America's Favorite Non-prehistoric Cartoon Family - The Simpsons Thread

[Johnny Unusual]

Two Dozen and One Greyhounds

Look, I feel like I could attach this episode to my own pet ownership experience but the fact is there is very little about this episode I feel I can connect to my own life in any meaningful manner. Lets skip the self-absorbed musings and move onto the show.

In this episode, The Simpsons notice that Santa's Little Helper is more wired than usual. Eventually they realize he's super horny after he has sex with a female racing dog in the middle of a race. The Simpsons adopt Santa's girlfriend, She's The Fastest, and eventually they have a huge litter of puppies numbering twenty five. The family loves the puppies but soon they become too big of a burden to take care of. The family tries to give them away but the puppies don't want to be split up. Mr. Burns offers to take them off their hands but based on past experience, the Simpsons assume Burns has a scheme so they decline. Burns kidnaps the puppies and Bart and Lisa eventually track the puppies to Burns Manor, where they learn he plans to turn the puppies into a new suit. Eventually, Bart manages to outwit Mr. Burns and convince him to let the puppies live. He does and they go onto becoming Burns' prize-winning army of racing hounds.

Its always weird to see an episode where so little is going on thematically. At this stage, there are actually very few "just a bunch of stuff that happens" episodes. I mean, it does address that a lot of pets are hard to take care of and maybe don't murder puppies for fashion but emotionally and intellectually, there's not a lot. Oh, I guess empathy for animals is in there but I feel like that's more to assist a plot point and a resolution rather than the point of the thing. Good thing this parody of 101 Dalmations is also very, very funny. Like, I wouldn't say it is among the funniest or strongest episode of the season, but it is packed with good jokes. Parody songs often make my eyes roll (despite being a Weird Al lifer) but "See My Vest" is a top notch musical number that's a delight.

At this point in the show, The Simpsons is getting silly enough to feel like they can anthropomorphize the Simpsons' pets more often but I feel like in the later seasons that episodes about Santa's Little Helper are funnier when he's a gormless dumb animal. Snowball II rubs its eyes in disbelief at one point but she's not the focus. A lot of the parody jokes work here because the dog's emotional journey is extremely simple. Heck, he's all but gone from the last act and we never see him after a joke where he prioritizes dinner over finding his kids because he's a dumb dog. Frankly, I think this is a good approach when parodying a film where the animals are decidedly human.

Overall, this is one of the episodes that has little social commentary or character arcs or anything other than plot which is designed to hang jokes from. There's is ABSOLUTELY nothing wrong with that by a long shot. To me, if either is well made it is merely the difference between, say, a complexly flavored cake with varying textures and a bar of solid milk chocolate. Both are great but the deal is it is much easier to talk about the thing where a lot is happening beyond the literal. I kind of don't have a lot to say except its a pretty decent chocolate bar.

Jokes I missed before:

A pretty low key joke but Bart saying "Hush, puppies." BTW, are hush puppies good? I always assumed they were like a hash browns variant but I guess dough is involved?

Other great jokes:

https://twitter.com/i/web/status/983173917920522240

"So it was the dog that buried all our stuff."
"Yes... the dog..."

"Let me try a human-canine mind meld. It's an incredibly rare psychic power possessed only by me and three other clerks in this store."
Alf Clausen does great with this Star Trek music in this moment.

"As soon as they realize he doesn't have any money, they'll throw him out. Believe me, I know."

"C'mon you little horse!"

A surprisingly red-haired Rich Texan makes his second appearance here (his first being in Sideshow Bob Roberts) and makes a good impression with "LADY.... YER ALRIGHT!"

"Is that what we do in this family? When someone becomes an inconvenience we just get rid of them?"
*cut to saddest Grandpa scene*

"SEE YOU IN HELL! From heaven."

Other notes:
So... whatever happened to She's The Fastest?

The kids failing to wear out the dog is basically me trying to wear out any dog or child.

How bad is Luigi's cooking that this is possible?

Yeah. I can see the similarities.

 

[zonetrope]

This might get me pilloried, but I've always thought "See My Vest" was really lazy and forced. Great episode though.

 

[Torzelbaum]

One of my favorite parts from A Star Is Burns:

BTW, are hush puppies good? I always assumed they were like a hash browns variant but I guess dough is involved?

Yes, they can be quite good but like any dish they can also be very bad if prepared poorly. The dough is usually cornmeal so they're like little savory cornmeal fritters. They are good as a side dish / accompaniment to something else.

