a sport you could make a good show about it. I see it now, a character who discovers the freedom and joy of it. But this feels like the character is doing parkour just… all the time. Never stopping. Its very funny and I don’t think they meant the character to seem this ridiculous. It doesn’t help that a character imitates it and gets, like, a good 20 feet of air under her own power. If the tone was constantly outsized like, say, Eyeshield 21, I’d be willing to buy it but the reality of this series doesn’t reflect that.

I also think that it’s weird because I’m pretty sure this is not a parkour series. But the way parkour is introduced it feels like it’s the story of a girl who leaves behind cheerleading to do parkour. I’m positive this isn’t the case. The little cheerleading we do see (I say little, we start with a solid three minutes of cheerleading without dialogue and then it disappears) looks like the CG idol anime stuff. So, yeah, this isn’t that interesting to me. Now excuse me while I crawl up a brick wall and shimmy down a drainpipe.

Pseudo Harem

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Premise

A girl in a new school goes into an acting club and gets a crush on some guy who is into harem girl tropes. So she decides to play the role of harem archetypes for him.

It Gud?

I don’t need to explain to anyone why the harem genre is in decline. Most of them feel like skeevy male fantasies. But there’s no reason why there can’t be a good series with multiple potential love interests. And there are definitely series that are trying to revive harem, sometimes somehow as or more toxic as before and some trying different things. I’ve heard that 100 Girlfriends Who Really Really Like You has managed to thread the needle thanks to it’s comedy (I cannot say how beyond that, I skipped it). And there’s actually a good idea here; a girl and a guy are playing this cute little game. It’s not an actual harem but it gets to engage with archetypes in it’s own way. This could work.

But as I’m cueing this up, you can tell I don’t think it worked. It didn’t. Part of it is simply it’s not very funny. The other is the male lead kind of sucks. And even if he didn’t I have no idea why this girl is immediately into this guy. He’s got nothing going on. He jokes with her that the club is in danger and it isn’t and… that’s about it. If they were both charming, I’d be more cool that it’s zipping past “will they/won’t they” to clearly give them a thing but really this dude kinda sucks. “I wish I had a harem” is his opening line and she immediately starts doing harem characters.

I think if the male co-lead was more likable and the female co-lead was more well-drawn, this dynamic could work. But the series is poorly written and this is actually one of the more blandly animated series this season (even some of the series I didn’t like this season looked pretty good). But this is a boring show where the leads are weak and their games just don’t land. They have a good set up for romcom fun but the characters are all wrong.

Quality Assurance in Another World

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Premise

When a small village is attacked by dragons in a fantasy world, one man claims to be sent to study them. He manages to stop the dragons but it turns out no matter what happens everyone in the village will die burning. It turns out the man is a quality assurance checker and the world is an RPG VR. But one girl manages to be a survivor, a glitch that wasn’t supposed to happen.

It Gud?

Nothing makes my heart sink like seeing “in Another World” in a title. It’s not even my frustration with the bizarre ubiquitousness of the super-specific isekai genre, it’s giving titles that blend in with all the other titles. It’s the lack of ambition and originality that get me. But I wanted to give this one a chance; the beefy character design for the lead and some REALLY good monster designs (dragons that look like bemused frogs? Yes please!) looked kind of fun.

When I watched it, it was… fine. The main character wins by gaming the monsters attack patterns and figuring out a slow but steady way to destroy it. Frankly, I’m kind of bored with the power of “I know how the rules of this universe work” kind of narratives, the idea that having played video games a lot have given you the secret gifts to be a special hero. Now this is far from this power fantasy at it’s worse or most smug or pandering. So for most of this, I knew I wouldn’t continue but I was fine with it.

What I really appreciate is the last beat of the story. It goes in a dark direction that isn’t edgelord but sort of tragic and sad as a character who has been abandoned by the game’s creators. There’s an existential horror in the last act that often isn’t in these kinds of narrative or when it is, it can be in favour of an unpleasant story with focus on tits and “I’m a bad guy but I’m the protagonist the world needs”. This is appropriately sad. Now, it’s unfortunate because I feel as good as this is, it wasn’t enough for me to change my opinion on staying with the show. It’s an interesting one to check out but I feel like it will be a lot of the same of the first two acts; fine but not that exciting to me.

