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Iaboo, Youaboo, Weallaboo for Anime!

SpoonyBard

Threat Rhyme
(He/Him)
Delicious in Dungeon is over for now, but season 2 is coming.

I'm not familiar with the manga but it looks like we're about halfway through the material so season 2 should be it I think?

Anyway, it's still really good!
 

SpoonyBard

Threat Rhyme
(He/Him)
I am... hesitant. I'd love for it to turn out well but it could go so wrong.

At the very least they'd need to do something with Happosai. That trope has aged like milk since the 80s and 90s.
 

gogglebob

The Goggles Do Nothing
(he/him)
Happosai appears, instantly trips, falls into the Spring of the Drowned Gila Monster, and spends the remainder of the series sunning on a warm rock.
 

Johnny Unusual

(He/Him)
The anime season is over, here are the thoughts on it.

Sandland

This was just fine. It's interesting that the production is good for something that storywise felt kind of slight. It's also a story that feels kind of humble; the bad guys in the last arc threaten to murder a country and basically get slaps on the wrist. ONE OF THEM GETS TO KEEP HIS JOB!?! But I feel like that's indicitive that we are sort of expected to treat it as a romp by the end, even though the stakes were so high. Anyway, it was a cute series but I don't think it's going to stick with me.

Demon Slayer

This was probably the weakest arc. I like training arcs but the whole thing felt slight and meandering. It all works best when Tanjiro gets to be charming, though. That helps a lot. It also reminds us that the show really can't stop doing Nezuko dirty. A Hell of a gorgeous finale, though. It'll probably be a while before I see the trilogy of movies. Also reminded that, yeah, Zenitsu still sucks. So much. They are clearly building him up to do stuff in the last arc but... jeez, this guy.

A Condition Called Love

A lot of this show is watchable, if generic, romance. But I think it really fumbled trying to have a slightly darker lead simply by constantly him throwing out red flags and the female lead and by extension the show seeming to ignore them. The show wants to have this character be flawed and grow but him threatening his girlfriends co-worker because he feels he's too close just makes him look like an asshole. I like what I think the message of the show *intends* to send, which is part of romance is becoming a well rounded person and not just the glory of falling in love but I don't think that's what the show actually spells out in the end.

Bartender - Glass of God

A very slight show about characters meeting a bartender who serves incisive drinks. It's pretty slight but I will say this; the sound design is perfect. Every little pour and fizz makes me thirsty. But probably not a big recommendation unless you are looking for something to remind you of drinks or you like shallow but somewhat human slice of life stories.

Jellyfish Can't Swim At Night

This wasn't bad but I had higher hopes for it. This looked to be a different "let's get together and make a band" show but I don't think it does well enough with it's main drama of a business mom who valued business over her child. Perfectly watchable but I think I was hoping for something more and got something a little less.

Kaiju No. 8

Though the lead is an "old man" of 32, in every other way Kaiju No. 8 follows a very traditional shounen narrative. But there's a difference between following a formula in a bad way or in a good way. Kaiju No. 8 is generally quite good, thanks in large part to the lead being charming, having a good rapport with the other characters and just having some awesome looking fights. I do worry; a lot of shounen anime that start really good but are traditional start to lose their way the more they go on. Oh, there are exceptions (people are generally telling me One Piece is better than ever) but I really liked Demon Slayer and I feel like each subsequent arc allows things to slip a little bit (though I end up liking every gorgeous finale). The finale promises a new status quo but I hope it doesn't take away the part I like; the lead lacking physically in a traditional way but utilizing his experience to help everyone.

Go! Go! Loser Ranger

Go! Go! Loser Ranger has been a fun one. It reminds me a lot of the sadly "not picked up for season 2" Talentless Nana in that it is about a character who isn't nearly as strong and needs to use wits and deception to defeat his ridiculously overpowered foes. I feel like there are series that approach the same idea better but it has been scratching the itch that Nana left behind so I'm looking forward to season 2.

Tonbo!

This is the series where the actual quality of the show doesn't actually live up to my continued enthusiasm. It looks cheap and there's something... underdeveloped about it. Like it's not meant to be watched with full attention. And yet it has mine. There's a certain charm to the series that really overcomes it's flaws. Also I watched parts of the dub and amusingly all the males sound like Brian Cox or Liam Neesan and all the girls sound like what dubbing sounded like in the early 90s. It's kind of wild. I was generally surprised it was picked up for season 2 because of how deeply under the radar it is. I truly feel like the only one who cares about this and I get it but I like it.

Train to the End of the World

Now this is the show of the season.. unless we counts shows continuing from last season. Not every episode hit (the self-referential anime/manga episodes felt a little too manic) but it was a strange journey that was whimsical and engaging throughout. A good show about change and moving on and finding a healthy way to do it. Though it leaves itself open for a sequel, it feels pretty done and I think ends in a pretty satisfying way. More shows like this, please.

Delicious in Dungeon

Surprising no one, Delicious in Dungeon was awesome. I can't wait for season two but it's been a wild ride. I really expected it to be a pretty fluffy show with some violence but it keeps going to unexpected places and the cooking D&D show turns to have not only a rich mythology but also some really engaging intrigue and even an emotional turn, all while letting the party's de facto leader reveal himself to be weirder and weirder every episode.
 

q 3

here to eat fish and erase the universe
(they/them)
I really loved Tonari no Yokai-san. It's kind of an anthology series about a world where humans and yokai (Japanese folklore creatures) live side by side. Extremely good at putting you through the emotional wringer but usually ends on the sweet side of bittersweet. Kind of similar to Natsume Yuujinchou but more of an ensemble cast and also reaches a pretty definitive ending by the end of the season.

Astro Note was also a lot of fun, an obvious throwback to old school romcoms but with most of the nastier views shaved off and replaced with a more progressive outlook.
 

Büge

Arm Candy
(she/her)
Bartender - Glass of God

A very slight show about characters meeting a bartender who serves incisive drinks. It's pretty slight but I will say this; the sound design is perfect. Every little pour and fizz makes me thirsty. But probably not a big recommendation unless you are looking for something to remind you of drinks or you like shallow but somewhat human slice of life stories.

I mean, it was bankrolled by a barware company and a liquor company. Of COURSE they're gonna do a lot of loving shots of cocktails being prepared and served.
 
Looks like Ranma is the next Rumiko Takahashi thing to get the Brotherhood-treatment:
Aaaand we have key art!

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And a PV!

And a start date! (October of this year!?) And a venue! (Netflix)

And a cast and staff! Pretty much all of the OG voices that can come back, will. (Save for actors who have died already like Ukyo's and Kuno's actors. And even though they recast Genma, the old actor for that guy is now doing the show's narration.)

It's gonna take a minute for me to get used to Ranma w/ more manga-accurate hair, but this looks... kinda great???
 

Kirin

Summon for hire
(he/him)
Yah dang, that looks like it’s sticking super close to the original, just pumped up with modern production values. A bunch of those early shots are burned into my brain from back in the day. Amazing how much of the original cast is back. I’m excited!
 
Amazing how much of the original cast is back.
I'm just kinda amazed that the voices showcased there still sound perfect. Usually when something like this gets revisited decades later and they bring the cast back, age has begun to affect some of the actors so they don't quite sound the same/are audiably older sounding. At least with Ranma & the Tendo family that they showcased, they all sound like they haven't missed a beat >30 years later. Also, recasting Soun with Akio Otsuka is just like... waow. Netflix pullin' out all the stops on the voice cast I guess.
 

Johnny Unusual

(He/Him)
I Parry Everything

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Premise

Guy parries everything!

It Gud?

Basically, this is another anime about a humble, sweet character who MIN-MAXes their way to ultra-godhood. It’s not an isekai but it has a similar vibe: set largely in a conventional JRPG-style fantasy realm with guilds and classes and the character is told he’s not great but guys it turns out HE’S SO GREAT AND BETTER THAN EVERYONE ELSE IN THE WORLD!

Look, series with sweet, humble characters who are amazing at something CAN work but the issue I have is this has VERY little to differentiate it from other series of a similar tone. It’s kinda dull. There’s nothing I haven’t seen in this character that I haven’t seen in dozens of other characters. And I can be very amenable to formula but you need some extra charm or novelty or talent and everything in this is quite generic.

I will say, the first episode title, I Parry a Cow, is a hint at the kind of humour I wish it had. The end of the episode reveals he think the giant minotaur he decapitated was just a regular moo cow and he is of the assumption he’s weak when he’s strong. But it doesn’t land. The character is shown as somewhat naïve (with a training regiment that… doesn’t look like parrying. He seems to be hitting swords rather than relocating their energy) but I guess him being that dumb is a joke that doesn’t land because I have no reason to think he’s THAT dumb. It’s a cute idea I feel just doesn’t work.

Suicide Squad Isekai

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Premise

Crime clown Harley Quinn is recruited alongside an unstable group of supervillains to invade another dimension and… unfortunately their plane crashes before they know anything else. Trapped in another world and having less than 72 hours before their heads explode, the unlikely antihero group is going to need to work together to survive a fantasy world.

It Gud?

