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I was a bit surprised how directly the show leads into Rogue One because of this arc being "BBY 1", but it works and the montage of all the characters as Cassian prepares to walk into the movie while the theme plays was one of the best end-of-show wrap ups I've seen.
 
Yeah that was a little weird to me too, but then I remembered BBY is the entire year leading to the Battle of Yavin (i.e., BBY ends with 1, ABY starts with 0).
 
I am glad, genuinely, that y'all liked Andor S2.

I thought it, with the exception of the BBY 3 sections which were excellent (and if I'm getting the year wrong, I mean the episodes in the back half of the season surrounding the Ghorman massacre), was pretty terrible. The only character's ending I liked was Dedra - seeing her ending up in one of those prisons Andor was trapped in for, iirc, thirty seven consecutive episodes in S1 was a fantastic way to end her arc. Otherwise... why did I watch multiple episodes about Mon Mothma's shit husband and crap daughter (the latter of which gets nothing by the end - her dad is apparently with some other drunken Imperial noble now, somehow having not been murdered by the Imperials because ???, but is her daughter still being ignored/possibly abused by her new spouse? Does she ever have a change of heart about her mom? Who knows! Hope you enjoyed her fucking wedding!), why was there all that guff about Mon owing that one guy a ton of money just for him to end up getting killed offscreen, why did Syril suddenly decide Dedra's actions were too much instead of going along with her to the very end like they seemed to be setting up, why did I have to spend so much time with his fucking weird mom, why did we waste three episodes with Andor stuck on Yavin with a bunch of nobodies (who I guess all died after Andor left? And what was the monster? I guess the Rebels took it out by the end of the season?), and why did they keep cutting to "one year later" every fucking time the show threatened to get interesting?! I guess Bix got rid of her addiction to whatever those drugs were during one of those "one year later" bits? And biggest of all for me - and I'm willing to admit maybe I just missed something here - why the absolute fuck did Bail Organa seemingly try to kidnap Mon Mothma after her big coming out as a Rebel speech? I know one of them was working for the Empire, but the others wanted Mon Mothma dead too, did they not? I kept waiting for that weird ass plot point to resolve, but it just never did. I can kinda see why they didn't get Jimmy Smits back, since there's both no complete arc for the guy and they kinda sell his character out for no apparent reason, making him seem like he's maybe an Imperial spy or something?

I freely admit I've not watched any of the cartoon Star Wars shows, so maybe all this stuff is answered elsewhere, and fair enough. But by the time they showed Andor has a kid out there somewhere at the end, I was just like OH COME ON.
 
Oh! I can answer most of these Kazin! If you'll have patience with me:
why did I watch multiple episodes about Mon Mothma's shit husband and crap daughter (the latter of which gets nothing by the end - her dad is apparently with some other drunken Imperial noble now, somehow having not been murdered by the Imperials because ???, but is her daughter still being ignored/possibly abused by her new spouse? Does she ever have a change of heart about her mom? Who knows! Hope you enjoyed her fucking wedding!)
I hated Mon Mothma's storylines this show for the most part. I thought her parts of the show were boring and dull. But in retrospect (and something I identified as the show was airing) that's really kinda the whole point of her. Something to know about this show is that the showrunner making it is a guy who studied fascism in academia and his whole thesis for Andor is what does it actually look like to really have to fight fascism. Because - and speaking as an American - we never had to truly deal with this until now. Our fascist movements in the 30s were kept in check by FDR, so when we think about fighting fascism, we think about storming beaches and conventional warfare. Not what it looks like when your own society turns that way.