Ramen Akaneko

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Premise

Cats run a noodle shop.

It Gud?

These cats, though not sexualized, are weirdly thicc. This probably isn’t meant to be my takeaway. It’s a cute little series about a lady who takes care of the cats who run a noodle shop. It’s fine and pleasant. So much so… I genuinely don’t remember if I agreed to watch it or not. I could really go any way. The one thing is I will say it feels like a show that should be 12 minutes rather than 24 but I don’t MIND it at 24. It’s cure fluff but that’s kind of it.

Sakuna: Of Rice and Ruin

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Premise

A nepo-baby god of the rice harvest living off of her mother’s storehouse finds trouble when trying to get humans to leave the heavenly plane, she ends up burning it down. Too redeem herself, she is forced to accompany the human family to the land of demons to grow more rice.

It Gud?

This was OK but not remarkable. It does have a “based on a whimsical game” look for sure but the animation isn’t as dire as a lot of games-based anime. But this won’t be a “throwing energy swords” kind of series but what I must assume is a farming series about rice. And it’s not a bad journey; bratty rice god finds out the kind of hard work and sense of real achievement that goes into making rice.

So, it’s not making any wrong moves. But I’m not really excited by it. The characters are cute and I like the designs but it feels more in the vein of “quirky character designs for characters who tell you what to do next in the game”. That’s not to say it’s boring but I’m also not really jazzed to find out what the characters are up to next.

I also get the family has BEEN THROUGH SOME SHIT and I don’t know if the family is going to get into it in a way that’s satisfying. I don’t think it needs to have real teeth but I think their plight needs to have some power behind it to actually make us shed a tear and I don’t think that’s going to happen. I’d love to be proven wrong but I won’t take that journey, I’m afraid.

Senpai is an Otokonoko

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Premise

A girl confesses love to a fellow student but the other student reveals he isn’t another girl but expresses his gender by dressing femininely. She doesn’t care and is immediately even more into him, following him around. He tries to avoid her for fear that she’ll be ostracized for hanging out with him but she won’t be deterred.

It Gud?

This was one where it was a bit of a mixed quality sandwich. When it started, it doesn’t dance around it or make a joke of it except this girl is pretty thirsty for this guy. It starts with the male lead admitting who he is and being accepted by someone who thinks it is super awesome. The middle lost me a bit because it was mostly the female co-lead following him around and I found the more humourous middle lost me a bit as it set me up. But by the end, it really did win me over. It made the three leads (the main character’s best friend clearly loves him but struggles with those feelings) pretty sympathetic and it was far less of a farce than I was afraid.

If anything, I was really surprised it seems willing to go quite sad. At the end of the episode, he puts the clothes in a locker and says “see you tomorrow” and you realize this is not a happy parting. He will have to hide something until tomorrow. I’m curious how much this will be a heartbreaker but I am really interested to see this character pan out. Someone who is willing to do this in school where he IS bullied but for him home is too much. Oh, my heart.

This is a show I was afraid could have well-intended but misguided takes. Instead, I was really won over and am interested to see where this sweet series is going and how it will navigate some of the heavier stuff it is promising to get to. I also see that the three leads have chemistry and though there’s a love triangle, it seems even after some animosity they are quick to bond and care for each other.

Shoshimin: How to be Ordinary

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Premise

Two teens try very hard to be “normal” and get away from some mysterious past… but one of them can’t help but solve a mystery.

It Gud?

I really wanted to like Shoshimin. I really did. It’s holding stuff close to its chest but it doesn’t feel quite coy about it, trying to let things breathe. There’s a mystery with twists and turns but it is refreshingly low stakes. The animation was quite nice. I like the idea of characters who just want to learn how to be “normal” and struggling. It’s a bit sad but also promises a mystery of the week. So why doesn’t it work for me.