I tend to be kind of suspect of a lot of DC stuff these days. Not because good stuff isn’t being produced but because we are dealing with a company, the WB, that is often anti-art and really fucking with shit in a bad, bad way. But I was really hopeful for Suicide Squad Isekai. When done right, Suicide Squad can either be a tense thriller, an ultra-violent anarchic funfest and sometimes both (see James Gunn). When done wrong, it can feel really edgelordy “BLACK OPS” stories that are trying way too hard to feel cool (see David Ayers).

So where does Suicide Squad Isekai land? Not on the latter but a sort of disappointing version of the former. It is heavily informed by elements of both Suicide Squad live-action films but seems to be trying more for the James Gunn side of being fun, especially when fan favourite King Shark appears and just starts eating everyone. It’s trying. But it has some problems. 1) That Katana (one of the DC characters that never clicked with me but maybe I just missed all the good Katana stories) vs. Harley fight is WEIRDLY clunky. It looks like someone did some good choreography for it but the actual animating of it looks wrong, staccato (in a bad way) and ugly. The Joker chase scene isn’t bad but the rest of the show doesn’t look as good. 2) The cast is small. Some of my favourite elements of Suicide Squad is taking also-ran villains and injecting real life and character into them, as well as having fun with obscure DC Characters. And killing them. In a good Suicide Squad story, there’s a sense that any one of them or any of them can go at any time. But these are names and I suspect if the show kills off characters, it will be ones introduced later. I want a sense of danger. I don’t need a death an episode but even if we end with a surprisingly high death count for the anti-heroes, I’ll be happy.

But my biggest problem is a small one… but insidious. I’ve been really bothered by Warner Bros projects like Multiversus that are trying to tout “LOOK AT ALL THE IP WE HAVE!” And I feel like that’s leaked into other projects. This is no difference with awkward shout outs to Tweety Bird, Lord of the Rings and Game of Thrones that feel like it is trying to remind MAX subscribers “Check out our deep, TOTALLY NOT DELETED library!” And that sort of also makes the whole endeavor remind me all the ways I’m bugged by WB. I still haven’t decided if I want to keep trying because it’s not bad. I just wish it was more fun. Frankly, the better Suicide Squad anime is called Akudama Drive and it heads in the bloody, cynical anti-authoritarian direction I crave.

Dungeon People

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Premise

A dungeon explorer gets near the bottom of the dungeon only to discover that actually running a dungeon is a 9 to 5 job.

It Gud?

There’s a fun premise in here; who actually is behind the dungeons in dungeon crawls? What if working on them is a workplace comedy? That can be fun. The problem is that… it’s kinda dull. There’s nothing BAD here but nothing is really clicking either. The animation is fine but it doesn’t grab me especially hard. The characters are lacking that little something that makes me want to spend time with them (though the goat demon is closer to a character I want to follow). But I kind of spent the story yawning through it, waiting for it to end.

It wasn’t an “angry” bored either, but it was a slightly impatient one. Waiting for things to fall into place or for me to be interested and then eventually waiting for it to end. I think it doesn’t help as the sheer amount of RPG inspired settings is stupefying. There’s still amazing stuff like Delicious in Dungeon but that feels like it has a very strong identity. Even the first episode of that threw me for a loop that it took me a while to get on board but even early on it made big swings and had fun. This comedy is just a real snooze for me.

They do try for a hook; the lead character thinks this job could help her understand her father more. It’s a good starting point but for whatever reason it still fails to gain investment from me. I think this is just a setting that has to work real hard not to have me yawn and having the characters be inoffensively cute isn’t enough. Maybe going forward we learn how these characters tick but I just can’t be arsed to take it. Also, I can’t stop calling it Dungeon People Dear Reader.

Alya Sometimes Hides Her Feelings in Russian

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Premise

A popular girl in school speaks fluent Russian and often says her true feelings about him in Russian. What she doesn’t know is he understands what she is saying.

It Gud?

I think there’s a world where this could work. It sounds like a one note joke but it actually seems to be making efforts to be more with some romantic competition and some directions the series can go it. There’s something in there. The problem is really in the second half where it goes from “eh, alright I suppose” to “RUH ROH, I SAW HER PANTIES BECAUSE SHE WANTED ME TO PUT ON HER SOCKS”. It really goes from fine to horny in act two and not in a way I like. And the lead’s reaction really doesn’t help.

I don’t think I was going to watch it before but I saw potential in it. Even there, there was the issue of a questionable power dynamic where the lead KNOWS that this might be devastating or humiliating if she knows and he never really tries to give her an out. So it kind of makes him seem like a creep for not even really considering the moral dilemma he’s in (“Do I tell her and humiliate her or do I try to keep this a secret and let her spill her secrets”) and I just don’t care for it.

I also think it is absolutely dumb that they decide they clearly have a past together they don’t remember given to us in a very obvious way (HER HAIR IS BASICALLY THE SAME! WHO ELSE HAS HAIR LIKE THAT?) I will say that the intro goes surprisingly hard. It is weird, though, that neither the intro nor outro seem to contain Russian.

ATRI – My Dear Moments

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Premise

In a future where the water level has risen drastically, a young man uses a submarine to look for a treasure inside his grandmother’s house… only to find an advanced android that looks like a girl.

It Gud?

As I was watching this I was kind of wondering if this was based on an H-game. Not because it was particularly horny, more based on the pacing and character designs and, let’s face it, questionable character dynamics. Like, not in terms of what happens, but it reminds me of Air. It isn’t, though. It’s based on a visual novel. So I was CLOSE.

As for what this is, the aim is bittersweet slice of life with a bit of adventure (I don’t anticipate action scenes with the robot girl). A story of character dealing with emotional and physical trauma whose journey is joined by a robot girl. But this is, like, the OLD type of anime robot girl. It talks about how advanced and human it is but also it’s a willing slave and just happens to look like an attractive young girl (who certainly looks a couple years younger than the teen lead). Is it possible it will be a non-romantic relationship that unpacks real free will? Maybe.

But I can read the red flags here. The problems I would have with this wouldn’t be insurmountable by anime standards but I imagine I would be scrunching my face in a “no thank you” way a lot. And the fact is, it is a big factor in me not picking this up, I find the leads who aren’t falling into the icky “born sexy yesterday” trope just are kind of dull, even the older lady who thinks money is nice. Despite my anti-capitalism stance, I also can’t disagree with her. There’s room in my life for slice of life sci-fi about trying to really live in a strangely beautiful dying world but this ain’t it.

Bye Bye Earth

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Premise

In a world where everyone is a half-animal creature, a human girl is ostracized for being “featureless” and ends up in possession of a big magic sword. She is trained to use it by a master who teaches her to use it to fight mysterious and seemingly tragic monsters threatening the ecology but soon finds her master’s last lesson will be a real heartbreaker her… battle him and forget every thing she’s knows of him.

It Gud?

Bye Bye Earth (no idea what the title refers to, maybe this is one of those “to be revealed later” type deals) has some solid worldbuilding behind it but also some weak stuff. The magic sword stuff doesn’t feel that alive or exciting to me and while I can buy animal people being freaked out by a regular human, I guess I wouldn’t use “featureless” as the pejorative. I mean, she has different stuff, not know stuff. That part felt weak. But the enemy fought isn’t evil, and it hints at a sadness behind the threat that’s more than “monster of the week”. I don’t know much about a nomadic curse alluded to but the idea that someone can pass it as a gift at the cost of you forgetting the person who raised you like a parent is sad in a way that it can both drive a lot of story ideas and a lot of emotions.

And I guess that’s the problem. Intellectually, I knew that is an existentially scary and sad thing BUT I guess I also wasn’t attached to the character that it hits the way I want, with me breaking down sobbing or just plain gutted. And I don’t know what EXACTLY it means for this character going forward (will she KNOW someone was missing in her life or is even the concept that there was SOMEONE completely gone, leading her to incorrectly believe she was already alone.

I think the problem is two-fold; I kind of don’t know what the larger stakes are for the series and though I want to, I just don’t care. Keep in mind, I don’t think Bye Bye Earth is a bad show. But I was weirdly disinterested in it, despite feeling that the ideas under the surface are not always solid but rich in potential And the show doesn’t fumble a thing, it also simply doesn’t draw me into the world the way I wanted it. So to Bye Bye Earth, I can only bring to mind one expression; farewell!

Love is Indivisible by Twins

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Premise

Twin girls love the same guy. Do I need to draw you a road map?!

It Gud?

OK, I’m being cheeky but in fact, this show with a dumb title and a tired romcom premise really took me off guard. There’s like half a show so far that I was ready to give a chance (Suicide Squad. On the fence about it). I genuinely found myself liking this slow, quiet gentle show (which is should be known isn’t really a comedy). There’s no farce or backstabbing (well, the characters might disagree but it’s more they are willing to paint themselves as the villains) and it’s not high melodrama or wacky comedy. It’s a straight up romance about loving people in a complex and nuanced romantic dilemma.

So far, there’s no “I thought she was you” stuff (the male romantic lead can tell the difference between the twins), instead focusing on the idea that characters are willing to take chances on love and feel shitty about what they feel the fallout is. No one is really acting “dumb” for the plot, though they may be acting foolishly in the way young people do. But they care about each other and don’t want to hurt each other, causing them to not let themselves have what they really want.