The entire point of Mon Mothma's storyline is to show what it looks like to try and fight fascism from the inside. By using the old levers of power and trying to keep going about business like nothing has changed, even though *everything* has changed. And Andor settles on the fact that it's an almost completely pointless and worthless endeavor. She's going to committee meetings and schmoozing with other elites, but they live in a completely different world that's entirely isolated from the horrors ensuing out in the real world. It's an illustration to show the how and why a democratic institution like the legislature can cede its power and become completely impotent when a fascist dictator takes over. Most of the senators in that building are trying too hard to keep their lavish lifestyles versus doing the hard work of fighting the good fight. And that's why her speech and escape from the senate is such a big deal. It's showing what *actually* has to be done by our legislators and thus by reflection, what ours are NOT doing IRL.

why was there all that guff about Mon owing that one guy a ton of money just for him to end up getting killed offscreen
It's the human toll and the first real consequences of fighting for the rebellion that Mon Mothma actually has to deal with. Her job is so abstract/removed from reality that it's a huge shock to her, to have to deal with the real consequences herself. The fact this guy is getting killed isn't what's interesting, because people have to die all the time in war. It's her reaction to it that's interesting. Because at that point she's still in her "pretend like everything is normal" phase of her rebellion, and everything isn't normal. Her childhood friend is getting murdered for being a loose end, and she feels like there's nothing she can do about it because she's still a completely passive player in this entire scenario.

why did Syril suddenly decide Dedra's actions were too much instead of going along with her to the very end like they seemed to be setting up
On top of being a bootlicker, Syril is a true believer. He's not a cynic who is there to grift. He believes in law and order, and that all this fascist shit will actually make society better somehow. He also desperately wants to belong to something and have a meaningful life, because he knows instinctively that his life ain't that. He's there on Gormon for years, living among the people, being a double agent. He sees how they're just regular people who would rather have normal lives and believes he's there to help them. So when reality becomes inescapable and the cognitive dissonance finally hits, he crashes out. Because this place and its people that he's grown to care for, he is finally realizing oh, they're not just trying to keep the peace. It's literally the "are we the baddies?" meme.

I actually love Syril's storyline. The guy is a pathetic loser, and his story is demonstrative of what losers like Syril get when they sign up to lick boots for fascists. You don't get to be a hero, you don't get good things, you only get to watch as you get betrayed by everything you believed in, and you get a meaningless, pathetic death in obscurity. Syril wanted so badly to be someone important and for his life to have meaning, and the last things he experiences in life is the guy who he's been chasing for four years be like, "Who are you???" *chef's kiss*

, why did we waste three episodes with Andor stuck on Yavin with a bunch of nobodies (who I guess all died after Andor left? And what was the monster? I guess the Rebels took it out by the end of the season?)
I thought this arc was overly drawn out. They could have gotten the point across with just one episode. But the point of this was to show how slipshod a lot of resistance fighters actually tend to be. If there isn't strong, principled people in charge, things tend to fall apart. Infighting, egos, and stupidity have killed more revolutions than oppressors have. They're showing what the Rebellion started out as, and why it's so important for competent people like Cassian to stand up and assume leadership in desperate times. It's there to contrast to the Yavin IV we eventually see in ANH and Rogue One where there's a real and functioning operation that evolved between the two time frames.

and why did they keep cutting to "one year later" every fucking time the show threatened to get interesting?!
The original plan for Andor was that it was going to be 5 seasons, and that each season would be one year in the lead up to Rogue One. By the time they got around to working on Season 2, they decided to scale back their ambitions so that the events of S2-5 would now only be one season. And those arcs would be 3 episodes each instead.

I guess Bix got rid of her addiction to whatever those drugs were during one of those "one year later" bits?
Her situation was really just an issue of idle hands spending time with the genitals nose candy. She was just idly wasting away in the safe house because everyone else in her life didn't trust her just yet to go back to doing missions. And for good reason, but like, what ended up being best for her, was being active with the resistance and doing shit. Which is why it's a big moment for her when Cassian realizes this and helps her get revenge on the guy that tortured her.

And biggest of all for me - and I'm willing to admit maybe I just missed something here - why the absolute fuck did Bail Organa seemingly try to kidnap Mon Mothma after her big coming out as a Rebel speech? I know one of them was working for the Empire, but the others wanted Mon Mothma dead too, did they not?
Bail wasn't trying to kidnap her. Bail Organa is categorically a good guy in the Star Wars universe. The problem is, he wasn't taking his rebellion as seriously as Luthien was. He's a Senator, not a spymaster, so he wasn't doing enough to keep his shit secret, and he let his operations get infiltrated by the ISB. Cassian wasn't sent on a mission to intercept Mothma because Bail was ISB, but because Luthian had intel saying Bail's operations were compromised. And if they were compromised, Mothma wouldn't get out of the Senate alive after telling the Galaxy that the Emperor has no clothes.
 