It’s perhaps TOO low key and TOO withholding of what it is. I like the idea of having a mystery about what EXACTLY the show is about but the show plays everything so I’m not that interested in these characters. The mystery is a bit wonky too. I’m willing to admit, perhaps I missed the finer points and I think there are elements I liked (mainly that a lot of it was accidents and poor judgment rather than a proper conspiracy) but by the end, I’m not really interested in the larger mysteries the show is teasing out.

And it’s a shame because it has a lot going for it. It lookss good, it has a summery tone and overall I think the production itself is top notch. The problem is it’s a story I’m not interested in. Part of my wonders, this being based on a book series, if they simply chose the wrong story to start with. It’s possible there’s a better introduction to this series. I’ve seen it happen before (Oshi no Ko had…. Problems). But I think I’ll let this one lie.

No Longer Allowed in Another World

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Premise

It’s an isekai except this time it’s Osamu Dazai, the famous Japanese author who committed suicide with his lover.

It Gud?

There are two solid ideas and one good (albeit in poor taste and certainly upsetting to some) ideas in this thing. But before I get to those, this show is garbage. It’s a very bad show. The comedy is largely unfunny and it’s the kind of isekai where you get to see a tree grope a big tiddy cat girl. And of course, immediately the two female leads are obsessed with the sucky main character. It’s absolutely the most basic version of this kind of anime comedy I don’t have time for.

So what does it do right? Not a lot but it’s in there. The basic idea is good; instead of taking a character aware of all the RPG/isekai tropes, the lead is not only someone who doesn’t care but would much rather be completely uninvolved and is deeply disinterested in the plot. I’ve seen this before and it’s not a BAD move but it’s always a risky one. I’ve seen it fail far more times than it’s succeeded, sadly, like recently with Bucchigiri where it made the character so trying not to be involved with anyone he just seemed like a complete asshole with an unearned emotional turn. The other decent idea is the concept that isekai worlds are a home for outcasts but by trying to grant their power fantasies, they immediately become entitled. That seems like a potential exploration of the issues with the genre. And the one good gag is the main character popping pills like candy in an effort to kill himself. Yeah, it’s a very dark joke but it makes for an amusing visual.

The problem is it just rests on the laurel of those ideas. Immediately, the priestess is head over heels for the main character who is a real pill (no pun intended), there’s groping, the main character does actually have a power (his body being dosed in poison. I would much rather it being people into his prose or something or just straight up nothing) and it all feels like they tried to inject a different kind of character in the most generic series and rather than have that wacky idea warp the series, the genericness assimilates any potentially interested stuff, transforming it into generic anime sludge. Easily the worst show I watched this season.

The Elusive Samurai

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Premise

Young heir to the Hojo family Hōjō Tokiyuki is destined to be a samurai but he seems to have only one talent; hiding and running. When his family is slain by charismatic samurai Ashikaga Takauji, to start his own rule, what once was a dishonorable quality is now the only way to save himself as he seeks to escape death at the hands of Takauji and perhaps seek justice.

It Gud?

This is a really promising series. It’s from the creator of Assassination Classroom so expect some wild quirky characters with weird facial expressions and maybe the female members of the cast aren’t fleshed out that well. But despite that, it had a very strong introductory episode. One thing I noticed is most of the series looked pretty good this season but The Elusive Samurai might look the best.

I think it also helps that its starting point is skills you usually don’t see in a protagonist. A lot of them value smarts over strength but you don’t see a lot who have the merit of merely escaping death. The first episode sells it well and I think it does a good job hinting at future stuff while not overstuffing the prep work and world building of this alternate history series. It keeps the action centered on characters we can understand and quickly and concisely sets up the relationship between the hero and villain before the other shoe drops.

I also expect this series to be a bit of a two hander. The end credits set up a lot of characters for the bad guy’s camp and while it could just be a series of people for the hero to be, I’m getting the vibe we are going to spend a lot of time in Takauji’s camp as he builds power. Yusei Matsui, the creator, also likes unhinged but charismatic villains so I’m expecting him to make the historically “merciful and generous” Takauji as someone who can manipulate others. Here’s hoping he’s a compelling antagonist.