 

[MetManMas]

I'm pretty sure the general idea of this episode was basically "We want to poke more fun at Disney". It's certainly not the last time they would do something like this; "Simpsonscalifragilisticexpiala(Annoyed Grunt)cious" is just a couple of seasons away, after all.

And yeah, I know these cartoons basically toss the animals in a bin when they're not being used for a plot or a joke, but it's definitely weird that She's The Fastest disappeared without any explanation. Did she run away? Or get run over? Did her original owner take her back because he realized how incredibly valuable she is as a breeding dog?

 

[Johnny Unusual]

This might get me pilloried, but I've always thought "See My Vest" was really lazy and forced. Great episode though.

I have no intent on pillorying but I definitely feel this about a LOT of latter season parodies, musical and otherwise. But I just think there are some fun rhymes and visuals while a lot of the latter ones are, as Mrs. Krabbappel says "I get that reference."

 

[Ghost from Spelunker]

This might get me pilloried, but I've always thought "See My Vest" was really lazy and forced. Great episode though.

I never cared much for "See My Vest" myself.
The line at the end "I really like the vest" made it even worse.

 

[Johnny Unusual]

The PTA Disbands

I've been fortunate to be a teacher and am probably more fortunate to only briefly work for a public school system. The only public school teaching I did was in Korea and I did love it but there were 35-40 students per class and I only saw each class once a week, making it impossible to form connections with the students and I couldn't facilitate activities and give students as much education as I wanted to. But still, I had good resources and mostly supportive (if somewhat absentee) assistance from the school. I know there is a big crisis in education in the U.S. that has my sympathies. which its own education system treated poorly while money is being funneled into military surplus and other wastes.

In this episode, the PTA does not disband (misleading title). Instead, a schism has opened up between Mrs. Krabappel, who is tired of the school's penny-pinching and its effect on the students and faculty and Principal Skinner, who is desperately trying to scrape money together to keep the school afloat by cutting corners. Bart, recognizing and opportunity, manipulates Krabappel and Skinner to turn on each other and Krabappel organizes a teacher's strike. As the kids run amok in Springfield with no school, the strike seems to have no end in sight. In response, the PTA has people from the community to come in as substitutes, which turns on Bart when he gets Marge as a teacher. With Marge embarrassing Bart and making him more of a bully target, Bart decides he needs the strike to end and locks Krabappel and Skinner in a room until they come up with a resolution. And their forced captivity results in the perfect solution: turning the school into a makeshift prison to raise extra scratch.

The PTA Disbands is an episode apparently titled because the director was amused that the most interesting aspect to the writer was the possibility of the PTA disbanding, which is merely hinted at. I love the idea of poking fun at another writer with the title to the confusion of everyone else in the world (another one is the Mr. Show episode "It's a no brainer", titled because writer/performer Brian Posehn hates the phrase). I remembered the non-story vaguely but looking into the specifics, I noticed I was not familiar with the writer's name. A good episode written by someone who only appears once isn't uncommon but I was pleasantly surprised that Jennifer Crittenden actually wrote some strong episodes with equal parts silliness and emotion, including "And Maggie Makes Three", "The Twisted World of Marge Simpson" and "Scenes of a Class Struggle in Springfield". The PTA Disbands is probably the best of her episodes in my opinion, one lacking in emotion but with a LOT to unpack about the problems of the American education system.

If I had two complaints its: 1) Skinner seems to be standing in for the government, I think, since the buck in finance seems to stop with him and it never brings up the problems of lack of funding from above, making me think this is supposed to be the issue in microcosm. Within the context of the show it makes sense that both of them have issues that they feel they cannot be budged from: Skinner can't find the money and Krabappel knows that the status quo is untenable. Skinner even brings up raising taxes. But (and I might be reading this metaphor wrong), as I'm older, it is so ridiculously clear that America has put its money in the military to a gross excess compared to what they do for schools that it doesn't completely work as metaphor for me. And 2) there is SO much to say in this episode about the education system, the show doesn't have time to unpack it and since I like what little I do see, that seems like a shame.