Appreciate the detail, actually, no patience required from me lol. Taking these a bit out of order because one point you made in the middle of your post kind of unlocked the rest of it for me:

The original plan for Andor was that it was going to be 5 seasons, and that each season would be one year in the lead up to Rogue One. By the time they got around to working on Season 2, they decided to scale back their ambitions so that the events of S2-5 would now only be one season. And those arcs would be 3 episodes each instead.

This makes a lot of sense to me. So much of this season feels unfinished, even with the added context and reading you give me - the first three episodes on Yavin wouldn't be too huge a problem if we got extended sequences with the other characters, but we just... don't. I wonder how far they got into season 2 before they made the decision to scale it back? Because it feels like they had the first three episodes nearly finished and then had to rush everything else. As much as being succinct is uncommon these days, I think they cut too much, or didn't scale back their ambition enough, because I found S2 of Andor a pretty rough watch.

Her situation was really just an issue of idle hands spending time with the genitals nose candy. She was just idly wasting away in the safe house because everyone else in her life didn't trust her just yet to go back to doing missions. And for good reason, but like, what ended up being best for her, was being active with the resistance and doing shit. Which is why it's a big moment for her when Cassian realizes this and helps her get revenge on the guy that tortured her.

Jesus, I forgot all about them getting revenge on that guy. That could have been a whole episode! But no, far more interesting would be *checks notes* three episodes about characters on Yavin who never come back lol. I know I'm harping on about it but I'm actually invested in the actual characters the show has, and it just felt like they were doing everything they could to ignore them.

Bail wasn't trying to kidnap her. Bail Organa is categorically a good guy in the Star Wars universe. The problem is, he wasn't taking his rebellion as seriously as Luthien was. He's a Senator, not a spymaster, so he wasn't doing enough to keep his shit secret, and he let his operations get infiltrated by the ISB. Cassian wasn't sent on a mission to intercept Mothma because Bail was ISB, but because Luthian had intel saying Bail's operations were compromised. And if they were compromised, Mothma wouldn't get out of the Senate alive after telling the Galaxy that the Emperor has no clothes.

They did a piss poor job getting that across - and I acknowledge that it's partially my fault for not watching it closely enough, but Luthen implying that Bail may in fact be untrustworthy didn't get conclusively disproven later on imo. I don't recall there being a scene where it shows him like "oh shit, the people I sent to get Mothma off planet were infiltrated by the Empire" or anything, and as far as I can remember I don't know if he's ever made aware of that fact, even by Mothma (perhaps he was made aware of it, but like so much of this season, I suppose that would have happened offscreen during one of the "one year later" sections). The fact that the robot guy from Rogue One is like "here's the guy you dislike" when Bail goes to meet Andor in the last episode didn't help, either.

I hated Mon Mothma's storylines this show for the most part. I thought her parts of the show were boring and dull. But in retrospect (and something I identified as the show was airing) that's really kinda the whole point of her. Something to know about this show is that the showrunner making it is a guy who studied fascism in academia and his whole thesis for Andor is what does it actually look like to really have to fight fascism. Because - and speaking as an American - we never had to truly deal with this until now. Our fascist movements in the 30s were kept in check by FDR, so when we think about fighting fascism, we think about storming beaches and conventional warfare. Not what it looks like when your own society turns that way.

The entire point of Mon Mothma's storyline is to show what it looks like to try and fight fascism from the inside. By using the old levers of power and trying to keep going about business like nothing has changed, even though *everything* has changed. And Andor settles on the fact that it's an almost completely pointless and worthless endeavor. She's going to committee meetings and schmoozing with other elites, but they live in a completely different world that's entirely isolated from the horrors ensuing out in the real world. It's an illustration to show the how and why a democratic institution like the legislature can cede its power and become completely impotent when a fascist dictator takes over. Most of the senators in that building are trying too hard to keep their lavish lifestyles versus doing the hard work of fighting the good fight. And that's why her speech and escape from the senate is such a big deal. It's showing what *actually* has to be done by our legislators and thus by reflection, what ours are NOT doing IRL.