The Magical Girl and the Evil Lieutenant Used to Be Archenemies

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Premise

I mean… the title.

It Gud?

I feel like this idea was mined heavily for Love After World Domination but there are definite differences. It seems less horny (at least so far, though it wasn’t a high bar to clear), it’s about a magical girl rather than a super sentai hero and the genders in the hero/villain dynamic are flipped. The personalities are a bit different with the male lead being flustered and the girl sort of unflappable. Unfortunately, they commit to the girl being so deadpan and non-demonstrative, a trope that can work, that the series itself feels a little too muted.

It’s far less wacky and farcical than Love After World Domination, which COULD be refreshing, but sadly, it’s just a bit dull. It’s not without cuteness but the thing that won me over about Love is that though the show was horny, the characters themselves were likable and strangely wholesome. Magical Girl and Evil Lieutenant aren’t that interesting and charming to me. They aren’t unlikable either but it really does seem to be missing a spark.

On the plus side, it is a short. I find being a short can (though doesn’t guarantee) make me more amenable to slow TV. There’s longer forms that work for me, like Super Cub (especially the first episode) but that sort of luxuriated in it’s quiet in a refreshing way and this feels like a less fun version of a fun rom com idea. That I’ve seen before. It’s another one that isn’t bad but doesn’t grab me.

Dead Dead Demon's Dededededestruction

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Premise

Girls in the city deal with a giant spaceship flying overhead.

It Gud?

The funny thing is I read a lot of this series back in the day (the day being 6 years ago) and really really liked it but can’t tell you much about it. I remember the young girl protagonists and the aliens but I never got to the end. But I know watching episode zero this is a side story and one tied to the show’s mythos but not the main plot. It must be a side story. Episode zero is about a character’s father wandering a post apocalyptic landscape.

The other thing I know is the series is written by the author of the bleak Goodnight Punpun, about a young boy (depicted as a crudely drawn bird doodle) as he grows and matures, enduring trauma and living a life of failure. This is very much a “I was going through a hard time when I made this” series and the author admits fan backlash when he took the cute bird series down another dark road caused him to double down sometimes.

But this manga, while also dark, is also favourite of fans and critics. And it’s a really promising start. Though things look dark, it doesn’t feel “edgelord”. It will be also interesting going forward because one of the things I remember is how it starts mundane with fantastic elements before taking turns to revealing just what the aliens are. I’m excited to revisit this one.

Rising Impact

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Premise

A pro-golfer meets a child who loves baseball purely on being able to hit the ball as far as he can. When he realizes a golf ball can be hit even further, he quickly switches to golf and a surprising gold talent emerges.

It Gud?

Yeah, this sounds in many ways similar to last season’s Tonbo. Now this series is more overtly shounen-y and less slice of life. Now Tonbo was a show I would never give a hard recommendation to. It’s hokey, weakly animated and it has no strong hook to it. Rising Impact feels like it is trying to be a more dynamic series and seems likely to dive head first into higher stakes competition while Tonbo basically leaves that as a promise for a future season (which I’m somewhat surprised to see it actually got).

The funny thing is I think both series are “generic” in completely different ways. There’s something flat about Tonbo’s feel while Rising Impact feels like what you imagine shounen character designs to look (though the main character’s hair isn’t that spiky). Tonbo’s animation could be from 20 years ago but while Rising Impact looks better, it doesn’t really stand out. But somehow Tonbo’s earnestness won me over. And I could see Rising Impact’s formulaicness not working.

But I will also say sometimes I DO like formula. It just has to be done well. So, I’m definitely giving this a chance. I do hope that it manages to become clever or exciting. I also know this is based on an early work from the creator of Seven Deadly Sins, a show I never watched but know it was famous for kind of being bad horny. Hopefully that won’t be a part of this… (he also did a lesser-known series Kongo Bancho, that I would like to see an adaptation of.)