But the PTA Disbands is a fantastic episode. It is a joke machine but it also feels rather smart and cynical about the nature of the school system. I feel like the resolution is a perfectly funny and damning jab at a two major American institutions that really need to be rectified. Instead the two problems are jammed together in a pretty awful solution. And overall, its just a really fun, playful take on a serious problem. We get to see Bart up to hilarious mischief in town and Lisa trying to cope (though I feel like she really overestimates her own personal need for the school. I can't imagine Springfield can even afford more than two synonyms). Its also nice to see an episode where Krabappel truly cares about her job. I feel even in the later season, the show tended to do her character relative justice even when Flanders got himself-erized and Homer is just a monster. A lot of ones I've watched this season mostly has her enjoying Bart's embarrassment but in this one she genuinely is worried not only about the living wage of her and her peers but giving the kids what they need. Both Skinner and Krabappel do care about their jobs but I feel that Skinner's position ended up leaving him at a remove: he loves education but a lot of his job seems to be cutting the budget and cravenly trying to mollify Superintendent Chalmers. Frankly, I think even before they have a romantic relationship (or perhaps particularly before) Skinner and Krabappel make for one of the more unsung character dynamics within the show.

Jokes I missed before:

I would have killed to see the Lionel Hutz class.

Other great jokes:

Pro: Seem surprisingly honest in their representation of history.
Con: Club children.

"Attention, this is an emergency broadcast. All is well in the school. My authority as Principal is total--"

"Checkmate."
"Checkmate."
"Checkmate."
"Dang."

"I'm losing my perspicacity! AHHH!"
"Well, it's always in the last place you look."

I love Lisa's manic giggle/smile combo.

"You wouldn't enjoy it on as many levels as I do."
Me, watching cartoons.

It may have started out as a diversion but Kearney seems to genuinely enjoy his jig.

Other notes:
Milhouse's stuffy teacher seems like a cool dude. Milhouse seems to love learning and what other fourth grader is learning about the Teapot Domes Scandal?

 

[Torzelbaum]

"In this house we obey they laws of thermodynamics!" is one of my favorite lines.

perspicacity

noun

1. the capacity to assess situations or circumstances shrewdly and to draw sound conclusions

 

[Büge]

"Well, the kids have to learn about TekWar sooner or later."

 

[Ludendorkk]

I did this exact thing with GIFs from that (and the robot programmed to feel pain) back on the old forum's video game screenshot thread.

Speaking of robots...

The way the melting robot heads leave nothing but the eyeballs is one of the show's best visual gags

 

[Johnny Unusual]

Round Springfield

I've been fortunate in that I've only been to a handful of funerals. I did love the people who I lost but the grieving didn't last as long for me as the people for whom the deceased where more closely related. It was pain that didn't take too long to heal. Frankly, seeing what grieving is supposed to look like from TV, I always feel like I must be emotionally cold or unhealthily detached for not being overwhelmed with pain. I do feel confident if I lost somebody in my immediate family I would be crushed but I do worry that I'm so self-absorbed that I wouldn't give them the respect they deserve. I'd like to think that I'd do something to honor their memory but I know they've done so much that they will be remembered for being great, accomplished people. We all want to be remembered and I take comfort that the people I love will be.

In this episode, Bart gets sick after eating a prize in a box of Krusty-O's. While visiting Bart at the hospital, Lisa finds Bleeding Gums Murphy, who encourage Lisa to find creative outlets for her sadness in "Moaning Lisa". Lisa visits and reconnects with Murphy at the hospital but one day Lisa returns to find he's died. Lisa is strucken with grief over the loss of her friend and while her family tries to help her, Lisa doesn't know what to do with these feelings. After seeing Murphy's funeral where she was the only attendant, Lisa vows to let Springfield know about Murphy and his greatness. Lisa can only find one album, which turns out to be prohibitively expensive but Bart buys it for Lisa with his settlement he won from his prize-eating mishap. Lisa takes it to a jazz station with bad frequency but a freak lightning strike spreads the signal through Springfield, allowing everyone to appreciate his music. Then Lisa jams with a Murphy ghost made of cloud. Even for the elastic reality of the series at this point, its kind of a weird ending.

Round Springfield is a good episode but watching it this time out it has some notable flaws. 15 years or so ago, I had a book I loved called "Planet Simpson", a series of essays about what makes the show so great and how it reflects modern culture and its influence on it. And the guy takes time to single out the song in this episode is pretty weak sauce. Watching it again, I got to agree. "Jazzman" is a very toothless and bland song. Yeardley Smith does what she can but this is a snooze of a song and I always hate supposedly great art within fiction that is just generic. Similarly, almost all of the jazz in this episode is the limpest version of it. Usually, I have praise for Alf Clausen's work but this feels like a subpar SNL intro from the 80s.