And I think that’s why this is the first pure “oh, this is really great” show I’ve seen this season. I was not expected to be so excited about a very muted but very sweet comedy. The characters are well-realized and you can tell there’s a lot of love for it. And often I don’t have a lot of patience with narration-heavy romance shows (not because they are bad but they can have a soporific effect on me) but this one is exactly what I needed this summer!
 

Johnny Unusual

(He/Him)
Makeine: Too Many Losing Heroines!

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Premise

A girl advises her best friend who she has a crush on to go with the girl he loves and… she is not happy about it. A random student witnesses her humiliation and ends up becoming the only person she can vent her spleen to on how it all falls out.

It Gud?

Despite my description, this is a series that is laying up to be… *maybe* a quasi-harem series about girls who lose in love who find this guy but I feel (and hope) more that it’s this guy who weirdly finds himself where people who lose in love rely on him for friendship and guidance. But for now, it seems to be mostly this one guy and one girl. And even if they characters don’t fall in love, this could be a fun series.

Though a few jokes fall flat, most of the episode is quite funny! It’s a funny show were a sort of everyman ends up being bothered by this hot mess of a girl who really needs a friend as she watches the one guy she’s always loved walk off with someone else. She’s a weirdo, a mooch and generally not very thoughtful but the show is good at balancing her worst quality (played for laughs) with some sympathetic ones. This will make an interesting pairing with Love is Indivisible by Twins this season, that’s for sure.

Mayonaka Punch

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Premise

An internet content producer is dumped by her friends program after a violent outburst and her attempts to gain a following online end up merely reflecting her own failings back at her. Things take an unexpected turn when request for a partner on streaming projects result in an unexpected candidate; a vampire who is convinced she’s somehow chosen to be her victim. With a streaming gimmick like a vampire there’s no way to lose so a deal is struck; get a million subscribers and she’ll let the vampire drink her blood.

It Gud?

It can be tricky when the premise of the series is about someone cancelled for bad behaviour. In this case, it isn’t sexual impropriety, it is being violent and have just a toxic personality. I am wondering how the show will deal with that. It really puts us in the bad feelings this character has but it also seems very much like some shit she brought on herself. And based on what I’ve seen so far, it feels a little more like a way to get the character to start from the bottom. That’s not to say that it won’t deal with it somewhat, but I suspect it won’t be nuanced.

With that out of the way, the other promise of the show seems like it could be fun; a vampire youtuber. And more specifically, the opening makes it seem like the entire coven will get in on the streaming game. I’m not that into youtubing but the premise yields promise. I will say I was worried we were in for some “wacky” nonconsensual touching but despite the chase scene, it really backs off before we get there and the vampire seems to be open to consent rather than an eat and run. I could see this as just a so-so series but the animation looks pretty good (most shows were fairly solid looking this season). I’m going to give it a chance.

My Deer Friend Nokotan

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Premise

A former delinquent tries to reinvent herself as an honour student but that doesn’t matter because DEER GIRL!

It Gud?

I was genuinely worried on this one. The preview came in hot in a good way. Gag manga that is highly absurdist can really bounce off me. There’s still stuff I love. I have big soft spot for Sexy Commando Masaru which had great direction. Then there’s stuff like Bobobo which can occasionally be very funny when parodying shounen tropes and is fascinating in merging the gag and shounen battle genres in a way I’ve never seen anyone else do (which is to say the idea is what if villain’s values are deconstructed with wacky sketches until they lose) but is often… much. And that’s it, sometimes the comedy culture divide and simply poor direction of realizing gags can hurt.

I didn’t like all of Nokotan and sometimes it really did have gags that fell flat. But far more of it worked than I feared. And some I can tell it’s really realized the gags from paper well with great direction and wonderful use of really bizarre CG deer (including a screenwipe that is also a deer). I think like a lot of gag heavy series, there’s probably a “your mileage may vary” element to me. But overall, even going in knowing the wacky premise, it managed to get me some great laughs. Here’s hoping it is consistently funny to me.

Narenare -Cheer for you!-



Premise

A cheerleading club is dealing with one of their own being in the hospital and one member struggles with the guilt that she put her in there when – PARKOUR!!!!

It Gud?

This one is a but of a bore. It’s not super sedate like some of the show’s weirdly are but it does not to a lot that interesting. Except for the unintentional comedy of parkour. See, there’s just this character who is just doing parkour all the time. ALL THE TIME! I think it is supposed to be a quirk but I think it’s much funnier than I intended. Possibly because the character who does it is an introvert but parkour is some of the most “LOOK AT ME!” shit imaginable.

And hey, I don’t want to make fun of parkour. It’s an easy target but as a sport you could make a good show about it. I see it now, a character who discovers the freedom and joy of it. But this feels like the character is doing parkour just… all the time. Never stopping. Its very funny and I don’t think they meant the character to seem this ridiculous. It doesn’t help that a character imitates it and gets, like, a good 20 feet of air under her own power. If the tone was constantly outsized like, say, Eyeshield 21, I’d be willing to buy it but the reality of this series doesn’t reflect that.

I also think that it’s weird because I’m pretty sure this is not a parkour series. But the way parkour is introduced it feels like it’s the story of a girl who leaves behind cheerleading to do parkour. I’m positive this isn’t the case. The little cheerleading we do see (I say little, we start with a solid three minutes of cheerleading without dialogue and then it disappears) looks like the CG idol anime stuff. So, yeah, this isn’t that interesting to me. Now excuse me while I crawl up a brick wall and shimmy down a drainpipe.

Pseudo Harem

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Premise

A girl in a new school goes into an acting club and gets a crush on some guy who is into harem girl tropes. So she decides to play the role of harem archetypes for him.

It Gud?

I don’t need to explain to anyone why the harem genre is in decline. Most of them feel like skeevy male fantasies. But there’s no reason why there can’t be a good series with multiple potential love interests. And there are definitely series that are trying to revive harem, sometimes somehow as or more toxic as before and some trying different things. I’ve heard that 100 Girlfriends Who Really Really Like You has managed to thread the needle thanks to it’s comedy (I cannot say how beyond that, I skipped it). And there’s actually a good idea here; a girl and a guy are playing this cute little game. It’s not an actual harem but it gets to engage with archetypes in it’s own way. This could work.

But as I’m cueing this up, you can tell I don’t think it worked. It didn’t. Part of it is simply it’s not very funny. The other is the male lead kind of sucks. And even if he didn’t I have no idea why this girl is immediately into this guy. He’s got nothing going on. He jokes with her that the club is in danger and it isn’t and… that’s about it. If they were both charming, I’d be more cool that it’s zipping past “will they/won’t they” to clearly give them a thing but really this dude kinda sucks. “I wish I had a harem” is his opening line and she immediately starts doing harem characters.

I think if the male co-lead was more likable and the female co-lead was more well-drawn, this dynamic could work. But the series is poorly written and this is actually one of the more blandly animated series this season (even some of the series I didn’t like this season looked pretty good). But this is a boring show where the leads are weak and their games just don’t land. They have a good set up for romcom fun but the characters are all wrong.

Quality Assurance in Another World

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Premise

When a small village is attacked by dragons in a fantasy world, one man claims to be sent to study them. He manages to stop the dragons but it turns out no matter what happens everyone in the village will die burning. It turns out the man is a quality assurance checker and the world is an RPG VR. But one girl manages to be a survivor, a glitch that wasn’t supposed to happen.

It Gud?

Nothing makes my heart sink like seeing “in Another World” in a title. It’s not even my frustration with the bizarre ubiquitousness of the super-specific isekai genre, it’s giving titles that blend in with all the other titles. It’s the lack of ambition and originality that get me. But I wanted to give this one a chance; the beefy character design for the lead and some REALLY good monster designs (dragons that look like bemused frogs? Yes please!) looked kind of fun.

When I watched it, it was… fine. The main character wins by gaming the monsters attack patterns and figuring out a slow but steady way to destroy it. Frankly, I’m kind of bored with the power of “I know how the rules of this universe work” kind of narratives, the idea that having played video games a lot have given you the secret gifts to be a special hero. Now this is far from this power fantasy at it’s worse or most smug or pandering. So for most of this, I knew I wouldn’t continue but I was fine with it.

What I really appreciate is the last beat of the story. It goes in a dark direction that isn’t edgelord but sort of tragic and sad as a character who has been abandoned by the game’s creators. There’s an existential horror in the last act that often isn’t in these kinds of narrative or when it is, it can be in favour of an unpleasant story with focus on tits and “I’m a bad guy but I’m the protagonist the world needs”. This is appropriately sad. Now, it’s unfortunate because I feel as good as this is, it wasn’t enough for me to change my opinion on staying with the show. It’s an interesting one to check out but I feel like it will be a lot of the same of the first two acts; fine but not that exciting to me.

Ramen Akaneko

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Premise

Cats run a noodle shop.

It Gud?

These cats, though not sexualized, are weirdly thicc. This probably isn’t meant to be my takeaway. It’s a cute little series about a lady who takes care of the cats who run a noodle shop. It’s fine and pleasant. So much so… I genuinely don’t remember if I agreed to watch it or not. I could really go any way. The one thing is I will say it feels like a show that should be 12 minutes rather than 24 but I don’t MIND it at 24. It’s cure fluff but that’s kind of it.