Kinnikuman: Perfect Origins Arc

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Premise

In a world where superheroes are also pro-wrestlers, the one who is considered the greatest was once most famed for being a loser and a coward. Since defeating his enemies, he’s left for his own planet and the world is at peace. But when the three superhuman factions (Justice, Devil and Perfect), sign a peace treaty, 7 Perfect superhumans arrive to declare they don’t recognize the treaty and FUCK THIS IT’S TIME TO WRESTLE!

It Gud?

Kinnikuman is totally my jam but it’s also something hard to recommend to newcomers. It’s a series with a rich history but I also feel like the gag manga origins don’t age well (not even just being problematic, though often was. A lot of it was simply unfunny). Still, even in that era, there was a real upstart quality to it; the creators sold the series while in high school and they managed to endear themselves to their fans by asking them to create monsters to include in the story that the creators would credit the fans with (interestingly some major characters were based on fan drawings and the creator of One Piece made his own that sort of became his mascot/injoke character.

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But more than that, those chapters, despite being eye rolling also establish the underdog status that makes the character endearing; a loser superhero no one likes and is a coward who sometimes wins but sometimes ends up humiliated. The series slowly makes the journey of having the character not only win seemingly unwinnable battles but also has him find his own heroism in the face of cruel and seemingly superior foes. It’s also a series that got weirdly bloody, belying its goofy designs.

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All of these characters literally get better. Thankfully, there is a built in fanbase when the sequel series, Kinnikuman Nisei (better known as Ultimate M.U.S.C.L.E.) arrived on American shores via a surprisingly solid dub from the mostly abysmal 4Kids Entertainment. That’s how I initially got into it then started reading the old series online. So I can’t be completely objective, I really like Kinnikuman, warts and all.

I will say there’s episode 0 and episode 1. Neither do favours of newcomers. Episode 0 speedruns the original series arcs but without context, it’s kind of weird and nutty and sort of drops the underdog element that makes the character endearing. Then episode 1 starts a new story but there’s no Kinnikuman or fighting. It’s really under the assumption you are into this popular franchise. It’s mostly 10 minutes of complaining about a peace treaty of space monsters and then monsters with wild character designs show up, like an edgelord Dalmatian and a weird baby man.

So I’m into this. But I think if you don’t know this, your mileage will definitely vary.
 

Johnny Unusual

(He/Him)
Dead Dead Demon's Dededededestruction is both very good but also is definitely gets rough. It says a lot of things. One of those things is "maybe it was kind of a bad idea for Doraemon to give that one kid the most powerful inventions in creation. Maybe in real life that would get really messed up."
 

SpoonyBard

Threat Rhyme
(He/Him)
I just finished watching the dub of the Fishman Island arc of One Piece on Netflix, and oof. Big Oof.

I've mentioned a few times before here and elsewhere that this was the arc that got me to just give up on watching the One Piece anime. Cuts and filler definitely hurt the previous arc, Marineford, but even at its worst in the anime it was still Marineford, one of the better arcs in the series. Fishman Island though? Even in the manga it's barely mid, but the anime adaption is outright bad.

The art and animation is just lazy, off model, and frankly ugly. Part of this, at least for the main cast, can be partially excused since this is the first arc post timeskip and the main cast are now all using new looks and outfits, but that only excuses so much. All throughout this arc, especially once the big fight happens, characters are off model constantly, especially when they don't have manga panels to draw from. It is probably the worst the show has looked, at least up to this point. There's one moment in the arc's epilogue episodes where Robin is talking to Neptune and she's so distorted it's almost grotesque.
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And of course along with the off model and ugly art, the animation could barely be called that at times, with an over reliance of static reaction shots to fill airtime. Again, Marineford did that too, as do most of the upcoming arcs, but here where it's not even all that interesting it really drags.