This isn't the only issue. The other is that while Ron Taylor is great as Bleeding Gums, it is unfortunate that one of the few notable black characters on the show and THE ONLY recurring character (usually) voiced by a black man exists almost exclusively to forward the story of Lisa dealing with loss. We do get his life story of being an underappreciated talent but Bleeding Gums job is to completely support Lisa, which is good, but he doesn't get a lot beyond that. And yeah, many major Springfieldians don't get a lot of death but the weight of the death is purely on the feelings of a little white girl who just lost her biggest booster. Watching it again through that lens, Murphy is a character with a good performer and has a weight that is rare on the show with his presence but in the end he and his death are devices.

So this does strain my enjoyment a bit compared to before but it is still a good episode. In terms of being sentimental, its one of the lesser sentimental episodes of the era. But it has a lot of funny business with Bart and Smith and Taylor put the work in to both sell jokes and the emotions of a scene. After all, it always hurts to watch Lisa's heart breaks. But even though they are mostly to forward jokes, I like that as tactless as they are, Homer and Bart genuinely want to cheer up or comfort Lisa. Yeah, Bart's thing is to set up a killer butterfly gag (no pun intended but retroactively appreciated) but the set up seems a little sweet. Of course, the real sweetness is not only Bart sacrificing his own childhood glee for his sister's happiness but the very specific reason he does it: she believed him. Overall, this goes for sweet and funny but I feel like the wins are mostly in the funny column for this one.

Jokes I missed before:

"What can you give me for this AA chip."
"Barney, this is a five minute chip. Eh, its worth a Pabst."

Other great jokes:

Bears: Now with jagged metal eyes.

"Yes, why is that student lying on the floor?"
"Well, in some cases the floor-- oh, look."
I love Skinner's aborted excuses.

"Can I have my appendix out?"
"Why not? Follow me kids! Nurse, prep these children."

"We all thought it was funny."
"... That's not funny."
Great line read.

"This one's a great jazz musicians."
"Ah, they all are."

"Uh, Krusty, that wasn't a metal one, it was a regular Krusty-O."
"It's poison."
Me eating Krave.

"They'll be playing Stars and Stripes Forever, hopefully not forever."

"DEATH!"
This was me as a teenager. I... I was dealing with some stuff.

Lovejoy's half-assed eulogy is perfect in its sucktitude.

"Lady, he's putting my kids through college."
This is a man who gets Homer. We call this a symbiotic relationship.

Another stellar "Bart fantasizes about terrible things happening to him that he thinks is cool."

I love how he opens with a playfully written intro and dives headfirst into sadness.

Other notes:

Oh my God. The Klingon Chef in Deep Space Nine is Bleeding Gums Murphy!

The Simpsons and MST3k both had gags about Steve Allen's insane talent for innovating and cranking stuff out but as someone who grew up in a largely post-Steve Allen world, his significance is a bit lost on me.

Fun fact: I read that in order to relieve the overworked Simpsons staff, The Critic writers worked on this and the crossover episode. There are some jokes that ape the Simpsons style perfectly and are great (The butterfly). There are some that feel a bit more like a good Critic joke more than a Simpsons joke (the Bill Cosby bit, though the Simpsons would return to the Cosby well on their own) and some feel like a weak bit of pop culture riffing that isn't particularly funny and I'm not sure what the point is (the ghosts of James Earl Jones characters).

 

[zonetrope]

"Jazzman" is a cover of a real Carole King song, but it's a weird choice, not exactly one of her songs for the ages.

I love the Hill Street Blues-style version of the Simpsons theme that plays over the closing credits.

 

[Johnny Unusual]

I assumed it was an original song. Yeah, the lyrics aren't particularly strong.

The Hill Street Blues actually appears in the next episode, which is a personal favourite. I like to bring up the "garage" joke with my sister's partner, a Englishman who calls it a "gare-ij".

 

[zonetrope]

The Hill Street Blues actually appears in the next episode, which is a personal favourite. I like to bring up the "garage" joke with my sister's partner, a Englishman who calls it a "gare-ij".

slaps forehead

It's late, and my brain seems to have picked an element from the next episode in my mental spreadsheet of season 6. I spent a lot of time reading snpp.com around that time.

 

[Lokii]

and some feel like a weak bit of pop culture riffing that isn't particularly funny and I'm not sure what the point is (the ghosts of James Earl Jones characters).

Yeah this one always falls flat with me but "this is CNN" and just the general vibe of taking Disney down a peg really played well I first saw the episode as a kid.

 

[MetManMas]

I know the cloud guys isn't the best joke, but knowing what I do now about The Lion King and Kimba the White Lion I did have a good laugh when Mufasa used the wrong name.

 

[Juno]

I know the cloud guys isn't the best joke, but knowing what I do now about The Lion King and Kimba the White Lion I did have a good laugh when Mufasa used the wrong name.