Sakuna: Of Rice and Ruin

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Premise

A nepo-baby god of the rice harvest living off of her mother’s storehouse finds trouble when trying to get humans to leave the heavenly plane, she ends up burning it down. Too redeem herself, she is forced to accompany the human family to the land of demons to grow more rice.

It Gud?

This was OK but not remarkable. It does have a “based on a whimsical game” look for sure but the animation isn’t as dire as a lot of games-based anime. But this won’t be a “throwing energy swords” kind of series but what I must assume is a farming series about rice. And it’s not a bad journey; bratty rice god finds out the kind of hard work and sense of real achievement that goes into making rice.

So, it’s not making any wrong moves. But I’m not really excited by it. The characters are cute and I like the designs but it feels more in the vein of “quirky character designs for characters who tell you what to do next in the game”. That’s not to say it’s boring but I’m also not really jazzed to find out what the characters are up to next.

I also get the family has BEEN THROUGH SOME SHIT and I don’t know if the family is going to get into it in a way that’s satisfying. I don’t think it needs to have real teeth but I think their plight needs to have some power behind it to actually make us shed a tear and I don’t think that’s going to happen. I’d love to be proven wrong but I won’t take that journey, I’m afraid.

Senpai is an Otokonoko

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Premise

A girl confesses love to a fellow student but the other student reveals he isn’t another girl but expresses his gender by dressing femininely. She doesn’t care and is immediately even more into him, following him around. He tries to avoid her for fear that she’ll be ostracized for hanging out with him but she won’t be deterred.

It Gud?

This was one where it was a bit of a mixed quality sandwich. When it started, it doesn’t dance around it or make a joke of it except this girl is pretty thirsty for this guy. It starts with the male lead admitting who he is and being accepted by someone who thinks it is super awesome. The middle lost me a bit because it was mostly the female co-lead following him around and I found the more humourous middle lost me a bit as it set me up. But by the end, it really did win me over. It made the three leads (the main character’s best friend clearly loves him but struggles with those feelings) pretty sympathetic and it was far less of a farce than I was afraid.

If anything, I was really surprised it seems willing to go quite sad. At the end of the episode, he puts the clothes in a locker and says “see you tomorrow” and you realize this is not a happy parting. He will have to hide something until tomorrow. I’m curious how much this will be a heartbreaker but I am really interested to see this character pan out. Someone who is willing to do this in school where he IS bullied but for him home is too much. Oh, my heart.

This is a show I was afraid could have well-intended but misguided takes. Instead, I was really won over and am interested to see where this sweet series is going and how it will navigate some of the heavier stuff it is promising to get to. I also see that the three leads have chemistry and though there’s a love triangle, it seems even after some animosity they are quick to bond and care for each other.

Shoshimin: How to be Ordinary

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Premise

Two teens try very hard to be “normal” and get away from some mysterious past… but one of them can’t help but solve a mystery.

It Gud?

I really wanted to like Shoshimin. I really did. It’s holding stuff close to its chest but it doesn’t feel quite coy about it, trying to let things breathe. There’s a mystery with twists and turns but it is refreshingly low stakes. The animation was quite nice. I like the idea of characters who just want to learn how to be “normal” and struggling. It’s a bit sad but also promises a mystery of the week. So why doesn’t it work for me.

It’s perhaps TOO low key and TOO withholding of what it is. I like the idea of having a mystery about what EXACTLY the show is about but the show plays everything so I’m not that interested in these characters. The mystery is a bit wonky too. I’m willing to admit, perhaps I missed the finer points and I think there are elements I liked (mainly that a lot of it was accidents and poor judgment rather than a proper conspiracy) but by the end, I’m not really interested in the larger mysteries the show is teasing out.

And it’s a shame because it has a lot going for it. It lookss good, it has a summery tone and overall I think the production itself is top notch. The problem is it’s a story I’m not interested in. Part of my wonders, this being based on a book series, if they simply chose the wrong story to start with. It’s possible there’s a better introduction to this series. I’ve seen it happen before (Oshi no Ko had…. Problems). But I think I’ll let this one lie.

No Longer Allowed in Another World

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Premise

It’s an isekai except this time it’s Osamu Dazai, the famous Japanese author who committed suicide with his lover.

It Gud?

There are two solid ideas and one good (albeit in poor taste and certainly upsetting to some) ideas in this thing. But before I get to those, this show is garbage. It’s a very bad show. The comedy is largely unfunny and it’s the kind of isekai where you get to see a tree grope a big tiddy cat girl. And of course, immediately the two female leads are obsessed with the sucky main character. It’s absolutely the most basic version of this kind of anime comedy I don’t have time for.

So what does it do right? Not a lot but it’s in there. The basic idea is good; instead of taking a character aware of all the RPG/isekai tropes, the lead is not only someone who doesn’t care but would much rather be completely uninvolved and is deeply disinterested in the plot. I’ve seen this before and it’s not a BAD move but it’s always a risky one. I’ve seen it fail far more times than it’s succeeded, sadly, like recently with Bucchigiri where it made the character so trying not to be involved with anyone he just seemed like a complete asshole with an unearned emotional turn. The other decent idea is the concept that isekai worlds are a home for outcasts but by trying to grant their power fantasies, they immediately become entitled. That seems like a potential exploration of the issues with the genre. And the one good gag is the main character popping pills like candy in an effort to kill himself. Yeah, it’s a very dark joke but it makes for an amusing visual.

The problem is it just rests on the laurel of those ideas. Immediately, the priestess is head over heels for the main character who is a real pill (no pun intended), there’s groping, the main character does actually have a power (his body being dosed in poison. I would much rather it being people into his prose or something or just straight up nothing) and it all feels like they tried to inject a different kind of character in the most generic series and rather than have that wacky idea warp the series, the genericness assimilates any potentially interested stuff, transforming it into generic anime sludge. Easily the worst show I watched this season.

The Elusive Samurai

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Premise

Young heir to the Hojo family Hōjō Tokiyuki is destined to be a samurai but he seems to have only one talent; hiding and running. When his family is slain by charismatic samurai Ashikaga Takauji, to start his own rule, what once was a dishonorable quality is now the only way to save himself as he seeks to escape death at the hands of Takauji and perhaps seek justice.

It Gud?

This is a really promising series. It’s from the creator of Assassination Classroom so expect some wild quirky characters with weird facial expressions and maybe the female members of the cast aren’t fleshed out that well. But despite that, it had a very strong introductory episode. One thing I noticed is most of the series looked pretty good this season but The Elusive Samurai might look the best.

I think it also helps that its starting point is skills you usually don’t see in a protagonist. A lot of them value smarts over strength but you don’t see a lot who have the merit of merely escaping death. The first episode sells it well and I think it does a good job hinting at future stuff while not overstuffing the prep work and world building of this alternate history series. It keeps the action centered on characters we can understand and quickly and concisely sets up the relationship between the hero and villain before the other shoe drops.

I also expect this series to be a bit of a two hander. The end credits set up a lot of characters for the bad guy’s camp and while it could just be a series of people for the hero to be, I’m getting the vibe we are going to spend a lot of time in Takauji’s camp as he builds power. Yusei Matsui, the creator, also likes unhinged but charismatic villains so I’m expecting him to make the historically “merciful and generous” Takauji as someone who can manipulate others. Here’s hoping he’s a compelling antagonist.

The Magical Girl and the Evil Lieutenant Used to Be Archenemies

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Premise

I mean… the title.

It Gud?

I feel like this idea was mined heavily for Love After World Domination but there are definite differences. It seems less horny (at least so far, though it wasn’t a high bar to clear), it’s about a magical girl rather than a super sentai hero and the genders in the hero/villain dynamic are flipped. The personalities are a bit different with the male lead being flustered and the girl sort of unflappable. Unfortunately, they commit to the girl being so deadpan and non-demonstrative, a trope that can work, that the series itself feels a little too muted.

It’s far less wacky and farcical than Love After World Domination, which COULD be refreshing, but sadly, it’s just a bit dull. It’s not without cuteness but the thing that won me over about Love is that though the show was horny, the characters themselves were likable and strangely wholesome. Magical Girl and Evil Lieutenant aren’t that interesting and charming to me. They aren’t unlikable either but it really does seem to be missing a spark.

On the plus side, it is a short. I find being a short can (though doesn’t guarantee) make me more amenable to slow TV. There’s longer forms that work for me, like Super Cub (especially the first episode) but that sort of luxuriated in it’s quiet in a refreshing way and this feels like a less fun version of a fun rom com idea. That I’ve seen before. It’s another one that isn’t bad but doesn’t grab me.

Dead Dead Demon's Dededededestruction

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Premise

Girls in the city deal with a giant spaceship flying overhead.

It Gud?

The funny thing is I read a lot of this series back in the day (the day being 6 years ago) and really really liked it but can’t tell you much about it. I remember the young girl protagonists and the aliens but I never got to the end. But I know watching episode zero this is a side story and one tied to the show’s mythos but not the main plot. It must be a side story. Episode zero is about a character’s father wandering a post apocalyptic landscape.