But where I was able to at least enjoy Marineford on a rewatch thanks to watching the dub and also watching a few episodes a day instead of the once a week airing schedule, this one was harder to get through. The dub this time just wasn't that great. The main cast was as good as always, but most of the new and secondary characters of the arc range from mediocre to annoying. Some characters, like Zeo and Dosun, just sound like regular-ass dudes and they're super distracting, while Daruma and Mamboshi are pretty faithful to their JP performances, but to their detriment. The big bad, Hody, is just plain boring but that's also kind of true to character. The two best dub performances among new characters were probably Icaros, who kept his 'muhii' speaking inflection which worked surprisingly well in the dub, and Vander Decken. Honestly Decken was a standout among the dub with really funny line deliveries, and he kept his ' One Piece Laugh' intact.

But really, this arc is probably the nadir of the One Piece anime, either this or an upcoming one. It's ugly, the source material isn't that interesting, and it has some transphobic jokes peppered throughout that were poorly aged when they were written but they're even harder to swallow now.

No idea when the next arc will be dropped on Netflix, but I'm more interesting in watching that since I didn't in its original run and it couldn't have been as badly done as this arc.
 
To compound matters, even in One Pace this is the worst arc - because it was such a bad one in the original anime, they prioritised re-editing it first before the rest, and as such it's the oldest (along with Punk Hazard) Pace'd arc and is the most amateurish in quality. These days Pace edits are impressively professional, but Fishman Island IIRC has actual manga panels and/or fanart spliced into the animation at points for some baffling reason.

So... there's just really not a good way to watch that arc. As you say it's one of the weakest even in the manga, so just gotta hold your nose and push past it regardless of format.
 

SpoonyBard

Threat Rhyme
(He/Him)
The kicker is, despite being really meh overall the arc still has really important information that's revealed at the end of it that is only just now becoming really relevant in the manga! Oda has always plotted a long game but I was pretty struck while rewatching the arc here just how many important tidbits and reveals there are. I'll save that discussion for the manga thread. But in a weird way it makes this arc in the anime an even bigger disappointment. Like, this stuff will be very important! But it's all at the end of a mess of an arc.

If any one arc in One Piece was the equivalent of 'eating your vegetables' it's this one.
 

q 3

here to eat fish and erase the universe
(they/them)
Dead Dead Demon's Dededede Destruction is fantastic and it is an utter tragedy that its prospects were sabotaged by a confluence of poor production, marketing, and translation decisions. Fortunately the translation issues have mostly been sorted out and it is absolutely worth watching.

Premise is it's the end of the world as we know it (and I feel fine). Aliens land on earth, governments overreact, people fall into disinformation bubbles and conspiracy theory rabbit holes, meanwhile our protagonists are mostly a bunch of misfit teens just trying to find their way in a weird new world that sure seems to be ticking down toward something. Pointed social commentary, loads of gender, high quality visuals and music (it was originally released as two movies but works quite well as a series), and while it has a pervasive melancholy and pessimistic outlook the moment-to-moment still has fun and a sharp (if sometimes bleak) sense of humor.

There's an "Episode 0" which many will say to skip. It takes place very late in the series and spoilers most of the major developments. That said, I can see why it was made that way - the actual series starts out pretty slow and surprisingly low stakes, so if you're looking for a gripping hook or just like to know what the clock is actually ticking toward, it could work. Or if you're just not sure whether you want to watch the series at all, it kind of sets the tone. Otherwise, though, as long as you commit to watch the series then I'd personally suggest skipping it until after ep 16 or 17.
 

Johnny Unusual

(He/Him)
Dead Dead Demon's Dededede Destruction is fantastic and it is an utter tragedy that its prospects were sabotaged by a confluence of poor production, marketing, and translation decisions. Fortunately the translation issues have mostly been sorted out and it is absolutely worth watching.
I'm pretty far behind but it is a strong show. It starts as a darker slice of life show that escalates.
 

Kirin

Summon for hire
(he/him)
Yeah dang, I am totally transported to 1995, only with much much higher resolution. And it really made me smile when they replicated the post-OP producer voiceover montage like exactly. I am being extremely nostalgia-baited and I am here for it.
 
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