Had no idea about Kimba until now and read all about that, crazy story

 

[Büge]

Twinkle, twinkle, groovy cat,
How I wonder where you at.
I really love the way you cook,
Just like me, when I wrote this book: How To Make Love To Steve Allen. From the author of Happiness is a Naked Steve Allen, Journey to the Center of Steve Allen, and The Joy of Cooking Steve Allen.

 

[Johnny Unusual]

The Springfield Connection

While I have been aware there have been a lot of problems within the police system including corruption and abuse of power, I admit it wasn't until the past decade that I saw how deeply broken the police system is essentially the world over. It seems like becoming a cop means exposing yourself to a system of belief that perpetuates the idea that there are "warriors, victims and villains" and encourages some very tribalist behaviour. I was aware that generally cop fiction features a romanticized view of the police (I'm still a big fan of Brooklyn Nine-Nine, a workplace comedy where "copaganda" is not uncommon) that one should take with a grain of salt but I think we live in a time where if you can't see the problems with the structure of law enforcement and that it needs to be heavily rethought from the ground up rather than tiny fixes and seminars, then you are either being willfully ignorant or these things aren't problems for you. I don't know what the future of law enforcement should look like but I know what it shouldn't: more of the same. And with that change, a change on how law enforcement will be presented on TV.

In this episode, Marge manages to knock out a three card monte cheat after chasing him into an alley and finds that she suddenly has a taste for thrill seeking. This ends up leading her to want to join the police. After graduating from police academy, Marge becomes a Springfield beat cop and Homer enjoys the perks. However, when Homer's misbehaviour gets him in trouble with his wife, he soon disapproves. Meanwhile, Marge finds herself dedicated to her work but disappointed with people's disrespect for the law and is alienated from people who see her purely as a cop. Homer and Marge later discover a counterfeit jeans ring operating out of the Simpson garage during poker night. Marge arrests the crooks, including Herman, but then quits of force after finding that the police has taken the jeans for themselves and revealed the deep-seeded corruption in the police.

In some of these episodes, they've aged very badly (Homer Badman) or very well (Homer the Vigilante) or in some cases, kind of weird (Sideshow Bob Roberts). The Springfield Connection aged better than I might have thought but also a little weirdly. This isn't a huge indictment of police culture but it is in there in amounts that was greater than I expected. The show doesn't present some aspects as huge issues but it works non-the-less: Marge doesn't join the force to make Springfield better, it is clear she does it because she has a taste for thrill-seeking, which is a terrible reason to become a cop. We see that she sees the world through a particular filter thereafter, pretty ready to draw her gun at a moments notice. On the other hand, there are parts where they definitely are judging law enforcement. Obviously, there's the general corruption of the Springfield police. But there's also Lisa asking a serious question Marge can't even begin to answer.

But as a more intimate story about Marge finding her husband doesn't respect her new job, its pretty good. Homer's jerkiness is up a pretty high level this episode, "pranking" Flanders but implying his family is dead but his treatment of Marge outside of the liquor store is particularly nasty and her arresting Homer is pretty well-deserved. In the end, Marge proves herself to be competent and is able to save Homer with a combination of her cop skills and mothering knowledge. Its a fun silly climax to the episode and while the "someday you'll appreciate having a cop in your corner" doesn't read very well today, the episode doesn't feel like a paean to the police, which helps it age a bit better.

The counterfeit jeans climax is pretty fun but I think the show also does having a sense of specificity in tone in the second act when Marge is wandering the dirty streets of Springfield. I assume it is a parody of Hill Street Blues, a show I know is very lauded but I know very little about. I guess its a cop show that is less "adventure of the week" and more "human drama" but someone can correct me on that. In terms of comedy, I think the stand-out section of the episode is Marge's tenure at the police academy, with a lot of great visual gags. I think the show's general cynicism towards authority in general allowed this episode to age a bit better. Even more recent shows, smart ones, can have problems in that regard. Again, I love Brooklyn Nine-Nine but the first season arc of Amy and Jake having a "who can arrest the most people" contest is kind of a bad look. Of course, worse is the shows that are love letters to the police, including the insanity that is Blue Bloods that bends over backwards to recontextualize arguments to make the cops the pure heroes and COPS, a show that is somehow still around and has gone from stand-up/sketch comedy punchline to a show that is rather disturbing in what it is trying to do and say. In this time of transition in pop culture and how things are presented, its nice to see something has mostly aged pretty OK into a new era.

Jokes I missed before:

"Antoine Bugleboy."