The other thing I know is the series is written by the author of the bleak Goodnight Punpun, about a young boy (depicted as a crudely drawn bird doodle) as he grows and matures, enduring trauma and living a life of failure. This is very much a “I was going through a hard time when I made this” series and the author admits fan backlash when he took the cute bird series down another dark road caused him to double down sometimes.

But this manga, while also dark, is also favourite of fans and critics. And it’s a really promising start. Though things look dark, it doesn’t feel “edgelord”. It will be also interesting going forward because one of the things I remember is how it starts mundane with fantastic elements before taking turns to revealing just what the aliens are. I’m excited to revisit this one.

Rising Impact

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Premise

A pro-golfer meets a child who loves baseball purely on being able to hit the ball as far as he can. When he realizes a golf ball can be hit even further, he quickly switches to golf and a surprising gold talent emerges.

It Gud?

Yeah, this sounds in many ways similar to last season’s Tonbo. Now this series is more overtly shounen-y and less slice of life. Now Tonbo was a show I would never give a hard recommendation to. It’s hokey, weakly animated and it has no strong hook to it. Rising Impact feels like it is trying to be a more dynamic series and seems likely to dive head first into higher stakes competition while Tonbo basically leaves that as a promise for a future season (which I’m somewhat surprised to see it actually got).

The funny thing is I think both series are “generic” in completely different ways. There’s something flat about Tonbo’s feel while Rising Impact feels like what you imagine shounen character designs to look (though the main character’s hair isn’t that spiky). Tonbo’s animation could be from 20 years ago but while Rising Impact looks better, it doesn’t really stand out. But somehow Tonbo’s earnestness won me over. And I could see Rising Impact’s formulaicness not working.

But I will also say sometimes I DO like formula. It just has to be done well. So, I’m definitely giving this a chance. I do hope that it manages to become clever or exciting. I also know this is based on an early work from the creator of Seven Deadly Sins, a show I never watched but know it was famous for kind of being bad horny. Hopefully that won’t be a part of this… (he also did a lesser-known series Kongo Bancho, that I would like to see an adaptation of.)



Kinnikuman: Perfect Origins Arc

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Premise

In a world where superheroes are also pro-wrestlers, the one who is considered the greatest was once most famed for being a loser and a coward. Since defeating his enemies, he’s left for his own planet and the world is at peace. But when the three superhuman factions (Justice, Devil and Perfect), sign a peace treaty, 7 Perfect superhumans arrive to declare they don’t recognize the treaty and FUCK THIS IT’S TIME TO WRESTLE!

It Gud?

Kinnikuman is totally my jam but it’s also something hard to recommend to newcomers. It’s a series with a rich history but I also feel like the gag manga origins don’t age well (not even just being problematic, though often was. A lot of it was simply unfunny). Still, even in that era, there was a real upstart quality to it; the creators sold the series while in high school and they managed to endear themselves to their fans by asking them to create monsters to include in the story that the creators would credit the fans with (interestingly some major characters were based on fan drawings and the creator of One Piece made his own that sort of became his mascot/injoke character.

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But more than that, those chapters, despite being eye rolling also establish the underdog status that makes the character endearing; a loser superhero no one likes and is a coward who sometimes wins but sometimes ends up humiliated. The series slowly makes the journey of having the character not only win seemingly unwinnable battles but also has him find his own heroism in the face of cruel and seemingly superior foes. It’s also a series that got weirdly bloody, belying its goofy designs.

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All of these characters literally get better. Thankfully, there is a built in fanbase when the sequel series, Kinnikuman Nisei (better known as Ultimate M.U.S.C.L.E.) arrived on American shores via a surprisingly solid dub from the mostly abysmal 4Kids Entertainment. That’s how I initially got into it then started reading the old series online. So I can’t be completely objective, I really like Kinnikuman, warts and all.

I will say there’s episode 0 and episode 1. Neither do favours of newcomers. Episode 0 speedruns the original series arcs but without context, it’s kind of weird and nutty and sort of drops the underdog element that makes the character endearing. Then episode 1 starts a new story but there’s no Kinnikuman or fighting. It’s really under the assumption you are into this popular franchise. It’s mostly 10 minutes of complaining about a peace treaty of space monsters and then monsters with wild character designs show up, like an edgelord Dalmatian and a weird baby man.

So I’m into this. But I think if you don’t know this, your mileage will definitely vary.
 

Johnny Unusual

(He/Him)
Dead Dead Demon's Dededededestruction is both very good but also is definitely gets rough. It says a lot of things. One of those things is "maybe it was kind of a bad idea for Doraemon to give that one kid the most powerful inventions in creation. Maybe in real life that would get really messed up."
 

SpoonyBard

Threat Rhyme
(He/Him)
I just finished watching the dub of the Fishman Island arc of One Piece on Netflix, and oof. Big Oof.

I've mentioned a few times before here and elsewhere that this was the arc that got me to just give up on watching the One Piece anime. Cuts and filler definitely hurt the previous arc, Marineford, but even at its worst in the anime it was still Marineford, one of the better arcs in the series. Fishman Island though? Even in the manga it's barely mid, but the anime adaption is outright bad.

The art and animation is just lazy, off model, and frankly ugly. Part of this, at least for the main cast, can be partially excused since this is the first arc post timeskip and the main cast are now all using new looks and outfits, but that only excuses so much. All throughout this arc, especially once the big fight happens, characters are off model constantly, especially when they don't have manga panels to draw from. It is probably the worst the show has looked, at least up to this point. There's one moment in the arc's epilogue episodes where Robin is talking to Neptune and she's so distorted it's almost grotesque.
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And of course along with the off model and ugly art, the animation could barely be called that at times, with an over reliance of static reaction shots to fill airtime. Again, Marineford did that too, as do most of the upcoming arcs, but here where it's not even all that interesting it really drags.

But where I was able to at least enjoy Marineford on a rewatch thanks to watching the dub and also watching a few episodes a day instead of the once a week airing schedule, this one was harder to get through. The dub this time just wasn't that great. The main cast was as good as always, but most of the new and secondary characters of the arc range from mediocre to annoying. Some characters, like Zeo and Dosun, just sound like regular-ass dudes and they're super distracting, while Daruma and Mamboshi are pretty faithful to their JP performances, but to their detriment. The big bad, Hody, is just plain boring but that's also kind of true to character. The two best dub performances among new characters were probably Icaros, who kept his 'muhii' speaking inflection which worked surprisingly well in the dub, and Vander Decken. Honestly Decken was a standout among the dub with really funny line deliveries, and he kept his ' One Piece Laugh' intact.

But really, this arc is probably the nadir of the One Piece anime, either this or an upcoming one. It's ugly, the source material isn't that interesting, and it has some transphobic jokes peppered throughout that were poorly aged when they were written but they're even harder to swallow now.

No idea when the next arc will be dropped on Netflix, but I'm more interesting in watching that since I didn't in its original run and it couldn't have been as badly done as this arc.
 
To compound matters, even in One Pace this is the worst arc - because it was such a bad one in the original anime, they prioritised re-editing it first before the rest, and as such it's the oldest (along with Punk Hazard) Pace'd arc and is the most amateurish in quality. These days Pace edits are impressively professional, but Fishman Island IIRC has actual manga panels and/or fanart spliced into the animation at points for some baffling reason.

So... there's just really not a good way to watch that arc. As you say it's one of the weakest even in the manga, so just gotta hold your nose and push past it regardless of format.
 

SpoonyBard

Threat Rhyme
(He/Him)
The kicker is, despite being really meh overall the arc still has really important information that's revealed at the end of it that is only just now becoming really relevant in the manga! Oda has always plotted a long game but I was pretty struck while rewatching the arc here just how many important tidbits and reveals there are. I'll save that discussion for the manga thread. But in a weird way it makes this arc in the anime an even bigger disappointment. Like, this stuff will be very important! But it's all at the end of a mess of an arc.

If any one arc in One Piece was the equivalent of 'eating your vegetables' it's this one.
 

q 3

here to eat fish and erase the universe
(they/them)
Dead Dead Demon's Dededede Destruction is fantastic and it is an utter tragedy that its prospects were sabotaged by a confluence of poor production, marketing, and translation decisions. Fortunately the translation issues have mostly been sorted out and it is absolutely worth watching.

Premise is it's the end of the world as we know it (and I feel fine). Aliens land on earth, governments overreact, people fall into disinformation bubbles and conspiracy theory rabbit holes, meanwhile our protagonists are mostly a bunch of misfit teens just trying to find their way in a weird new world that sure seems to be ticking down toward something. Pointed social commentary, loads of gender, high quality visuals and music (it was originally released as two movies but works quite well as a series), and while it has a pervasive melancholy and pessimistic outlook the moment-to-moment still has fun and a sharp (if sometimes bleak) sense of humor.

There's an "Episode 0" which many will say to skip. It takes place very late in the series and spoilers most of the major developments. That said, I can see why it was made that way - the actual series starts out pretty slow and surprisingly low stakes, so if you're looking for a gripping hook or just like to know what the clock is actually ticking toward, it could work. Or if you're just not sure whether you want to watch the series at all, it kind of sets the tone. Otherwise, though, as long as you commit to watch the series then I'd personally suggest skipping it until after ep 16 or 17.
 