I was actually pretty interested in seeing how Mon Mothma went from being, as you say, comfortably but ineffectually trying to be a rebel on the "inside" to where she gets in, say, episode IV, but we don't get that - as soon as she gives her "coming out as a Rebel" speech and is rushed off planet, we get one of those frustrating "one year later" screens and we gloss over the immediate fallout of her actions. That would have been really interesting! And I feel like someone who studied fascism would have had very interesting things to say about the process of decoupling yourself from the system and becoming truly a rebel! But again, we don't get that. We get a long scene of her dancing sadly, but we don't get her learning to actually fight, which was very frustrating. Mon Mothma was so underwritten in the original Star Wars movies, and they could have done so much with her, but they (imo) completely flubbed it here. Showing how futile fighting fascism from the inside is is one thing, but not following through with her after she realizes that is another.

On top of being a bootlicker, Syril is a true believer. He's not a cynic who is there to grift. He believes in law and order, and that all this fascist shit will actually make society better somehow. He also desperately wants to belong to something and have a meaningful life, because he knows instinctively that his life ain't that. He's there on Gormon for years, living among the people, being a double agent. He sees how they're just regular people who would rather have normal lives and believes he's there to help them. So when reality becomes inescapable and the cognitive dissonance finally hits, he crashes out. Because this place and its people that he's grown to care for, he is finally realizing oh, they're not just trying to keep the peace. It's literally the "are we the baddies?" meme.

I actually love Syril's storyline. The guy is a pathetic loser, and his story is demonstrative of what losers like Syril get when they sign up to lick boots for fascists. You don't get to be a hero, you don't get good things, you only get to watch as you get betrayed by everything you believed in, and you get a meaningless, pathetic death in obscurity. Syril wanted so badly to be someone important and for his life to have meaning, and the last things he experiences in life is the guy who he's been chasing for four years be like, "Who are you???" *chef's kiss*

I should mention that I do think his final scene is pretty good, yeah - Andor being like "...the fuck are you?" was pretty satisfying lol. I don't think the show successfully shows him coming to like the Ghormans though - he always seems like he's very into his double agent job with the Empire and doesn't care one whit for the people on the planet, so when he did turn on Dedra it came out of nowhere, or at least it felt that way to me. Maybe we could have had some scenes showing him coming to like the Ghormans to eventually sell his turn on Dedra, instead of, say, the long, ultimately pointless dinner with his mom and Dedra early on? Like, what does his mom add, besides the fact that he's kind of a momma's boy wimp type of guy, which we were already sold on from season 1? This is what I'm talking about, really - so many of the show's scenes and even characters seem utterly pointless by the end, when some interesting shit was left on the table, like the Mon Mothma stuff I wanted as I said above.

I dunno. I guess I'm left frustrated because the show kept gesturing at stuff I was really interested in seeing, then spiraling off into stuff I... wasn't. I guess that's on me. Other than the Ghorman massacre stuff, which I think was very well done.

Thanks again for the detail, though, and again I hope I don't come across as somebody who is mad everyone else seems to enjoy it so much lol. I'm not! I wish I was with you!
 
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I was under the impression Andor got cut back from 5 to 2 seasons because of budget reasons. Season 1 is excellent and would've been the blueprint for all the other seasons in terms of pacing and depth, but that probably would've cost a fuckton more money than Disney was willing to spend.
 
Sounds like Andor got screwed over for the same reasons Doctor Who seems to have been screwed over. Thanks Disney!
 
I mean, I don't think there would've have been five seasons in any world. Mandalorian got three (and a half-ish, counting the crossover in BOBF), and that was their inaugural D+ TV hit. I think the realistic other way this would have gone was two seasons, maybe three, and then cancellation with an unfinished story, because it's extremely expensive AND among the least-watched Star Wars shows. The compromises made are why we get a show as good as this one is (I really liked it throughout).
 