I love how stupid the name is and how stupid this guy looks.

"So long, got to catch the 501."
That's some quality villain quip.

Other great jokes:

"Hey, I told you, you don't get your gun until you tell me your name."
"I've had it up to here with your... 'RULES!'"
Approve of how he makes rules a two-syllable word.

"Women always have trouble with the wall. They can't ever seem to find the door."

"You missed the baby, you missed the blind man."
Shit, that's good social commentary.

"Attorney-dumpster confidentiality" is a good phrase.

"I hope they have Us Magazine in heaven."

"Are you really allowed to execute people in a local jail?"
"From this point on, no talking."

"All right guys, pipe down."

This is a great bit but do you hear "car hole" or "car hold"? Its funny both ways (the former is just a dumb name and the second sounds like a fake English term) but while Homer DEFINITELY says "car hole" later, I swear Moe is saying "Car Hold." I can't tell if the d is there in his voice or the animation with his mouth is tricking my brain.

"Sell the jeans and live like a queen!"

"Just taking Maggie for a stoll."

Is this a joke?:
The newstand guy named Benevenstanciano?

Other notes:

What's deviled ham? I could look it up but I always like having these food discussions.

 

[Lokii]

Marge is a good cop because she quit.

 

[Büge]

I'm pretty sure "deviled ham" is just ham that has pepper added to it.

 

[Jeanie]

https://twitter.com/i/web/status/1341127737176518658

 

[Octopus Prime]

This episode also had the exciting continuation of the saga of Agnes and Seymours struggle over a bath pillow

 

[Johnny Unusual]

Lemon of Troy

I love my country but I've never been a "patriot". Granted, I wish I knew more about Canadian history and the history of my province. But I love the people and the local culture. But I'm not interested in talking at length on it. I don't like to be performative about it. That kind of stuff creeps me out. Last year, me and @JBear went to America to visit @Dracula, I was creeped out by just... flags everywhere. I'm not sure I got the point. Everyone knows what country they are in, right? Its weird and unnecessary branding. But maybe I'm only seeing it this way because of where I am from, where we feature fewer flags on thing. I think its unsettling, but maybe that's unfair because despite being inundated with American culture, there's simply something about it, positive or negative, that I simply don't get. America is very close and very similar but it is still a foreign country...

In this episode, Marge catches Bart defacing public property and decides to instill in him with a sense of town pride. The lesson takes and Bart starts to realize how much he loves Springfield. However, after an argument with the children of neighboring Shelbyville, Bart also finds his pride turning into a rivalry. The next day, the kids learn Shelbyville has stolen their town lemon tree and Bart and some other kids team up to find and return the lemon tree. As the kids navigate a strange new town, Homer and some parents hunt for their kids. Eventually, the parents catch up with the kids who have found the tree. The adults and kids team up and rescue the tree using their wits and bravery.

As the title implies, there's a slight connection to the Trojan War in terms of the inciting incident and the climax. This episode recognizes the stupidity of tribalism and how trivial differences are utilized to "other" others. Whenever a character brings up why their town is superior, its usually a pretty stupid or silly reason and often exposes their own failings. Objectively, the Springfieldians are more heroic simply because they've been wronged and look to put things right. Its never "both are mutually guilty" in terms of action, they are just mutually goofy boastful and obnoxious about their town pride.

However, I wouldn't say its "about" that, so much as it uses it for a fun romp of adventure and excitement. It captures kid hi jinx really well. I don't think any of the writers ever went on a mission to recapture a lemon tree, but I know a lot of kids go on "missions" that seem important to them that feel similar. The kinds of missions that involve pranks and espionage (like "finding out what the girls are talking about") and some sort of war. This is more what the episode is about, taking the kids stuff and making it a mythic adventure. We are never told what time of year this takes place in but it certainly feels like Summer. If it wasn't for the next episode, this feels like it would have been a season finale. Of course, next week certainly makes MORE sense as a finale. Can't wait to revisit that one.

And being about myth, though I think it wants to be more about the adventure, it does bring things back to the kind of stories we tell ourselves. In the end, Springfield wins but Shelbyville is spinning the story already as their own win. Milhouse and Milhouse are both convinced that one kid is copying the other. It even begins with a joke not directly connected with the plot in which Bart imagines creating his own myth. Myths are made up of lies and things we want to believe in. This isn't a bad thing, necessarily, as storytelling and art is how we make sense of our world and put things in perspective. But it can often be used to justify some stupid stuff. Its pretty obvious now when the hot conspiracy theory trend of the 90s is back and more racist than ever. I love myths but I just wish people wouldn't try to conflate them with facts to justify shittiness.