Johnny Unusual

(He/Him)
Dead Dead Demon's Dededede Destruction is fantastic and it is an utter tragedy that its prospects were sabotaged by a confluence of poor production, marketing, and translation decisions. Fortunately the translation issues have mostly been sorted out and it is absolutely worth watching.
I'm pretty far behind but it is a strong show. It starts as a darker slice of life show that escalates.
 

Kirin

Summon for hire
(he/him)
Yeah dang, I am totally transported to 1995, only with much much higher resolution. And it really made me smile when they replicated the post-OP producer voiceover montage like exactly. I am being extremely nostalgia-baited and I am here for it.
 

Johnny Unusual

(He/Him)
Looking back at the last season...

Dead Dead Demon's Dedededestruction - This might be the best series of the season. Though it's also a cut up movie with new scenes (and entire episodes) so maybe it doesn't count. The animation isn't as dynamic as some that DIDN'T appear in theatres. The characters are strong though and I think it's a narrative that is willing to veer away from conventionally happy and hopeful endings but while having bleak elements, I think is genuinely hopeful about people. Systems, not so much, as they might just break us and everything else. I'm sure because of the way it was released a lot of people slept on this but I recommend people seek it out for a slice of life drama occurring in the midst of an apocalyptic epic.

Kinnikuman - This is exactly what I wanted out of this, which is more Kinnikuman action. The funny part is how LITTLE Kinnikuman there is in it. It's not TOO surprising; when you get a big shounen cast, then the lead has to limit his fights to one or two major villains. But this is actually a highlight for a lot of former villains and given the "Devil Choujin" hero moments, an idea those characters would reject. I'm really glad this is getting another season so I can watch Kinnikuman fight bad guys with a "Kill Hat" or is a talking water faucet who much twist the taps on his arms every time he wants to fight.

Love is Indivisible By Twins - My least favourite show of the season. The first episode was surprisingly promising but as soon as the story began, it kind of became just another generic love triangle series that could have come out 20 years prior, complete with one of the female leads smothering the milquetoast male lead with her boobs in an attempt to win him over (weirdly, this is not played as a comedic beat?). But what makes it extra insufferable is two of the three leads seem to only want to talk in references to things to show how connected to media they are. It's like two copies of Ready Player One having a conversation.

Makeine: Too Many Losing Heroines - This, however, is a mostly very successful romcom. It stumbles at time. There are a few times where the dialogue and deliver is a tiny bit cloying (I feel like I've seen shows like this and my ability to tolerate it depends if I like other aspects) and one weirdly horny interlude that feels like it is from another show. But mostly, the show is about characters who care about each other and when love doesn't work out for them, finding other areas they can be proud of them. Overall, these ARE characters I am enjoying spending time with and it is consistently funny and sweet.

Mayonaka Punch - This one is... fine. It's just fine. It's at it's best in certain weird specifics like when it introduces a plumbing youtuber who is getting cancelled in real time on stage. But despite the high concept of vampire youtubers, there's really not a lot going on with this one. I think it is also looking to have a sequel but really I don't know if there's anything left for this one. I think it tries to handle being "cancelled" but also sidesteps really saying anything (it never is interested in the lead actually atoning for punching a co-star in the face for reasons never revealed).

Oshi No Ko - I like that even though there's a "main plot" to this series, it takes a big backseat for the most part in a story about how to do a good play based on a manga. There's one more episode that's going to air later than usual but the last cliffhanger is strong. Overall, I like the way the series is going and while I don't like it as much as Kaguya, I do love that it is a series that is trying different stuff in the genre.

Senpai is an Otokonoko - Genuinely surprised how good this one is. I think it could have fallen into a trap of weak farce but instead it's a sweet, sensitive show about characters exploring their identities and what they want. All the characters have arcs, though it looks like one won't be fully explored until the announced movie and I think it is some of the best teen drama to explore gender identity and how we want to be seen.

The Elusive Samurai - This one was a consistently fun show. Most shounen anime seems to be defined as a "collection of weirdos" but this is next level in how to present them. Every time a new weird character appears, even if they are visually unappealing (there's one guy who has giant whiskers I just can't abide by), I want them to be around forever. I also like the idea that bravery doesn't have too look like fighting and dying and that escaping has it's own heroism to it. Hoping for another season.

My Deer Friend Nokotan
- I wish this was better. It had a decent first episode but the comedy usually falls flat more than it succeeds. Keep in mind, it's rare that the comedy is infuriatingly bad or cringey. It's more that, I feel like I'm sitting through it to get to the good comedy. Each episode has at least one REALLY solid joke but then you need to wade through a sea of mediocrity. I do love choosing a classic cliffhanger trope (everyone has forgotten the main character except one person and they seem to have disappeared from the Earth) and then have it turn out to be nothing.

Rising Impact - Rising Impact is very generic shounen sports... but also, I really like it. It's not "great" but it's comfort food. I will say, the last few years have given me really fun golf series, even if I don't like how the sport eats so much land.
 
First episode of Ranma is up on Netflix.

It's good! The plotting and pacing is almost 1:1 exactly the same as the original first episode. But it's pretty impressive how this show seems to go completely out of its way to not ever repeat any shots/angles -- so as to keep things constantly visually interesting for all us old-heads.
 

Baudshaw

Unfortunate doesn't begin to describe...
(he/him)
I'm starting Mob Psycho 100, and while the comedy is good, the action and dramatic scenes really take me out of it. I got up to episode 10, but I don't know which parts to see if I just want some goofy and lighthearted psychic comedy.
 

Kirin

Summon for hire
(he/him)
First episode of Ranma is up on Netflix.

It's good! The plotting and pacing is almost 1:1 exactly the same as the original first episode. But it's pretty impressive how this show seems to go completely out of its way to not ever repeat any shots/angles -- so as to keep things constantly visually interesting for all us old-heads.

Yeah that sure was episode 1 of Ranma 1/2 all right. I imagine surely they’ll diverge soon and pick up the pace to introduce more of the cast a bit sooner than the original but I guess we’ll see!
 

Johnny Unusual

(He/Him)
Uzumaki

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The Premise

Kirie lives in a sleepy coastal town but her boyfriend wants her to leave. He thinks there’s something malignant occurring in the town. His father is obsessed with spirals and it worries him greatly. He thinks a dangerous force is manifesting across the town in spirals in all their forms and when his father kills himself in a truly bizarre manner, his mother snaps. Meanwhile, a girl who seems to get any boy discovers her “charm point” is growing and a bullied boy begins to move slower and seems to be growing a shell.

It Gud?

I feel like this is going to be a debatable point for Ito fans. Now Ito fans seem to have been burned again and again with his adaptations, with a couple crummy horror anthology series, the Tomie film series really got increasingly out of step (also, wasn’t there supposed to be a Tomie live action TV series?) and that one Gyo OVA was pretty crummy. The worst was Uzumaki was announced so long ago and seemed like it was NEVER going to be released. And then, finally it happened.

Well, the trailers looked amazing and it boasted a Colin Stetson soundtrack. It seems like a slam dunk. I will say, I soon saw some reviews that gave it 2.5 out of 5s across the board on animenewsnetwork, so I was getting worried. And beyond that, I assumed the “4 episode mini series” would be 45 minutes each like Pluto. Nope, the entire three volume series is going to have to be covered in 4 22 minute episodes… and then you need to knock out about three minutes for the opening and closing credits sequence. So that’s worrying.

BUT… this first episode was a very strong adaptation. Like the trailers promised, the animation is gorgeous. Using black and white is perfect for translating Ito’s style, especially for this story. I also think the first episode was good at having several chapters happening at the same time and juggling the events. Weirdly, only two of the four chapters it covers gets resolved and that makes me worried how much longer they’ll be able to do with all the material left to cover (they could cut out some chapters but considering the creepy baby story is going to happen based on the preview) but so far, a very fantastic first ep. I will say, if you’ve seen this and though “aside from the fingerprint thing, this is actually less gory than half of the big shounen jump series”, it gets much nastier (especially in the mid-point of the series).

I can’t wait to see how they handle the next episo—


Oh no…

365 Days to the Wedding

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The Premise

Two socially awkward office workers learn that SOMEONE in their office will be shipped off to Alaska. One comes to the conclusion if they say they are married, they won’t have to go if they get married. The two come up with their story but when their bosses enthusiastically makes it known across the office of their “engagement”, the two rush to keep their story straight.

It Gud?

The premise is straight out of rom com 101. And in the execution, it isn’t terribly unique. But it’s not bad. In fact, it’s perfectly pleasant. This time, both of the leads are milquetoast but they also both have their charms. But it’s not a show I feel strongly about. It’s good enough to watch but of the shows I’m choosing to watch, it is so far the one I’m least invested in.

In part, it’s because it’s a show that has a ticking clock. A very LONG ticking clock and one it feels like it is not hard to escape (quit the job or try to object) but I feel with the title, we are looking forward to something. It’s not creating tension because the tension is simply limited to social awkwardness but it is giving us an end point and to that end, it means we need to create milestones for progress. But while I think it will, everything about it means it feels like it will all be the same light farce that opens up the episode.