I sure wish the richest entertainment conglomerate in the world (this may not be true but Disney is certainly up there) could figure out how to profitably make Star Wars content. It is crazy to me that they apparently cannot (I know this also has a lot to do with the untenable streaming model, but still)
 
They announced the show would be two seasons either during or after the release of the first season. There's no way they wrote the first three episodes of season 2 not knowing there would only be nine more after that. So if you have complaints about that arc and the pacing of it, then your problem is with the show itself. I think Cassian's story in the first two and a half episodes is one of the weaker bits of the series, but I liked the other stuff in that arc. I don't agree that we didn't get anything from the other characters.

As for your other complaints, I just have to disagree for the most part. Syril believed in the empire, and when Dedra finally explained to him that they were engineering a violent incident to justify cracking down on the planet and taking all their resources, his belief died. It made perfect sense to me. Luthen didn't trust anybody, it was basically his entire personality. He was going to have Cassian killed in season one until he convinced him he was on his side. He was correct that Bail's team to protect Mon was compromised, but he was wrong about Bail. I don't think it needed to be spelled out anymore. It's a show that trusts its audience to connect things that it doesn't explicitly connect itself.
 
It's a show that trusts its audience to connect things that it doesn't explicitly connect itself.
Yeah this. I think the main part it doesn't work is in the explicit year gap between arcs, where they allude a little to events in between but there isn't really enough for me; not that there are gaps, but that the gaps are large and left empty. I think a less specific timeline would have worked more in its favor, so we know it's "sometime later" but don't have a whole missing year. But even then I found it easy enough to extrapolate unseen events from where everyone is now, at the start of each arc, and things that happen without being foreshadowed or shown still generally make sense. For example, the show could have told us that Dedra was collecting info all throughout, but it doesn't have to—we know her personality. It's the kind of thing she WOULD do, so learning that she has done so and that her obsession with being an intelligence packrat is leading to the Death Star being leaked fits right in with everything.
 
So if you have complaints about that arc and the pacing of it, then your problem is with the show itself.

Yeah, I mean, fair enough. I do think I have problems with it, without having known anything about the production of it before posting in this thread.

As for your other complaints, I just have to disagree for the most part. Syril believed in the empire, and when Dedra finally explained to him that they were engineering a violent incident to justify cracking down on the planet and taking all their resources, his belief died. It made perfect sense to me. Luthen didn't trust anybody, it was basically his entire personality. He was going to have Cassian killed in season one until he convinced him he was on his side. He was correct that Bail's team to protect Mon was compromised, but he was wrong about Bail. I don't think it needed to be spelled out anymore. It's a show that trusts its audience to connect things that it doesn't explicitly connect itself.
*shrug* fair enough. I do think it needed to spell things out more, because I had to come in here and have stuff explained to me that wasn't clear in the show itself (or, arguably, at all). You can say that's a me problem, and sure, to an extent, it is, but I do think it's sloppily written in parts. Heck, I think it's pretty sloppy overall - my main issue with season 1 (not the only issue, just my main one) was the multiple episode long prison bits, which felt like they went on FOREVER and weren't at all interesting to begin with, and we got a similar string of episodes at the beginning of season 2 here with the infighting Yavin groups. And for the record, I wasn't second screening this, I was watching both seasons while on the treadmill with bluetooth headphones in, so I was focusing big time on the show to get my mind off the dang jogging lol
 
my main issue with season 1 (not the only issue, just my main one) was the multiple episode long prison bits, which felt like they went on FOREVER and weren't at all interesting to begin with
Yeah I might agree with Adrenaline; this is pretty surprising to me, because the prison arc literally made me cry it was so good.
 
EDIT: Eh, nevermind, sorry everyone. I don't want to piss everyone off. I didn't like the show, I accept that.
 
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A lot of the parts that seemed slow or like they didn’t feed into any particular plot development were, to me, extremely important to character development. If those didn’t land for you, I could see the show seeming pretty bad.