Lemon of Troy remains an all-time favourite. Its incredibly quotable, is a fun ride and feels very much through the eyes of kids in a way that works well. The kids can't wait to prove themselves heroes and do amazing things (particularly Milhouse). It finally allows us to see the long-talked about Shelbyville and its presented as an alternate universe Springfield, albeit a little more rough and tumble. The Simpsons have done adventure episodes before, often making the stakes bigger than most sitcoms, even animated one. In this one, the stakes are actually small and yet it feels big simply through having the kids care about it enough that we do to. May kids continue to have adventures once the pandemic is over. But lets cool it with the tribalism.

Jokes I missed before:

I missed that the Willie equivalent called the kids "Cube gleamers".

Other great jokes:

"A part of us all, a part of us all, a part of us all."
"Wow, that does work."

"Takes one to know one."
*shocked look*
"Checkmate."

"Hey, everybody, an old man's talking."

"Did you know this tree dates back to frontier times?"
*awed murmurs*
"SHUT UP!"

"Oh, look, a clue. A candy bar wrapper."
This is only a joke through Database's line read.

"Yes, Bart's a tutor now. Tute on, son! Tute on!"

"OK, what's two plus two?"
"Five."
"Story checks out."

"Yes, and that wig makes him look a lot like one of the Beatles."

"This whole thing is as useless as that stupid lemon shaped rock over there. Wait a minute... THERE'S A LEMON BEHIND THAT ROCK!"

"Stupider like a fox."

"Faster son, he's got a taste for meat now!"

"There's a doings a transpiring."

"Shake harder, boy!"

"Now lets all celebrate with a cool glass of turnip juice."

Other notes:

Here's a difference between Canada and America... or at least my part of Canada: generally you don't see "Country Time Lemonade". I think its available in other parts of Canada but not here.

When the two Milhouse's meet... is this the inspiration for Batman v Superman?

 

[Büge]

"I sure could use that flying motorcycle now..."
"You had your chance!"

 

[Johnny Unusual]

Disney Plus knows exactly what a Simpsons Christmas marathon looks like.

 

[Ghost from Spelunker]

Re: Lemon of Troy

Me and my pals use these lines all the time:
"Missing Children?"
"Sounds like Springfield has a discipline problem."
"That must be why we beat at them football almost half the time."

Just the way the actor said "missing children" is priceless.

 

[Johnny Unusual]

Who Shot Mr. Burns - Part 1

When The Simpsons first aired, it was an event. The show was such a phenomena that it seemed to completely take over the public consciousness. Though the show remained popular, the clamor understandably declined in the following seasons, but the show, already critically acclaimed, was acknowledging as getting better. I always felt that the heat dying down allowed the show to be more of what it wants to be (though it is impossible to say for sure) and evolved in the best way because of it while remaining a ratings hit long after parroting of the catchphrases ended. But the show would have two more events left in it: in 2007 with the release of the Simpsons movie (and even then I feel it was more the marketing campaign of turning 7/11s into Kwik-e-marts) and even bigger with the show's first (and, until recently, only) two-parter "Who Shot Mr. Burns". Ironically, it itself was a parody of another TV phenomenon (the "Who Shot JR?" cliffhanger from Dallas) but I'd argue this was AS big, with a big contest and everyone was trying to figure it out. Even as a kid, I knew the status quo would be restored by the end of part two but I can't deny having my own theories. It seems silly in retrospect to get so invested but I was really excited by trying to figure it out and noticing the clues.

In this episode, Springfield Elementary is shocked to discover it is sitting on a lot of oil, delivering a promising future to a failing school. However, Mr. Burns decides he wants the oil for himself and creates a "There Will Be Blood"-style plan to snatch the oil for himself. Understandably, this makes enemies of a lot of people, not just the school but also Bart (after Santa's Little Helper was seriously injured by Burns' scheming), Moe (whose bar had to be closed due to its proximity to Burns' oil rig), Barney (same reason), and Grandpa (whose drilling has destroyed the old age home), to name a few. Even Homer is angry at Burns for not remembering his name. Burns, meanwhile, intoxicated by his increased wealth and power, creates a giant device to block out the sun, guaranteeing people will need his power at full force 24/7. At this point, even Smithers feels compelled to stand up to Burns and gets fired for it. At a town hall meeting, everyone is angry at Burns but Burns arrives to reveal his plot to block out the sun and brags that no one has the guts to stop him. Later that evening, Mr. Burns is shot, his assailant unseen and everyone in town is a subject.