Yeah, I’m cool with light comedy romance but I think it’s slightly too airless. I’m willing to be proven wrong because there are some solid comedic beats and a pleasant vibe. But it’s also centered around a lie and I think the show isn’t super into creating real classic farce tension with that. I could be wrong and would like to be but I think everything will resolve fairly simply if the first episode provides any indication. A good watch to break up the more actiony or dramatic shows.

Dan Da Dan

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The Premise

A boy obsessed with UFOs (well, UAPs) and a girl who believes in ghosts mock each other and challenge each other; the boy goes to a haunted tunnel and the girl goes to a UFO hotspot. Each hopes the other will come to believe and they both do… because the boy encounters a penis eating ghost and the girl encounters aliens with plans to use her to make clones. Both are in dire straights but the boy ends up possessed and is somewhat able to control his possession and the girl unlocks her own psychic powers. Together they defeat the aliens and plan to get the boy de-possessed by the powerful crotch-eating Turbo Granny.

It Gud?

Dan Da Dan is definitely the most anticipated show of the season by many and I can see why. Science Saru is one of my favourite studios, a fantastic animation house and this is them doing their first Shounen Jump series (granted it’s Jump+ but that’s basically the same deal). It’s wild for Science Saru to do a long-running action series, especially one that is still going. I don’t know if they WILL do a second season because I don’t think they’ve done a second season of anything (I’m not counting the Tatami Galaxy spin-off).

I will say I enjoyed it but I enjoyed it with some big caveats. There’s a large portion of the first episode where the female co-lead is threatened with sexual violence by aliens and it’s nastier. I really could do without that and considering the praise the manga is getting, I’m really hoping that’s something as a one-off. I am also curious if there’s a larger reason why both the ghosts and aliens seem to like childish euphemisms for penis or if the creator just seems to think it’s funnier. But it’s not my favourite.

But the stuff I liked is really good. The leads are kind of sucky but in a way that I do think works for it. They are socially awkward but they also, in different ways, struggle to connect. He believes in aliens because he wants a friend from anywhere (I like the moment where he tells the aliens to fuck off as they had a chance to be his friend and didn’t take it) and she wants to find love from someone who can give her respect. Visually, it’s amazing with some incredible fight scenes. The moment with the moon is an inventive reveal and I like the way it plays out. There are definitely series where I was “I would like this if it didn’t make some gross decisions” and I’m hoping the things I don’t like settle down and it becomes the series I want it to be; two weirdos finding comraderies in the face of occult madness.

Kinokoinu

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The Premise

A man who is still morning the death of his dog gets a new one… in the form of a mushroom dog thing.

It Gud?

I want to be all over a series about an adorable dog monster who is a hot mess. And there are a few good jokes and I like the fact that this loving dog… may be dangerous? Some of his behaviour is correctly described by characters as creepy. I like the title dog. The problem is pacing. Don’t get me wrong, I love some slow TV. I like super chill shows like Super Cub. But there are a lot of shows were it is not hitting me just right.

The problem is, it’s not enough to be a quiet show (something anime sometimes needs more of) but it needs to be compelling. When I think about why Super Cub worked for me, especially, that first episode, was not just that it was willing to be quiet but it was also willing to really engage with the sounds and minutiae of the moment. Really, that’s a thing I feel like anime often does very well, even in some surprising projects where moments are taken.

Kinokoinu is not a bad show but it lacks the specifics that I love in other shows. It’s a pretty straight forward story and it’s slowness is more in pregnant pauses than in embracing the moment. There are more than one show I and JBear passed on for being “too sedate” and I couldn’t articulate why that is the problem. Why can’t an enjoyable show be very sedate. Is it simply like porn? You know it when you see it? I think only recently I came to the conclusion that being slow and quiet can be a virtue but it needs to “live” in some way. Otherwise, it isn’t just boring, it’s inert. And sadly, the mushroom dog show, despite some genuine wit, is basically that.

Magilumiere Magical Girls Inc.

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The Premise

In a world were magical girls are a necessary public service, a small start up company has recruited a girl with a perfect memory and a desperate need for a job.

It Gud?

I wasn’t expecting too much. I’m a little burnt out on slice-of-life office anime and magical girl re-imaginings. But I think there are a few things that makes this work. 1) it doesn’t get too cute. By that, I mean it isn’t self-satisfied on any meta ideas or it’s knowledge of the genre. It remembers to tell a pretty decent little story about a girl who’s gift is discovered. 2) it’s not too horny. That counts for a lot. 3) The characters aren’t terribly unique but I do like them. And though they are different, there’s an immediate respect between the two.

The world building is not terribly detailed but what is there is stuff I like. Like in an extermination job, you’ll run into clients who seem entitled, even when they caused the problem. Though mostly this is an action episode, you get the vibe that this is a weirdly unglamourous job despite literally being glamourous action figures.

Overall, this first episode is kind of mid and yet I found myself having a good time throughout. Interestingly this is on Prime, home of another anime I’d describe as the same; Tonbo! Tonbo isn’t an impressive show but there’s something comforting and pleasant about it and I can see this show having a similar appeal to me, something that sneaks up on me, even as I can poke holes in it’s weaknesses.



Orb: On the Movements of the Earth

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The Premise

In 15th Century Poland, a young man named Rafal plans to study theology just to make life easier for himself. However, he meets an old man who recognizes Rafal has an interest in astronomy. An interest that will get him in trouble with the church who isn’t above torture and public executions to hide the belief that the Earth revolves around the sun.

It Gud?

I was really hopeful for this show. I like it when anime does a straight up historical drama. One of my favourite series is Vinland Saga. And though this is about science nerds, this goes hard, opening with some horrific torture by the church to set up the stakes. The series is good about making it clear that the search for truth can be a dangerous one and it gives us a truly awful villain. Obviously the villain will chase the hero but I suspect the writers will find other ways to get these characters in each other’s orbit.

It also gives us a protagonist who isn’t super likable. He’s not a “bad” kid but he’s smug, self-absorbed and arrogant. But his love of science is real and ironically, I think his journey of logic will also awaken his heart to the more spiritual. Not a spirituality prescribed by the church but more a deeper understanding of the love what humanity is and accepting the unknowable strength of people as he maps out the universe.

Orb is a series I’m really excited about and the first episode didn’t disappoint. What could have been a dry drama promises to have intrigue, drama and the joy of discovery and science. I expect it will be a less comedic and absurd Dr. Stone as the lead will have to innovate to improve his science and there’s nothing more in serialized programing I love more than watching a process play out. How is he going to create new devices or methods for understanding his science? How will he use his ability to charm and manipulate people to escape capture and help his friend. Will we stay with him as a child or jump to him older. I’m excited to see where this goes.

Ranma ½

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The Premise

The Tendo and Saotome families, whose patriarchs are both martial artists, had plans to have their children to have an arranged marriage. But when the father and son Saotomes are expected to arrive at the Tendo home a panda and a girl show up instead. Turns out that the two are cursed to turn into those things whenever splashed with cold water.

It Gud?

Ranma was one of the first major hits in North America that wasn’t just aired on TV. It was extremely influential and probably for many the most popular Rumiko Takahashi series. When David Productions Urusei Yatsura adaptation aired to critical acclaim, its not surprising that this was heading out next. But David Productions set a very high bar for adaptations and it would be easy to do this wrong.

Luckily, Mappa is doing a fantastic job with its extremely faithful adaptation to the comic. Of course, the question is “how faithful do we want this” considering there are elements that aged pretty poorly. Mostly Happosai but there are definitely other characters and arcs. And it is weird to see the first episode really laying out a premise we are so familiar with almost as a short hand due to cultural familiarity. Though, granted, there are probably a lot of younger viewers for whom this will seem entirely new (the anime is 35 years old).

More than that, it’s a reminder that Ranma… is actually really funny. Not just “funny for it’s time” but the comedic pacing is really strong. Some adaptations of great manga can fuck that up but Mappa’s quality isn’t just good animation, the timing is pitch perfect for what the show needs to be. It’s not like I ever disliked Ranma but I can’t remember the last time I was excited to see it. Now I am.

Trillion Game

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The Premise

A recent college graduate meets an old friend from middle school while looking for work. Said friend is a conman and smooth talker who has a goal… to earn a trillion dollars.

It Gud?

Trillion Game is from the same writer as Eyeshield 21 and Dr. Stone, two series I love. But while I love them, there are certain patterns that I’m less enthused with. Trillion Game has a lot of what that author likes; ambitious characters who mix audacity with shrewd planning. And these characters are often doing these things with a deep passion just to see if they can and how far they can take it. That said, as “twisted” as Hiruma and Senku are, I feel like their goals are a little more sympathetic. “Make all the money for the sake of it” is somewhat less sympathetic.

One weirder aspect is the artist. It’s the creator of late 80s series Crying Freeman about a tearful assassin and it’s a surprising choice. Eyeshield and Dr. Stone are known for things being Brobdingnagian and the art reflects that. This series, not so much. It’s very down to earth and retro. But not exciting retro. It’s just sort of bland.

That said, I do like series about a process and that’s something I AM into. I do want to see how the plan plays out and how much fun the series can have doing it. So I definitely want to give the show a chance. The author has instilled mostly a lot of good will in me and I want to see if this is just as much fun as his other two major series. But “finance bro” is a less exciting take, even if I do like stories about con men.