I had no idea that season 2 was originally supposed to be several seasons. I loved the way they did it, it felt like it was telling a long, well considered story through the view of select key moments.
 
I acknowledge that it's partially my fault for not watching it closely enough
This was the mistake when watching it. A lot of information in Andor isn't spelled out. Most of the things you said weren't explained were in fact covered. While Andor is a slow burn there's always something going on. Tay Kolma gets himself whacked and it would be easy to miss some of the more important bits of his arc if you were on your phone.

Disney did drop the budget, because they realised streaming wasn't the golden wonderland that they'd thought it was and everyone's budgets got cut, but quite apart from that it took five years to do two seasons and Tony Gilroy didn't want to spend any more time doing it. As each arc is effectively a feature length film he's effectively made nine Star Wars films which even Lucas didn't do.

I have no particular interest in defending Disney but other than saying "fuck" Gilroy was allowed to do everything he wanted.
 
This was the mistake when watching it. A lot of information in Andor isn't spelled out. Most of the things you said weren't explained were in fact covered. While Andor is a slow burn there's always something going on. Tay Kolma gets himself whacked and it would be easy to miss some of the more important bits of his arc if you were on your phone.
And for the record, I wasn't second screening this, I was watching both seasons while on the treadmill with bluetooth headphones in, so I was focusing big time on the show to get my mind off the dang jogging lol
See above - my phone was literally not even in the same room as me (technically not even the same building, as my treadmill is out in the a garage lol). Also part of my issue with the show is I'd rather see a lot of stuff which is just implied, or happens offscreen (in particular, a lot of the Mon Mothma stuff). The Bail Organa stuff was apparently a misread on my part, but I would argue the show is too subtle sometimes, that part included. I appear to be in the minority about that.
 
See above - my phone was literally not even in the same room as me (technically not even the same building, as my treadmill is out in the a garage lol). Also part of my issue with the show is I'd rather see a lot of stuff which is just implied, or happens offscreen (in particular, a lot of the Mon Mothma stuff). The Bail Organa stuff was apparently a misread on my part, but I would argue the show is too subtle sometimes, that part included. I appear to be in the minority about that.
Sorry, didn't mean to imply that you specifically were on your phone, it was more of a general thing.

Personally I love the way Andor tells its story. It's rewarding to see all the links and callbacks. It's meticulously thought out, and it's added so much stuff to the Star Wars universe.
 
I'm in the last season of Rebels. I'm enjoying the show a whole lot. The animation is largely not great, and Thrawn is not an inspiring enemy. Mostly on account of the show really failing to convince me he's as smart and brilliant as his stated reputation. When all of his deductions are both very simple, and require the protagonists to all act pants-on-head stupid for them to work, it ends up leaving me underwhelmed. All of these drawbacks are a function of it being a kids show first-and-foremost. But it is at least not talking down to the audience the *entire* time. The characters are enjoyable/well crafted, which is a big plus. I'll be interested in seeing how they stick the landing. I already know the broad strokes of what happened thanks to watching Ashoka, but I'm here for the journey not the destination. Also, just like with Andor, it's very nice to see a show set in this timeframe, following Rebels doing actual Rebel things versus nearly everything else in Star Wars trying its hardest to avoid this time period/setting. As a much bigger Star Trek fan, it's kinda wild seeing the other STAR franchise have like the opposite problem.

I'm curious how I'll feel about Ashoka after now having better context. I'll probably need to rewatch since I don't remember *that* much that happened in it. But what I do remember, some of these characters that reappear like Sabine and Ezra don't remind me much of the characters I'm watching right now.
 
I just finished season 2 of Andor, and I liked the second half way better than the first. The hapless rebels in the first arc were just kinda frustrating to watch for as long as we did, and the ghorman front were kind of boring to follow, even before they sacrificed the queer character for no reason (lesbians getting happy endings in media challenge level impossible). But the second half was much stronger, kicking up a lot of good tension. It's just a good spy/political thriller and I like how it builds up the world of Star Wars in the ways a good prequel should, explaining interesting stuff about the background to ANH without getting too lost in the weeds with fanservice. I think it works much better as a prequel than the actual prequel movies.