This episode is very much a parody of Dallas' most famous story, though really I don't remember a thing about that show except sometimes my grandmother watched it. But while it is probably taking all its cues about the jerkiness of the Dallas lead combined with Burns' villainy, I do think there are things going on here. One is not subtle: the rich are jerks. And it is very over the top, I feel like we've seen the depth of bald-faced evil of the rich is pretty much the same as Burns. With no real enemies who can beat him in the legal sphere, Burns feels confident enough to not have to worry about PR and putting a friendly face on his evil. I mean, he wasn't subtle about it before, but I feel like we live in a time where our own societal villains are coming right out and saying "Hi, we are evil." The only difference being, shockingly, that turning against the villains isn't somehow completely unanimous. We live in a gamed system and if one side has seemingly no hope of winning within the written rules, than what reason does the other side have to hide its hand. Smithers definitely knows that Burns is evil and cruel but I do buy that he would turn on him simply because without any rules or obstacles, even the piddling ones the rich can easily deal with, its pretty hard to romanticize the ugliness of it.

The other aspect is actually something that reminds me of Stephen King talking about the creation of the Dead Zone. For him, the inspiration for that was not "what if you could see the future" but "could a political assassination ever be justified". Feeling that America is a country born out of and living by the gun, he wanted to examine if an extreme act could ever be used for good. Stephen King, in many ways, is a "meat and potatoes" writer but its easy to forget that despite being an airport favourite of the masses, he has the best horror inclination to want to go into uncomfortable places. In this episode, we see that while Burns is an evil unto himself, the evil of guns is permeating Springfield. Now, I suspect this is more based on plot funsies to set up anyone as the killer. After all, the episode DISTINCTLY about guns was controversial in the writer's room because despite a largely left leaning show, many of the writers were pro-gun. But I think pretty much everyone in the writers room recognized that there was a sense of dark inevitability that had to be driven home before the deed was finally done. Despite the fact that it is a very silly episode, it also includes this strikingly haunting image.

Its a surprisingly moody image in this episode and I applaud its appearance.

Despite directing us to a broken system, this episode doesn't feel like its trying to say anything particularly deep about this stuff. Instead, they are tools to set up a fun mystery. And it is. Who Shot Mr. Burns is dense with set up and plot and instead of it squeezing out jokes or even drama (though mostly jokes), it is dense with them too. This feels like an incredibly tight episode with tons of jokes but isn't overstuffed and things have time to breath. Its amazing to compare this with later seasons where it doesn't feel like it has time for anything and each episode is its own cliffnotes to itself. I remember reading that they had an actual mystery writer help consult and then tossed most of his ideas out but as is, the clues they leave us are just enough to make as ask actual questions. But I'll discuss that more tomorrow.

Jokes I missed before:

Other great jokes:
"Hmm... sounded large when I ordered it. I can't make hide nor hair of these metric booby traps."

"What's that say under your hand there."
"Oh, it's an unrelated article."
"An unrelated article. Within the banner headline."

Reminder: this is all one actor.

"It is unfeasible to raise the dead, Bart, and even if the three stooges were alive, I doubt they'd want to hang around with you."
"Oh, yeah, I guess they'd probably want to be with their families or something."

"Man alive there are... men alive in here."

"Since the dawn of time, man has yearned to destroy the sun..."

"Sorry, grandpa but for a second it looked like Dad had melted."

"Hey, the lamp's runnin' away."
"That's my dog, man."
"So long, lamp."

"Also it has been brought to my attention that a number of you are stroking guns. Therefore I will step aside and open up the floor."

"...and my friend's collection of old sunbathing magazines."
"You bastard!"

Other notes:

Great walk.

I like how despite everything, Burns seems to have only fond memories of non-Homer Simpsons, even his treacherous heir.

Do we all agree that the oil well outline is intentionally shaped like America? Or is it a coincidence?

There's a line from Groundskeeper Willie about being too superstitious to work in a cemetery. This feels like a clue that never panned out.

The first of what looked to be an attempted running gag... a character wanting to hear from another character. In this episode, Flanders wants to hear from Sideshow Mel and in a later episode Mel wants to hear from Lionel Hutz. The gag never really continues, which is OK because I don't think it quite lands but I always felt proud for noticing.

I can't wait to watch the follow up tomorrow. Can you?

 

[Purple]

This guy makes a pretty compelling case.

 

[Red Silvers]

I remember they went all out before the season premier of the second half, taking over the timeslots normally used by COPS and America's Most Wanted to hype up speculation and such.