You are Ms. Servant

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The Premise

A teen living alone is surprised a maid who is also an assassin wants to live with him. Even though she sucks at being a maid.

It Gud?

I know this premise has been done before. Make the maid a robot and it’s Mahoromatic. So I didn’t go into this one with super high hopes. Are we still even doing maid stuff anymore? Outside of art of them on skateboards? It feels like it is a story from decades prior, when maids were the isekai of them olden times.

But… I came around on this one. Not immediately but even early on, I liked it OK. It followed a familiar path and not one I disliked. Mostly it stayed away from horny and the one allusion to a horny was a joke about that which ended unhorny. But the drama is “I used to kill people and I feel bad and I’m learning to love life.” And I always like that kind of story, even if it is deeply familiar.

The one thing that pushed me over to the other side is the female co-lead is sweet and funny. Usually ex-assassin turns maids are good at this. Consummate professionals who are extremely precise. But she actually sucks at this and there’s good comedy in that. And I think they are good at making her just silly enough that I find that charming. I also think the intro is surprisingly strong too. And appropriately very 90s.

Neko Oji: The Guy that got Reincarnated as a Cat

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The Premise

The Guy that got Reincarnated as a Cat

It Gud?

The guy did get reincarnated as a cat.

Negative Positive Angler

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The Premise

A loser in debt thinks he has nothing to live for but when he learns he has two years to live, he finds himself racked with existential dread. As he is being chased by loan sharks, he is defended by a group of fishing hobbyists. He eventually starts to fish with them and likes fishing a bit, giving a bit more passion to his now short existence.

It Gud?

This is one of the series I was very much looking forward to. In part because I though the character had two months to live. Look, I’m not expecting it to be Ikiru but I thought that with that much time, it would feel more immediate and heartbreaking for this character to make new friends just in time to lose them. As it is, it’s a slice of life series with a slight tinge of sadness. And I say tinge because the show weirdly has a Team Rocket of loan sharks.

It’s an interesting tone. The character designs are fairly anime-y in a lot of different ways but the story itself is very low stakes. I like the idea of a character learning to love the art of fishing, not worrying about “winning” but simply the joy of catching as he learns to connect with the new cast of characters and see what they get out of fishing.

But there’s something I can’t articulate that makes this more “a show I like” than “a show I love”. The main character is a bit of a pill but sometimes that can work to a show’s advantage. I think the problem for me is there’s inherent sad drama to the premise that I don’t feel like it digs into enough. I really hope the series doesn’t let the main character live, not because I want him to die but I feel like it risks taking a lot of the drama out of it I think is interesting.

Blue Box

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The Premise

A high school badminton player falls for a high school basketball player. The badminton player initially is shy about admitting this but when he hears her parents are moving, he rushes to tell her how much he admires her… only to learn she is actually staying. Not only that, she’s staying at his house!

It Gud?

Based on that description, Blue Box sounds like a pretty run of the mill romcom. And no, it doesn’t reinvent the wheel but it is genuinely sweet and charming with characters I like. I feel to that end, more modern anime tries to make the leads more sardonic and often it either doesn’t work for me or it is almost working despite that. Blue Box, in many ways, fits in with a lot of classic romcom anime (though thankfully is not creepy-horny).

I will say the ending is setting up for a very traditional anime premise as well, the co-habitation of the two romantic leads but in a family setting. I think if the series lead with this, I might my eyes at this, not because it is inherently bad but because it is as cliché as the shocking amount of anime kids who just don’t have guardians or have hospital moms. Please stop with the hospital moms. But Blue Box did a great job setting up it’s leads and making me invested in their friendship so that I did see it coming, I think it earned the series status quo.

My hopes, based on the opening sequence, is that this will be an equal balance between the sports drama and the romance. It brings to mind Touch, the classic 80s anime that was about the relationships and the love of the game. If anything, my one issue with Touch is that while a lot of the time was spent on the games, one of my favourite aspects of sports anime is seeing characters discover strategy and process and Touch, despite being a favourite, never did that much. I’m hoping that Blue Box is a show to hit all the sweet spots, in the way that Chihayafuru does (man, when are we getting more of that?)

Nina the Starry Bride

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The Premise

In a kingdom of have and have-nots, one poor girl is captured for her blue eyes. But despite her expectations, it isn’t slavers who captured her, it’s a member of the royal family who needs her to double for a dead relative. Realizing she has power in the situation, she makes a deal to keep up the ruse.

It Gud?

Nina the Starry Bride is the Apothecary Diaries we have at home. A poor girl who ends up being tossed into palace intrigue at the behest of an aloof man of importance and hawtness. And it’s just not as good. Obviously, there are clearer differences; AD is a mystery-of-the-week show. Nina is more about keeping up a ruse and likely will involve her meeting other characters and winning them over with her pluckiness, I suspect.

One thing I liked about Apothecary Diaries is Mao Mao has clear skill and virtues that are important but Nina just does exactly one thoughtful thing to help a friend and even then it’s kind of unimpressive. But it gets a little worse. The show draws a clear line that there is a real problem with poverty. When the lead character is told she can have anything, someone who is in a land of excess, knowing how people suffer will… settle for a pat on the head and a “good job”. This is a sign the show the show might not think about the greater societal issues of the setting and more using the class difference to have the character punch up against nobles. Which is good drama but with the set up, it feels disappointing based on potential.

Despite these complaints, I’m surprising myself giving this show a chance. Maybe it’s because I had similar issues about that show with crow people and then I find out later the center of the first episode isn’t the lead and the show gets good. Maybe I’m getting similar vibes and don’t want to miss out again. Maybe I think I could be wrong and we get more interesting palace intrigue. I’m giving you a shot, show. I hope I’m wrong about my expectations.

Yakuza Fiancé: Raise wa Tanin ga Ii

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The Premise

A high school girl from a yakuza family is convinced to meet a man for a proposed arranged marriage. He seems nice at first but he not only turns out to be very violent, he also doesn’t like her because he was hoping for a spoiled mean girlfriend to “mess up his life”. After she gets some gumption to tell him off with real rage and spite, he does a 180 and tries to get with her.

It Gud?

There’s a lot I like about this and a lot I don’t. There’s something about the character designs that stick with me. Sometimes it’s a bit funny. And I see comic potential here of the sexy but awful co-lead who is hoping for someone worse than himself. But as a comedy, it takes a back seat to plot and the intro sequence makes it looks like the focus will be on being sexy and less on the comedic suckiness of the yakuza hot mess.

And I think I’ll be less interested if it is a series that goes in a direction that’s more dramatic. Because if they do, they’ll give the lead a backstory to make him more tragic and sympathetic and I feel like those reveals will hand wave the fact that this guy outright sucks. He just the worst. In a comedy, sucky leads can be fine if we can understand it and it’s just wacky nonsense of the week.

I do like the female co-lead starts to channel her inner mean girl to lay down the law. But… she does it in such a weird way. In a “cut off your nose to spite your face” move, she claims she’s sold a kidney for a lot of money after he told her she could sell her body. I suspect it’s going to be revealed that she didn’t actually and just wanted to show him up but what a brain-bending flex. Who are you messing with lady? Either you pretended to cut up your body and I’m not sure what that gets you or you did it and also that doesn’t seem worth it.

Demon Lord 2099

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The Premise

After being defeated by a hero, the immortal lord of demons is resurrected 500 years later. But the world is far different than he ever could have—he’s in ShadowRun. It’s just ShadowRun. And in ShadowRun World, his once powerful magic is now antiquated and slow. And one of his former minions now runs the world on a corporate-level. With his expectations of his return turned on his head, how will he go on?

It Gud?

I had no memory of even promising to try this one out but you know what? I’m glad I did. It’s not one of the season’s top tier show but I do feel like it is a more interesting variation on a theme. Not quite an isekai or even reverse-isekai, it takes the general structure and rather than having a weaker character become more powerful, a powerful character discovers for the first time he’s going to punch up. A lot of it feels just “fine” but it succeeds in smaller moments. There’s not a ton of comedy, but when there is, it’s actually quite successful, like him patiently listening to a hacker blather on when it is clear he doesn’t get it or the main antagonist’s secretary straight-facedly REALLY be into the company mascot and making proposals about it to her boss who just defeated his secret rival after 500 years.

There are details that don’t seem to matter that much. For some reason they decide to have an elaborate explanation that one world crashed into another to make the world modern-y when it seems like it would have been easy to say “yeah, without a big conflict, the world progressed”. Maybe it will make more sense as time goes on but it feels a little lost in the weeds of its own intro. I feel like the author really thought about the world building and didn’t think to dial it back. I think those aspects at least could wait until they are more relevant.

Overall, Demon Lord 2099 is an OK show with a lot of promise. It works when it goes to comedy and I think despite my issue with some of the world building, I like the idea of a former villain being a man-out-of-time and having to rethink everything. He doesn’t get a save the cat moment but I do think him recognizing that his henchwoman’s loyalty could have easily been dropped with the times and that while she’s at the bottom, she still makes time for him to bring him back is rather sweet. I’m not sure if the show is going headlong into action or slowplaying it while the lead adjusts to the world but I’m interested to find out.
 
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