I don't disagree with Kazin that there was some stuff I wish they would have covered in more detail, but overall I liked how they structured the season with the different years. It left some stuff unsaid (negative), but also it left some stuff unsaid (positive) to focus on the big events. (Like I said, this worked better in the second half of the season.)
 
Well, it's the curse of the streaming age: a show with a good first season will get renewed for a second season and then canceled. Each of the year arcs in season 2 was something that could have served as the skeleton of a season in its own right. I'm pretty sure the showrunner actually said so, even.
 
Andor wasn't canceled though. It was renewed for a second season and not more than that, and it's written and structured like it, not like something that got cut off before it was done.
 
I'm sure the slow-bursting of the streaming bubble contributed to the scale of Andor being cut back. The total cost of production for both seasons combined is reportedly over $600M, and that's just not feasible to keep going. However, the people making the show are artists in the classical sense, and I'm pretty sure that the prospect of dedicating the next decade of their career into making just one thing was not something they realized they wanted to be doing.

I finished Rebels and then went on to rewatch Ashoka. I think I appreciated and felt more investment in Ashoka a lot more this time around. Which I think is a problem for that show. As awesome as it was to get to watch all these characters/ideas represented in a high budget live action thing, I doubt it was a wise move in a corporate sense to make your expensive mass media less approachable to general audiences in that way.

I really liked most of how Rebels ended. (Although, if they were going to follow through on the kill the mentor trope like they did, that should have been done much earlier in the show to better explore the consequences/fallout.) And I liked most of what Ashoka did as well. But it's hard to watch Ashoka and not feel like Ezra Bridger was kinda done dirty. I know they wanted to make the show revolve around Sabine and Ashoka instead, and I'm more than fine with that idea, but I feel like they could have readily done that without kinda diminishing his character.

That whole franchise seems like it's in limbo atm while they figure out how to pivot things and the power structure there post-Kennedy. As much as I don't care about Heir to the Empire at all, it would be nice to see a big film adaptation of it, with Ezra and Hera sliding in to fill the Luke and Leia roles in the old books. But they'd probably need to do some kind of reintroduction of the characters to general audiences, because Ashoka just wasn't enough, and you're just not going to get most people to watch a children's cartoon, no matter how good it is.
 
I'm pretty sure Gilroy has said that while he had enough ideas to run five seasons, five seasons was never actually on the table (and Andor was on the low end for SW streaming series, performance-wise). So the scope was limited by that, but it wasn't a change in plan or a truncation the way so many shows end up. Season 2 was structured to cover the ground it covered from the off (and both seasons are made up of several smaller arcs). I felt like the year jump between arcs didn't serve S2 as well as a less over time skip could have, but I also don't think the show would necessarily have stood up over five seasons. Even with the somewhat compressed timeline the show is a slow burn. It's heavy stuff, and I feel like a longer run would have been more but not necessarily better.
 
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Andor feels like a show that would overstay its welcome re: five seasons. I feel like we likely got the best version we were going to get.

Then again, I feel like The Mandalorian has overstayed is welcome but there's a Mando movie coming next year, so wtf do I know.
 
If the movie can get more to the show's roots of Armor Dad and Gremlin Child than the S3 continuation of unfinished Clone Wars and Rebels plot lines and secret genesis of the Palpatine clone program, etc., I'm down for it. I get why they wanted to fit that stuff in but now that it's done, I'd like it lesser in scope.
 
Yeah, I only saw seasons 1 and 2 of Mando, neither Boba Fett nor season 3, and even then season 2 seemed decidedly lesser than the first because of the stuff it was pulling in. I just want more of the Lone Wolf and Cub Western in Star Wars, but lord knows what they're focusing on now.
 
S2 it didn't bother me, felt like seasoning until the very end, with Luke. S3 it's the main course, to the point that Mando and Grogu largely take a back seat and are along for the Bo-Katan ride.

BOBF is an interesting idea that's executed somewhat poorly before morphing into Mando S2.5 in the last few episodes.
 
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